Event Comment: Benefit Cibber. Not Acted these Three Years. At the Desire of several Persons of Quality. Mainpiece: With the Famous Battle of Bosworth Fieldv, between him and the Earl of Richmond, afterwards King Henry the Seventh. Written Originally by Shakespear, who in the true and lively Character of Richard, has shewn his most Masterly Strokes of Nature

Event Comment: MMr Garrick did Richard (Cross). This day is publish'd, Dedicated to the Right Honorable John, Earl of Orrery, Sejanus a Tragedy, as it was intended for the stage, with a Preface; wherein the Manager's reasons for refusing it are set forth. By Mr Gentleman. Printed for R. Manby and H. S. Cox on Ludgate Hill. [Garrick turned it down and Gentleman accepted his judgment without animosity.] Receipts: #210 (Cross)

Event Comment: Suppos'd Garrick's Benefit (Cross). This day publish'd at 1s. Every Man in his Humour, a Comedy written by Ben Johnson [sic] with alterations and additions, as it was perform'd at Drury Lane (General Advertiser). [Inspector No 298 comments on a blemish in the performance of Richard III, where the character of the Lord Mayor has Buffoonry in the handling." Taswell frequently acts it thus, but perhaps is not to blame, the decision as to the manner of the part probably having been made by the Manager (Daily Advertiser and Literary Gazette, 13 Feb.)] Receipts: #210 (Cross)

Event Comment: MMr Garrick Richard. The Play dress'd in the habits of the times (Cross Diary)

Event Comment: MMr King--Richard 3d as you might expect (Hopkins Diary). Benefit for Mrs King

Event Comment: Benefit for Lewes and Morris. [Shuter played Richard By Particular Desire.] Charges #69 12s. Balance due actors #4 2s. 6d. apiece, plus income from tickets: LeLewes #96 6s. (Box 119; Pit 293; Gallery 226); Morris #99 19s. (Box 105; Pit 270; Gallery 332) Account Book. Receipts: #77 17s

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Event Comment: The Provoked Husband and Rival Candidates was given out for Tuesday. On Sunday Morning Mrs Yates sent word she was ill and could not play--sent to Miss Younge, and she sent word that she was ill in bed--King sent word he had a sore Throat, and could not play--so that we could do no Play but the Committee and Rival Candidates. On Monday the Managers met, but nothing was settled. At twelve o'clock Mrs Baddeley sent word she had a sore Throat, and could not play in the Riv[al] Can[didates] (Hopkins Diary). The Hypocrite and The Christmas Tale are obliged to be deferred. "[Smith] has a good figure, is gentlemanlike, and decent in everything he undertakes. When we allow that, we have said all; he wants both feeling to be affected, and powers to convey his feelings, if he had them. In fine, in spite of all the partiality of his friends, or the ignorant prejudices of those who never judge but at second hand, his performance of Richard was little more than a strong union of judgement and industry, unaided by nature. He should woo genteel Comedy oftener; and not that coy sister of hers, who certainly holds Smith at the point of her lance" (London Magazine, Oct. 1776, p. 511). Receipts: #186 18s. 6d

Event Comment: [For Henderson as King Richard see hay, 7 Aug. 1777.] Afterpiece: The Music composed by Dibdin. With New Scenes and Dresses. Books of the Songs, &c. to be had at the Theatre. [The text erroneously assigns: Gillian-$Mrs Wrighten; Floretta-$Miss Walpole, but see Public Advertiser, 8 Oct., which in a review, gives the correct assignment; see also 6 Oct. 1778.] Receipts: #260 7s. (241.14; 17.17; 0.16)

Event Comment: [Kemble's 1st appearance as King Richard was at Smock Alley Theatre, Dublin, 26 Apr. 1782.] Receipts: #130 10s. 6d. (99/15/0; 29/5/6; 0/10/0; tickets not come in: 1/0/0)

Event Comment: [Litchfield, who is identified in European Magazine, Jan. 1794, p. 50, had made his 1st appearance on the stage at Richmond, 7 Sept. 1793, billed as "A Young Gentleman" (Charles Mathews, Memoirs, 1838-39, I, 70, and Thespian Magazine, Supp. 1793, p. 401). Not. Dram. states that "A person under the name of Litchfield but as I am informed in reality a Mr Holland Nephew to Mr Holland formerly of Drury Lane appeared 1st time at the HM in Richard III." But Holland was at this time acting at Bath, and did not appear in London until 31 Oct. 1796, at Drury Lane.]

Event Comment: Benefit for Sparks. Afterpiece: A farce never perform'd before. [Possibly Thomas Sheridan's The Brave Irishman, but see Ten English Farces, Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 221 ff.] Last time of the company's performing till the holidays

Event Comment: Powell: In Consequence of Palmer not coming in time to the Theatre, the Audience were kept in waiting and the Play, which was ordered by Mr Sheridan to begin 5 minutes before the usual time [6:30], could not be begun till within Ten minutes of Seven o'Clock. Benson being lame Fisher went on as Casimir and Caulfield doubled the Part with his own. Roman Actor read at 10 [this Play not acted this season; see Powell, 18 Oct.]; Douglas rehearsed at 12 (for Mrs Siddons and Palmer). Receipts: #412 16s. (325.17.6; 80.18.6; 6.0.0)

Event Comment: Prelude [1st time;PREL I, probably by Richard Cumberland. Larpent MS 472; not published]. Mainpiece [1st time; M 3, by Richard Cumberland, based on Calypso and Telemachus, by John Hughes]: The Overture and all the Music entirely new, and composed by Butler. With new Scenery painted by Richards and Carver, and new Dresses. Books of the Masque to be had at the Theatre. Public Advertiser, 27 Mar. 1779: This Day is published Calypso (1s. 6d.)

Event Comment: Mainpiece [1st time; c 5,by Richard Griffith. Prologue by Richard Tickell (see text). Author of Epilogue unknown]: With new Scenes, Dresses, and Decorations. Public Advertiser, 27 Mar. 1782: This Day is published Variety (1s 6d.). Receipts: #226 9s. 6d. (218/5/0; 7/14/6; 0/10/0)

Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four. Mainpiece [1st time; C 5, by Richard (later) Sir Richard? Ford. Kemble Mem.: Altered by R. Ford from the Humourous Lieutenant. Epilogue by Henry William? Bunbury. Larpent MS 894; not published]: Altered from Beaumont and Fletcher (recte Fletcher alone). Oracle, 25 Feb.: Tickets to be had of Mrs Jordan at her house, No. 14, Somerset-street, Portman-square. Receipts: #346 8s. 6d. (102.18.0; 13.5.0; 3.6.6; tickets: 226.19.0) (charge: free)

Event Comment: Mainpiece [1st time; MD 5, by Richard Cumberland. Author of Prologue unknown]: A Romance of the Fourteenth Century, Formed upon the Plan of an unpublished Drama [Johanna von Montfaucon], written and transmitted by Augustus von Kotzebue, The Overture, Songs, Chorusses, Marches and Finale, with appropriate Symphonies between the Acts, by Busby. The Scenery, Dresses, Machinery & Decorations entirely New. The Scenery by Richards, Phillips, Lupino, Hollogan, &c. The arrangement of the Marches, Chorusses & Military Movements incidental to the Piece, under the direction of Farley. The Dresses by Dick and Mrs Egan. The Words of the Songs to be had in the Theatre. "The appropriate beauty of the scenery, in which the rules of perspective are critically observed, the splendour of the decorations and the richness of the dresses, have been rarely equalled" (Universal Magazine, Jan. 1800, p. 75). Receipts: #318 6d. (316.2; 2.4)

Event Comment: [By Richard Steele. Date of premiere unknown. Published 20 Dec.] Colley Cibber: I remember [Rich] once paid us nine Days in one Week: This happen'd when the Funeral...was first acted, with more than expected Success.-Apology, I, 263

Event Comment: [By Richard Estcourt. Premiere.

Event Comment: [By Richard Wilkinson. Premiere.

Event Comment: Written by the Author of The Funeral. [By Richard Steele. Premiere.

Event Comment: Never Acted before. [By Richard Steele. In Daily Courant, 21 March, the title had been given as The City Nymphs; or, The Accomplished Fools.

Event Comment: Afterpiece [by Richard Estcourt]: Mr Bayes's Practice of an Interlude, call'd, Prunella, done from the Italian. Benefit Estcourt. And at the Request of many of the Nobility (who have taken Tickets) 2 Benches of the Pit will be Rail'd in, for more Conveniency. And to prevent any Disappointment, by coming late, 'tis desire'd that their Servants may be sent by 2 a Clock with the Tickets to keep Places