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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rhodes"/1) | (@(roleclean,performerclean) "Rhodes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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45 results for: Keyword - Rhodes
We found 21 matches on Event Comments, 19 matches on Performance Title, 6 matches on Author, 4 matches on Performance Comments, and 4 matches on Roles/Actors.

26
05 October 1667 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: Flora's Vagaries

Related Works
Related Work: Flora's Vagaries Author(s): Richard Rhodes

27
18 February 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: Flora's Vagaries

Related Works
Related Work: Flora's Vagaries Author(s): Richard Rhodes

28
26 July 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: Flora's Vagaries

Related Works
Related Work: Flora's Vagaries Author(s): Richard Rhodes

Song: Mimick Song of a Country Life-Mrs Willis; No Kissing At All-Renton, Mrs Willis

29
22 December 1729 @ Haymarket Theatre

Performances

Mainpiece Title: Love And Revenge

Cast
Role: Principal parts Actor: Mrs _Rhodes, Mrs Newman.

Afterpiece Title: Damon and Phillida

30
04 February 1660 @ The Cockpit in Drury Lane

Event Comment: Thomas Lilleston, one of Rhodes' actors, was brought before the Middlesex Sessions, charged with acting a play on this date. (See Hotson, Commonwealth and Restoration Stage, p. 197.)

Performances

31
28 July 1660 @ The Cockpit in Drury Lane

Event Comment: According to Hotson, Commonwealth and Restoration Stage, p. 198, Rhodes had to pay a fine for every day his company acted at the cockpit to 28 July 1660

Performances

32
01 November 1662 @ Whitehall or St. James's

Event Comment: See HMC, Report III, Appendix, p. 215a; Hotson, pp. 214-15; B. M. Wagner, "John Rhodes and Ignoramus," Review of English Studies, V (1929), 43-48. See also Nicoll, Restoration Drama, pp. 302n, 423. This appears to be the Duke's Company

Performances

Mainpiece Title: Ignoramus; Or, The Academical Lawyer

33
26 December 1662 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: After dinner with my wife to the Duke's Theatre, and saw the second part of Rhodes, done with the new Roxalana; which do it rather better in all respects for person, voice, and judgment, than the first Roxalana [Mrs Davenport]. Home with great content with my wife, not so well pleased with the company at the house to-day, which was full of citizens, there hardly being a gentleman or woman in the house; a couple of pretty ladies by us that made sport in it, being jostled and crowded by prentices

Performances

Mainpiece Title: The Villain

34
March 1663 @ no theater listed

Event Comment: In the Prologue to The Cheats (mid-March 1663) are allusions to three plays which apparently were popular on the stage at this time: Jonson's The Silent Woman ("Sir Poll"); Jonson's The Devil is an Ass ("No little Pugge, nor Devil"); and Davenant's The Siege of Rhodes ("No tedious Sieges in the Musick-room")

Performances

35
13 February 1667 @ no theater listed

Event Comment: Pepys, Diary: Discoursed most about plays and the Opera, where, among other vanities, Captain Cooke had the arrogance to say that he was fain to direct Sir W. Davenant in the breaking of his verses into such and such lengths, according as would be fit for musick, and how he used to swear at Davenant, and command him that way, when W. Davenant would be angry, and find fault with this or that note--but a vain coxcomb I perceive he is, though he sings and composes so well. But what I wondered at, Dr Clerke did say that Sir W. Davenant is no good judge of a dramatick poem, finding fault with his choice of Henry the 5th, and others, for the stage, when I do think, and he confesses, The Siege of Rhodes as good as ever was writ

Performances

36
25 March 1706 @ York Buildings

Event Comment: Benefit Rhodes. At 8 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters

37
21 May 1711 @ Stationer's Hall

Event Comment: Benefit Rhodes. At 7 p.m

Performances

Mainpiece Title: Concert

Music: the best Masters

38
19 February 1718 @ Hampstead

Event Comment: Benefit Rhodes and Whiten. At 7 p.m. Tickets 3s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

39
14 March 1718 @ Coignand's Dancing School

Event Comment: Benefit Rhodes. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

40
18 November 1729 @ Haymarket Theatre

Performances

Mainpiece Title: Love And Revenge

Performance Comment: As17291115, but Principal parts-Mrs _Ward, Mrs Rhodes.
Cast
Role: Principal parts Actor: Mrs _Ward, Mrs Rhodes.

Afterpiece Title: Damon and Phillida

41
04 June 1795 @ Drury Lane Theatre

Event Comment: Tickets delivered for this Evening [Account-Book: by Cooke, Evans, Jones, Kelly Jun.,Maddocks, Webb, Rhodes, Whitmell, Pilsbury, W. Banks, Chippendale, Humphries, Beaufort, Miss Butler, Miss Beaufort, Mrs and Miss Smith] will be admitted. Receipts: #83 1s. (47.16.0; 20.6.6; 14.18.6; tickets: none listed)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: My Grandmother

42
11 June 1796 @ Drury Lane Theatre

Event Comment: [Account-Book: Tickets delivered by Chippendale, Dale Sen., Fisher, Gregson, Rhodes, Stageldoir, Wentworth, Mrs Butler will be admitted.] Receipts: #50.10.6 (28.18.6; 18.5.0; 1.2.0; tickets: none listed; odd money: 2.5.0)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: The Deaf Lover

43
05 February 1799 @ Drury Lane Theatre

Event Comment: Ballet: 1st time, composed by Roffey; the Musick by Rhodes. Receipts: #189 11s. (127.1.6; 61.2.6; 1.7.0)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Apprentice

Ballet: End: Moggy and Jemmy. Jemmy-Garman; Bauldi-Grimaldi; Lady-Miss Daniels; Maude-Mrs Brooker; Moggy-Sga Bossi DelCaro; Peasants-Goodman, Whitmell, Wells, Bayzand, Johnston, Gauron, Masters J. and W. Chatterley, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake, Ms Connelly

44
22 May 1799 @ Drury Lane Theatre

Event Comment: "I did not act this Night, being at Home to receive the 4th & 5th Acts of my Part in the new Play [see 24 May]" (Kemble Mem). Tickets delivered [Account-Book: by Miss Briggs, Miss Clarke, Rhodes] for Thursday will be admitted. Receipts: #187 13s. 6d. (123.12.6; 62.10.0; 1.11.0; tickets: none listed)

Performances

Mainpiece Title: The Castle Of Montval

Afterpiece Title: The Adopted Child

45
13 June 1800 @ Drury Lane Theatre

Event Comment: Account-Book: Tickets delivered by Appleby, Briggs, Benson, Byrne, Bynam, Dale, Doyle, Edmonds, Faux, Garbutt, Gregson, Gauron, Henderson, Kent, Powell, Perry, Rhodes, Ross, Robson, Robinson, Smith, Sherwood, Stevens, Townsend, Williams, Whitmell, Wyler will be admitted. Receipts: #49 7s. (25.17; 20.3; 3.7; tickets: none listed)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Of Age To-morrow

Ballet: End: The Scotch Ghost. As18000612