SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Dr Thomas Morrell"/1) | (@(roleclean,performerclean) "Rev Dr Thomas Morrell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5468 matches on Author, 960 matches on Performance Comments, 748 matches on Event Comments, 291 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: The Siege of Curzola

Dance: As17870702

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Guardian

Related Works
Related Work: The Guardian Outwitted Author(s): Thomas Arne
Related Work: Love Finds the Way Author(s): Thomas HullThomas Murphy
Related Work: The School for Guardians Author(s): Thomas Murphy

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Quarter of an Hour before Dinner

Afterpiece Title: The Gnome; or, Harlequin Underground

Dance: End 1st piece: January and May-[see17880627

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Marian

Dance: End II: As17881025; End: A Divertissement, as17881001

Song: In I: Sweet Bird-from L'Allegro Il Penseroso by Handel Mrs Billington; accompanied on the flute-W. Parke; additional songsby Anfossi, Sacchini, Dr Arnold, -Mrs Billington

Performances

Mainpiece Title: A Grand Concerto Spirituale 0

Afterpiece Title: Grand Concerto Spirituale 1

Afterpiece Title: Grand Concerto Spirituale 2

Afterpiece Title: Grand Concerto Spirituale 3

Music: As17890311

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Peeping Tom

Song: End: a new comic song, Four@and@Twenty Periwigs all on a Row-Edwin

Performances

Mainpiece Title: The English Merchant

Related Works
Related Work: Edgar; or, The English Merchant Author(s): Thomas Rymer

Afterpiece Title: Ut Pictura Poesis

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Afterpiece Title: Laoeudaimonos; or, A People Made Happy

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Divorce

Song: End: Poor Jack!; or, the Sweet Little Cherub (written and composed by Dibdin)-Dignum; After: Glee on the Happy Recovery of His Majesty (the words by Col. Arabin)-Dignum, Sedgwick, Mrs Edwards, Miss Romanzini

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Afterpiece Title: A Quarter of an Hour before Dinner

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Who's the Dupe

Performances

Mainpiece Title: Acis And Galatea; Messiah

Afterpiece Title: A Grand Selection

Music: End II oratorio: concerto on the violoncello-Mason

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: New Spain; or, Love in Mexico

Dance: III 2nd piece: A Grand Indian War Dance-

Event Comment: Mainpiece: 15th [recte 14th] Time [i.e. in continuation of the reckoning for the previous season]. With new Dresses, Scenes, Machinery and Decorations. The Music partly from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne. The rest by Shield. The Chorusses selected from Handel, to be sung by the Performers from the Concert of Ancient Music. [Miss Williams was from the Exeter theatre.] Receipts: #137 1s. 6d. (133.7.0; 3.14.6)

Performances

Mainpiece Title: The Crusade

Afterpiece Title: Animal Magnetism

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: L'allegro Ed Il Penseroso; Grand Selection 0

Afterpiece Title: L'Allegro ed il Penseroso 1

Afterpiece Title: L'Allegro ed il Penseroso 2

Afterpiece Title: PART III

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Afterpiece Title: Alexander's Feast 1

Afterpiece Title: Alexander's Feast 2

Performance Comment: PART II. Now strike the golden lyre again-Harrison; Revenge! Timotheus cries, Behold a ghastly band-Griffith; Give the vengeance due-Incledon; The Princes applaud-Incledon, Chorus; Thais led the way-Mrs Billington, Chorus; Thus long ago-Harrison; At last divine Cecilia came-Chorus; Let's imitate their notes above-Mrs Billington, Harrison; Let old Timotheus yield the prize-Chorus.

Afterpiece Title: PART III

Performances

Mainpiece Title: Israel In Egypt; Messiah; Grand Selection 0

Afterpiece Title: A New Selection

Performances

Mainpiece Title: The First Act Of Alexander's Feast; Grand Selection 0

Afterpiece Title: Alexander's Feast 1

Afterpiece Title: A Selection from Acis and Galatea

Afterpiece Title: A Grand Miscellaneous Act

Music: As17910330

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Quaker

Entertainment: Duologue. End: Garrick's Ode on Shakespeare-Holman, Miss Brunton; Principal Vocal Parts-Incledon, Blanchard, Williamson, Cubitt, Gray, Miss Broadhurst, Miss Williams, Mrs Martyr

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: The Comedy of Errors

Related Works
Related Work: The Twins; or, A Comedy of Errors Author(s): Thomas Hull
Related Work: The Comedy of Errors Author(s): Thomas Hull

Dance: As17910507

Song: End: Black Eyed Susan-Incledon

Monologue: After Dancing: a Selection of Poetry and Music descriptive of a day. Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Surrender of Calais

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Afterpiece Title: The Crusade

Performances

Mainpiece Title: Acis And Galatea 0; Redemption 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: A Miscellaneous Act

Music: End I: concerto on the hautboy-[J.] Parke