SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Edgcumbe"/1) | (@(roleclean,performerclean) "Richard Edgcumbe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1991 matches on Author, 696 matches on Performance Title, 668 matches on Performance Comments, 483 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Don Quixote in England

Song:

Dance:

Performances

Mainpiece Title: King Richard Iii

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380204

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380204

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Nivelon, Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Nivelon, Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: CComic Dance-Nivelon, Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: As17380210

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380302

Performances

Mainpiece Title: King Richard The Second

Dance: I: Je ne scai quoy-Tench, Villeneuve, Miss Oates; II: Comic Dance-Nivelon, Mrs LeBrun; III: French Sailors-Lalauze, Mlle Roland; V: Grecian Sailors-Glover

Song: II: The Roast Beef of Old England-Leveridge; IV: Since Times are so bad-Leveridge, Salway

Performances

Mainpiece Title: King Richard Iii

Dance: As17421108

Song: Beard, Lowe

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: HHarlot's Progress

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Miss in Her Teens

Song: Platt

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Life and Death of Tom Thumb

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Old Witch of Endor; or, Harlequin Turn'd Beau

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Register Office

Entertainment: End: Bucks Have at Ye All-Richards

Monologue: II: Teague's Rambles to London. Capt. O'Brallaghan (with the favorite song in Love a La Mode)-Broderick; Terence O'Droghida-Youngs; the Knife Grinder (By Particular Desire)-Broderick

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Medley

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Afterpiece Title: The Waterman; or, The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by Bertoni and other eminent Masters [Myslivecek, Monza, Sarti]. 'Pacchierotti, who on this night made his 1st appearance in London, was] conscious that the chief delight of singing, and his own supreme excellence, lay in touching expression, and exquisite pathos...As an actor, with many disadvantages of person, for he was tall and awkward in his figure, and his features were plain, he was nevertheless forcible and impressive: for he felt warmly, had excellent judgment, and was an enthusiast in his profession. His recitative was inimitably fine, so that even those who did not understand the language could not fail to comprehend, from his countenance, voice, and action, every sentiment he expressed" (Mount-Edgcumbe, pp.24-25)

Performances

Mainpiece Title: Demofoonte

Dance: End II: La Noche Hollandoise, as17781124; End Opera: a New Ballet, connected with the Opera,-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: Annette et Lubin. As17781124

Event Comment: A Serious Opera [1st time; SER 3, author unknown; a pasticcio]. The Music by several celebrated Composers, and conducted [i.e. arranged] by Bianchi. Public Advertiser, 4 Dec.: Roncaglia was welcomed with merited and very flattering Applause, yet he seemed hurt at sharing with Ansani those marks of public Favour. We exhort them both to remember that Persons of their superior Talents ought to lay aside every petty Prejudice and personal Animosity. "[Ansani] had a finely toned, full, and commanding voice, was a spirited actor, and in the first opera, called Ricimero, sustained the most prominent and important part. But he was unfortunately of a most peevish, quarrelsome temper; Roncaglia was saucy and conceited, and neither could brook the superiority claimed by the other. Their mutual jealousy, and the importance assumed by the tenor soon produced an irreconcilable breach, Ansani threw up his engagement, and the season went on heavily to its close for want of him"(Mount-Edgcumbe, p. 29)

Performances

Mainpiece Title: Ricimero

Dance: End I: new ballet (composed by Zuchelli) The Squire Outwitted-Sg and Sga Zuchelli, Henry, Sga Crespi; End II: The Fortunate Escape, as17801125, but Henry; End Opera: +The Country Gallant, as17801125