Event Comment: "[King's] utterance possessed an articulate velocity and smartness never heard but from him; and a collected confidence in himself that extorted an applause paid to the situation, or the sentiment, rather than the man" (Boaden, Siddons, II, 105). [Address written by Richard Cumberland (Betsy Sheridan, Journal, 1960, p. 25).] Receipts: #255 13s. 6d. (228/1/0; 27/11/0; 0/1/6)

Event Comment: [Mainpiece in place of Tamerlane, announced on playbill of 23 Dec] Afterpiece [1st time; P 2 (?), by Ralph Wewitzer and Frederick Pilon. MS not in Larpent; not published. Synopsis of action in Town and Country Magazine, Supp. 1784, p. 717]: With new Scenery, Music, Dresses and Decorations. The Scenes chiefly designed by Richards, and executed by him, Carver, Hodgins, and assistants. The Overture, Songs, Chorusses and the whole Music of the Pantomime new, and composed by Shield. Nothing under Full Price will be taken. The Words of the Songs, &c to be had at the Theatre. "The performance was such as the first performance of pantomimes generally--machinery and scenery not so perfectly executed as when practice has rendered the movements more familiar to those to whom they belong, which, as the beauty of a pantomime depends on the celerity and adroitness of the scene-men, it seldom is discovered on the first night" (Public Advertiser, 28 Dec)

Event Comment: Benefit for Miss Farren. Mainpiece: With Permission of the Author [Richard Brinsley Sheridan]

Event Comment: [In mainpiece the playbill retains Mrs Wells, but she "was so ill last night that she could not perform the part of Jane Shore. It was undertaken by Mrs T. Kennedy" (Public Advertiser, 21 Dec.).] Afterpiece [1st time; P 2, by John O'Keeffe]: The Pantomime, and the whole of the Scenery, Machinery, Dresses, &c. designed and invented by Loutherbourg, and executed under his superintendance and direction by Richards, Carver, Hodgins, Catton Jun., Turner, assisted by two other celebrated artists [all subsequent playbills have "a celebrated artist"; he was the Rev. Matthew William Peters (Public Advertiser, 16 Dec.)]. The Music entirely new, composed by Shield. Books containing a short account of the Pantomime, as well as the Recitatives, Airs, Duets, Trios and Chorusses, and a Description of the Procession, to be had at the Theatre. Nothing under Full Price will be taken. [This was the last theatrical piece for which De Loutherbourg designed the scenery. For a detailed account of it see "De Loutherbourg and Captain Cook", by Ralph G. Allen, Theatre Research, IV, 195-211.] Account-Book, 17 Oct.: Paid De Loutherbourg on acct. #120; 20 Dec.: Paid Goodwin for copying Music #10 14s.; 14 Feb. 1786: Paid O'Keeffe in full for Omai #40. Receipts: #309 19s. (302/7; 7/12)

Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Event Comment: [As afterpiece the playbill announces Richard Coeur de Lion, but because of "Mrs Jordan's sudden indisposition [it was changed] to The Humourist" (General Advertiser, 22 Nov.).] Receipts: #177 7s. 6d. (148.10.0; 27.8.0; 1.9.6)

Event Comment: Afterpiece [1st time; P 2, by Miles Peter Andrews. Larpent MS 752, as The Castle of Wonders; not published; synopsis of action in Morning Post, 27 Dec.]: With new Music, Scenes, Machinery, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The Rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many Assistants. To conclude with a Representation of the Inside of a Nabob's Palacev. Books of the Songs [which assign only Colombine ] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 6 Mar. 1787: Paid Shield in full for Compositions #100. Receipts: #242 4s. (239.8; 2.16)

Event Comment: [As mainpiece the playbill announces The Count of Narrbonne, but "The Play was changed, on the illness of Mrs Crouch-who never slacks, but when thus, unable to perform. Douglas was the substitute" (World, 2 Apr.). Afterpiece in place of Richard Coeur de Lion, announced on playbill of 29 Mar.] Receipts: #223 1s. 6d. (193.4.0; 28.2.6; 1.15.0)

Event Comment: [The playbill announces Julia and Richard Coeur de Lion, but "Kemble was so ill that he could not appear...The substituted play was The Fair Penitent" (World, 17 Apr.), and "Harlequin's Invasion [was] substituted" (Morning Herald, 17 Apr.).] Receipts: #171 7s. 6d. (137.11.0; 31.18.0; 1.18.6)

Event Comment: Benefit for Farren. Mainpiece: Written by Richard Cumberland, Esq. Not acted these 10 years [acted 15 Jan. 1778]. Public Advertiser, 11 Apr.: Tickets to be had of Farren at his House in Great Queen-street, Lincoln's-inn-fields. Receipts: #303 7s. (90.8.6; 5.14.6; tickets: 207.4.0)

Event Comment: Mainpiece [1st time; C 5, by Harriet Lee. Prologue by Richard Cumberland (see text). Epilogue by the author (World, 28 Nov.)]: With new Dresses, Decorations, &c. Public Advertiser, 26 Nov. 1787: This Day is published The New Peerage (1s. 6d.). Receipts: #209 4s. (188.1.0; 19.14.6; 1.8.6)

Event Comment: [In mainpiece the playbill retains Kemble as Hamlet, but for his "indisposition an apology was made, and the audience requested to accept of Wroughton in his place--a request...no sooner asked than had" (World, 4 Dec.).] The Country Girl and Richard Coeur de Lion [both advertised on playbill of 1 Dec.] are obliged to be deferred, on Account of the Indisposition of a principal Performer. Receipts: #105 19s. 6d. (83.2.0; 21.7.6; 1.10.0)

Event Comment: Afterpiece [1st time; P 2(?), by Ralph Wewitzer. Not in Larpent MS; not published; synopsis of action in Public Advertiser, 28 Dec.]: With new Music, Scenery, Dresses, Machinery, and Decorations. The Music composed by Walter? Clagget. The Scenes designed and executed by Richards, Carver, Hodgins and others. Nothing under Full Price will be taken. Receipts: #192 2s. (188.12; 3.10)

Event Comment: [Mainpiece in place of King Richard III, advertised on playbill of 12 Jan.] Receipts: #144 5s. 6d. (109.16.0; 33.5.6; 1.4.0)

Event Comment: 1st piece [1st time; MF 2]: Written by the Author of Rosina [Frances Brooke]. The Music compiled and composed by Shield. With entire New Scenes painted by Richards. Books of the Songs to be had at the Theatre. [Text 1st published by T. N. Longman and O. Rees, 1800.] Receipts: #165 9s. 6d. (162.18.0; 2.11.6)

Event Comment: Afterpiece [1st time; P 2(?), by John O'Keeffe. Synopsis of action in Public Advertiser, 27 Dec.]: With new Music, Scenery, Machinery, and Decorations. The Scenes designed and executed by Richards, Carver, Hodgins, Pugh, &c. The Music selected from the Works of the most eminent Masters, by A. Shaw. The new Airs composed by Shield, and the Overture by Richardson. Books of the Songs, Recitative, &c. to be had at the Theatre. Nothing under Full Price will be taken. Receipts: #315 16s. (301.6; 14.10)

Event Comment: 1st piece: The whole under the direction of Byrne, Ballet Master. The Scenes by Richards. Receipts: #212 16s. (211.4; 1.12)

Event Comment: Benefit for Quick. Public Advertiser, 27 Mar.: Tickets to be had of Quick, Broad court, Bow-street, Covent-garden. [Mainpiece: Epilogue by Richard Brinsley Sheridan.] Afterpiece [1st time; F 2, by John O'Keeffe]: With proper Scenes, Dresses, and Decorations. Receipts: #379 13s. (192.6.6; 4.9.6; tickets: 182.17.0)

Event Comment: Benefit for Mrs Mattocks. Tickets delivered for the 24th of April will be taken. Public Advertiser, 16 Apr.: Tickets [for 24 Apr.] to be had of Mrs Mattocks, No. 7, King-street, Covent Garden. Mainpiece: Written by Richard Steele. 3rd piece [1st time; ENT I, author unknown. Larpent MS 830; not published]. Receipts: #253 17s. 6d. (159.12.0; 8.9.6; tickets: 85.16.0)

Event Comment: [As mainpiece the playbill announces the 1st night of The False Friend (see 24 Oct.), but "Miss Farren was taken ill, and The Beggar's Opera was the substitute. It proved, however, to be a substitute flat, stale and unprofitable. We never saw more indiffernet acting" (Oracle, 22 Oct.). Afterpiece in place of Richard Coeur de Lion, advertised on playbill of 20 Oct.] Paid Watch & Beadles, St. Martin's parish? 1 Year #42 10s. 4d. Receipts: #73 4s. (46.17.0; 24.17.6; 1.9.6)

Event Comment: By Command of Their Majesties. To prevent Confusion Ladies and Gentlemen are requested to send their Servants to keep Places by Half past Four o'Clock. God save the King was sung "by the performers and by the audience five times: twice on the entrance of the King and Queen, once after the Play, twice after the Farce" (World, 19 Dec.). And see 23 Apr. 1790. Account-Book: In the Pit of this Night 525 Persons, this is the greatest Number ever remembered to be in at any One Time. R. P. [i.e. Richard Peake, sub-treasurer]. Receipts: #290 11s. 6d. (279.13.0; 9.18.6; 1.0.0)

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. Text (no publisher, 1790)]: Being a Collection of favorite Scenes from the Following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, and Harlequin Rambler. With new Dresses and Decorations. The Original Scenery, Machinery, &c. painted by Lambert, Dall [both deceased], Carver, Hodgins and Richards-and now all repaired and repainted. The Music selected by Shaw from Pepuch [sic], Dr Arne, Dr Arnold, Dr Fisher, ?M.? Arne, Vincent, Dibdin and Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Dec.: Paid Wild for his Attention to the Pantomime #30; Boyce for Ditto #15; Shaw for Ditto #10. Receipts: #233 5s. 6d. (204.8.6; 28.17.0)

Event Comment: Benefit for Mrs Jordan. Part of the Pit [9 rows (World, 23 Mar.)] to be laid into the Boxes. Afterpiece [1st time; F 2, probably by Isaac Bickerstaffe, but also ascribed to Mrs Jordan and to Richard Ford. Text 1st published (unauthorized), Dublin, 1799]. Kemble Mem.: The Farce is written by Mr Bickerstaffe. World, 29 Apr. 1790: The Spoil'd Child was sent to Mrs Jordan from Bickerstaffe in Italy, where her fame had reached. Public Advertiser, 13 Mar.: Tickets to be had of Mrs Jordan at her house, No. 14, Somerset-street, Portman-square. Receipts: #352 18s. 6d. (137.13.0; 12.4.6; 1.7.0; tickets: 201.14.0) (charge: #111 6s. 11d.)

Event Comment: Benefit for Miss Brunton. 1st piece [1st time; T 3, by Mariana Starke, based on La Veuve du Malabar, by Antoine Marin LeMierre. Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke (see text)]: With new Scenes and Dresses. And a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Hqsband. 2nd piece: Not acted these 18 years [acted 4 May 1776. Miss E. Brunton was from the Norwich theatre]. Morning Chronicle, 1 Feb. 1791: This Day is published The Widow of Malabar (1s. 6d.). Public Advertiser, 21 Apr.: Tickets to be had of Miss Brunton, No. 35, Gerrard-street, Soho. [The mainpiece is sometimes stated to have been 1st acted at Mrs Crespigny's private@theatre@in@Camberwell, 1790, but "'The Widow of Malabar' was not first produced at Mrs Crespigny's Theatre. The Tragedy performed there is called 'The British Orphan' (also by Mariana Starke)" (Gazetteer, 24 Jan. 1791).] Receipts: #338 13s. (208.7; 2.8; tickets: 127.18)

Event Comment: Paid Music the 13th, 15th, 17th Inst. #23 9s. 6d.; Properties Ditto #2 5s.; Kettle Drum Ditto 15s.; Wardrobe #11 1s. 6d.; Supernumeraries #1 16s. 6d.; Chorus Singers #3; Cox for Scenemen #28 2s. 7d.; Hodgins [painter] #4 4s.; Extra Music #2 5s.; Richards, painter #20. [Wilson's last appearance at this theatre was on 20 Jan. 1786.] Receipts: #222 2s. 6d. (208.16.6; 13.6.0)