SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rector and Mrs King"/1) | (@(roleclean,performerclean) "Rector and Mrs King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23769 matches on Performance Comments, 6768 matches on Performance Title, 5586 matches on Event Comments, 32 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Mrs Walter and Pelling. Mainpiece: Taken from Plautus and Moliere. [Tickets of Mrs Walter at her House in back of Mr Acton's, Fishmonger, in Bridge Street, and of Pelling at Mr Dailey's, Jeweller, in dl.

Performances

Mainpiece Title: The Miser

Cast
Role: Mariana Actor: Mrs Mills
Role: Harriet Actor: Mrs Butler
Role: Mrs Wisely Actor: Mrs Bennet
Role: Lappet Actor: Mrs Clive.

Afterpiece Title: The King and the Miller of Mansfield

Cast
Role: Peggy Actor: Mrs Pritchard.
Role: 7380413 but King Actor: Hill

Dance: I: English Maggot-Haughton, Mrs Walter; II: Black Joke-Pelling, Mrs Walter; III: Russian Sailor-Denoyer; V: Minuet-Rector, Mrs Walter

Song: IV: The Early Horn-Beard

Event Comment: Benefit Mrs Walter. Tickets at Mrs Walter's House, near the Fishmonger's, in Bridges Street. Afterpiece: As 30 April

Performances

Mainpiece Title: The Confederacy

Performance Comment: As17391208, but Moneytrap-Taswell; Corinna-Mrs Walter.
Cast
Role: Corinna Actor: Mrs Walter.
Role: Clarissa Actor: Mrs Butler
Role: Araminta Actor: Mrs Pritchard
Role: Cloggit Actor: Mrs Marshall
Role: Amlet Actor: Mrs Macklin
Role: Flippanta Actor: Mrs Clive.

Afterpiece Title: The Tragedy of Tragedies

Cast
Role: Queen Dollalolla Actor: Mrs Bennet

Dance: I: Tambourine-Mlle Chateauneuf; II: Muilment; III: Wooden Shoes-Master Ferg; IV: Pierots-Lalauze, Livier; V: Minuet-Rector, Mrs Walter; End Afterpiece: Maggot-Cooke, Mrs Walter

Song: V: Eccho Song (Comus)-Mrs Arne

Event Comment: Benefit Laguerre, Rector, Thompson, Harrington [Prompter] and others

Performances

Mainpiece Title: Love Makes A Man

Cast
Role: Louisa Actor: Mrs Horton
Role: Elvira Actor: Mrs Vincent
Role: Angelina Actor: Mrs Hale

Afterpiece Title: Flora

Cast
Role: Dick Actor: Anderson
Role: Flora Actor: Mrs Vincent
Role: Hob's Mother Actor: Mrs Martin.

Dance: Cooke, Picq, LaLauze; particularly a Minuet-Rector, Delagarde

Event Comment: Benefit Mrs Walter. By particular Desire. Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Tender Husband

Cast
Role: Biddy Actor: Mrs Clive
Role: Mrs Clerimont Actor: Miss Hollyday
Role: Fainlove Actor: Mrs Pritchard
Role: Mrs Tipkin Actor: Mrs Cross.

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Mrs Pritchard
Role: Nell Actor: Mrs Clive.

Dance: I: English Maggot-Villeneuve, Mrs Walter; II: Minuet-Rector, Mrs Anderson; III: Grand Ballet-Denoyer; IV: Turkish Dance-Muilment; V: Grand Ballet of Sailors-Mlle Roland

Event Comment: Benefit Chetwood. Tickets for Mr and Mrs Marshall taken. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Cast
Role: Berinthia Actor: Mrs Thurmond
Role: Amanda Actor: Mrs Butler
Role: Hoyden Actor: Mrs Clive

Afterpiece Title: Harlequin Restor'd

Performance Comment: Flash-Este; Longbib-Stoppelaer; Trot-Hough; Harlequin-Philips; Colombine-Miss Mann; Mlle la Modestie-Harlequin Phillips; Ballad Singers-Stoppelaer, Mrs Pritchard; Somerset-Roberts; Roundall-Hough.

Music: Second Music-; The first Concerto-of Corelli; I: Song for the Bassoon-; II: Concerto for German Flutes-composed by Festin; III: Concerto of Geminiani's for the Hautbois-; IV: The March in Zara-; The Overture to the Entertainment: Handel's Water Musick-; with the Preamble on the Kettle Drums-Benj. Baker

Dance: I: Drunken Peasant-Philips; II: Wooden Shoe Dance-Livier, Villeneuve; III: Harlequin-Denoyer's@Prentice; IV: Minuet-Rector, Mrs Anderson; V: English Maggot-Villeneuve, Mrs Walter

Event Comment: Benefit Mrs Walter. Tickets at Mrs Walter's, next door the Baker's, in Bridges Street

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: As17401111, but Mademoiselle-Mrs Walter.
Cast
Role: Mademoiselle Actor: Mrs Walter.
Role: Lady Fanciful Actor: Mrs Clive
Role: Belinda Actor: Mrs Mills
Role: Lady Brute Actor: Mrs Butler.

Afterpiece Title: The Mock Doctor

Performance Comment: See17410427 but Mock Doctor-Macklin; Leander-Lowe; Dorcas-Mrs Pritchard; Charlotte-Miss Woodman.
Cast
Role: Leander Actor: Lowe
Role: Dorcas Actor: Mrs Pritchard

Dance: I: Maltere, Mlle Maltere; II: L'Allemande-Muilment, Mlle Chateauneuf; IV: La Tambourine-Mlle Chateauneuf; V: Minuet-Rector, Mrs Walter

Song: III: Blow Blow-Lowe

Event Comment: Benefit Mrs Cibber. By Command of His Royal Highness the Duke. Written by Shakespear

Performances

Mainpiece Title: Measure For Measure

Cast
Role: Isabella Actor: Mrs Cibber
Role: Mariana Actor: Mrs Mills
Role: Mrs Overdon Actor: Mrs Marshall.

Dance: I: Lilliputian Punch-Master Ferg; III: Tambourine-Master Ferg, Miss Wright; IV: Turkish Dance-Muilment, Livier, Pelling, Vallois, Rector; V: French Peasants-Master Ferg, Miss Wright

Song: II: Two of Farinelli's principal songs from Artaxerxes: Quanto Assano, Son Qual Nave-Mrs Arne

Event Comment: By Her Majesty's Command. Written by Shakespear. [Queen, Duke, and Princesses Amelia, Mary, and Louisa present.]

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17350901, but Calphurnia-Mrs Butler .
Cast
Role: Calphurnia Actor: Mrs Butler
Role: Portia Actor: Mrs Thurmond

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Newmarket's Delight (new) by Delamagne, Pelling, Davenport, Rector, Janno. III: Revellers by Essex and Mrs Walter. IV: Two Pierrots by Poitier and Pelling. V: Shepherd's Mount by Denoyer, Essex, Mrs Walter, Mrs Anderson, Pelling, Villeneuve, Davenport, Miss Mann, Mrs Davenport, Miss Brett

Performance Comment: II: Newmarket's Delight (new) by Delamagne, Pelling, Davenport, Rector, Janno. III: Revellers by Essex and Mrs Walter. IV: Two Pierrots by Poitier and Pelling. V: Shepherd's Mount by Denoyer, Essex, Mrs Walter, Mrs Anderson, Pelling, Villeneuve, Davenport, Miss Mann, Mrs Davenport, Miss Brett .

Performances

Mainpiece Title: Amphitryon

Cast
Role: Alcmena Actor: Mrs Thurmond
Role: Phaedra Actor: Mrs Pritchard
Role: Bromia Actor: Mrs Cross

Afterpiece Title: Harlequin Restor'd

Performance Comment: As17351120, but Countryman-Salway; Countrywoman-Mrs Cantrell .

Music: Select Pieces between the Acts

Dance: II: English Maggot by Villeneuve and Mrs Walter. In IV: Grand Ballet by Essex, Mrs Walter, Villeneuve, Dukes, Davenport, Rector, Mrs Anderson, Miss Mann, Mrs Davenport, Miss Brett

Performance Comment: In IV: Grand Ballet by Essex, Mrs Walter, Villeneuve, Dukes, Davenport, Rector, Mrs Anderson, Miss Mann, Mrs Davenport, Miss Brett .
Event Comment: Benefit Mrs Walter and Miss Bennett. Tickets to be had of Mrs Walter at the Three Queens in New-Street, Covent Garden, and places for the boxes of Mr Hobson at the stage door of the theatre. Tickets of Miss Bennett opposite Salisbury St., Strand. Tickets deliver'd out by Rector and Mlle Gondou will be taken

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17421122, but Lady Easy-Mrs Pritchard; Lady Graveairs-Miss Bennet.
Cast
Role: Lady Easy Actor: Mrs Pritchard
Role: Lady Betty Actor: Mrs Woffington
Role: Edging Actor: Mrs Clive.

Afterpiece Title: The Lying Valet

Cast
Role: Kitty Pry Actor: Mrs Pritchard
Role: Kitty Actor: Mrs Clive

Dance: I: A French Peasant-Froment, Mlle Gondeau; III: A New Serious Dance-Desse, Mrs Walter; V: La Florana, as17430408

Song: II: Stella and Flavia-Beard; IV: Bumper Squire Jones-Beard, Lowe

Event Comment: Never Acted before. [Author not known. Apparently not published.] By a Company of Comedians dropt from the Clouds, late Servants to their thrice-renown'd Majesties, Kouly Kan and Theodore. With new Scenes, Habits, and proper Decorations. Boxes 5s. Pit 3s. Gallery 2s. 1st N.B. To prevent the Imposition of Box-Keepers, Gentlemen and Ladies are humbly desir'd to take Tickets at the Office, or to send for them at the Theatre, where Attendance will be given every Day, and Places may be taken. 2d N.B. The Company will endeavour to entertain the Town the remaining part of the Season. [In advance bill in Daily Advertiser, 23 Feb.: 2d N.B. Considering the extraordinary Expence that must necessarily attend equipping so many Monarchs of different Nations, the Proprietor hopes the Town will not take Umbrage at the Prices being rais'd. 3rd. N.B. The Proprietor begs leave to enter his Caveat against all (what Names soever distinguish'd) who may hire, or be hir'd, to do the Drudgery of Hissing, Catcalling, &c. and entreats the Town would discourage, as much as in them lies, a Practice at once so scandalous and prejudicial to Author, Player, and every Fair Theatre Adventure.

Performances

Mainpiece Title: A Rehearsal Of Kings; Or, The Projecting Gingerbread Baker; With The Unheard Of Catastrophe Of Macplunderkan, King Of Roguomania And The Ignoble Fall Of Baron Tromperland, King Of Clouts

Performance Comment: First Queen Incog-Mrs Eliza Haywood; Don Resinano-Mrs Charke; King of Clouts-Roberts; Mynheer Maggot-Jones; Mynheer Wiserman-Lacy; Crimcrowky-Davies; other characters are King Roguomania-; King Bombardino-; King Pamper Gusto-; King Taxyburndus-; King Lexoneris-; Sardonides-; Bandiquamonti-; Campanardicoff-; Ghost of a Dutch Statesman-.
Cast
Role: First Queen Incog Actor: Mrs Eliza Haywood
Role: Don Resinano Actor: Mrs Charke
Role: King of Clouts Actor: Roberts
Role: other characters are King Roguomania Actor:
Role: King Bombardino Actor:
Role: King Pamper Gusto Actor:
Role: King Taxyburndus Actor:
Role: King Lexoneris Actor:
Role: Bandiquamonti Actor:
Event Comment: By Subscription. With a new Prologue and Epilogue. Admission as 14 Dec. 1703. [A Folger Library broadside appears to be a program for this concert. It lists in Act I The Druid's Song from Bonduca, two songs by Mrs Tofts, a song from The Fairy Queen, and a dance; in Act II The Frost Music from King Arthur, two dances, and a song by Mrs Tofts; in Act III an Ode on the Glorious Beginning of Her Majesty's Reign, set by Daniel Purcell and performed by Leveridge, Hughes, Mrs Lindsey, and Mrs Campion; a song by Mrs Tofts, The Sacrifice from King Arthur, and a Grand Dance.

Performances

Mainpiece Title: Concert

Music: Wherein several Songs in Italian and English-Mrs Tofts; With several select Pieces of Musick- (compos'd by the late famous Mr Henry Purcell) taken out of the Operas of The Fairy Queen, King Arthur, Dioclesian, and Bonduca; And an Ode upon the Happy Accession of Her Majesty to the Throne- set to Musick by Mr Daniel Purcell, never perform'd before

Dance: L'Abbe, DuRuell, Cherrier, Mrs Elford, Mrs Campion, Devonshire Girl

Performances

Mainpiece Title: At King's The Fugitive

Performance Comment: Lord Dartford-Dodd; Sir William Wingrove-Packer; Mr Wingrove-Wroughton; Old Manly-Suett; Young Manly-Palmer; Admiral Cleveland-King; Mr Welford-Barrymore; Jenkins-Maddocks; Larron-Wewitzer; O'Donnel-Phillimore; William-Benson; Servant-Banks; Mrs Manly-Mrs Hopkins; Miss Herbert-Miss Farren; Miss Julia Wingrove-Mrs Goodall; Miss Manly-Mrs Kemble; Mrs Larron-Miss Pope; Mrs Rachel Cleveland-Mrs Ward.

Afterpiece Title: Richard Coeur De Lion

Performance Comment: Richard-Kelly; Blondel-Barrymore; Florestan-Caulfield; Sir Owen-Sedgwick; Seneschal-Phillimore; Antonio-Mrs Bland; Guilliot-Suett; Matthew-Fawcett; William-Banks; Pilgrim-Webb; Matilda-Mrs Crouch; Lauretta-Miss Barclay; Dorcas-Mrs Edwin; Julie-Miss Menage; Chorus of Knights-Danby, Cooke, Maddocks, Lyons; Chorus of Soldiers-Fawcett, Alfred, Shaw, Dorion.
Cast
Role: Antonio Actor: Mrs Bland
Role: Matilda Actor: Mrs Crouch
Role: Dorcas Actor: Mrs Edwin

Dance: In afterpiece: Master L. D'Egville, Miss Menage, Miss S. D'Egville. [Danced, as here assigned, in all subsequent performances.

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490429 but Hero-Mrs Elmy; Balthasar-_ Fryar-Bridges; Borachio-Blakes; Margaret-Mrs Havard.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Bennet.
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: With entire New Scenes, Machines, Flyings, and other Decorations. Boxes and Balconies on Stage 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: The Emperor Of The Moon

Performance Comment: Harlequin-Penkethman; Scaramouch-Rosco; Balliardo-Lyon; Cinthio-Giffard; Charmante-Havard; Keplair-Woodward; Galileus-Dove; Clerk-Hamilton; Officer-Norris; Bellemante-Mrs Giffard; Claria-Mrs Hamilton; Mopsophil-Mrs Roberts .
Cast
Role: Bellemante Actor: Mrs Giffard
Role: Claria Actor: Mrs Hamilton
Role: Mopsophil Actor: Mrs Roberts

Music: A New Medley Overture, composed by Prelleur

Dance: New Dances adapted to the Opera, particularly A Dance of Court Cards: King of Spades-Ray; Queen of Spades-Mrs Dove; Knave of Spades-Norris; King of Hearts-Presgrave; Queen of Diamonds-Miss Hughes; Knave of Clubs-Hamilton. Other dances by Haughton, Mrs Bullock, Vallois, Mrs Woodward, Le Sac, Mrs Vallois

Performance Comment: Other dances by Haughton, Mrs Bullock, Vallois, Mrs Woodward, Le Sac, Mrs Vallois .

Song: [In it] the Original Songs, set to Musick by Mr Prelleur, and sung by Kelly, Mrs Chambers, Miss Jones

Event Comment: Mainpiece: Written by Colley Cibber; With Alterations. Not Acted these 12 years [acted 10 May 1784]. With new Scenes, Dresses and Decorations. Receipts: #275 19s. 6d. (194.3.6; 78.19.0; 2.17.0)

Performances

Mainpiece Title: At King's Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Antonio-Baddeley; Charino-Hollingsworth; Don Lewis-King; Carlos-Kemble; Clodio-Dodd; Sancho-Suett; Monsieur-Wewitzer; Governor-Packer; Don Duart-Barrymore; Don Manuel-Caulfield; Pedro-Banks; Lopez-Benson; Roberto-Jones; Cook-Burton; Jaques-Phillimore; Guzman-Lyons; Priest-Fawcett; Lawyer-Waldron; Sailor-Cooke; Alguazile-Maddocks; Page-Miss Menage; Bravoes-Alfred, Webb; Angelina-Mrs Goodall; Louisa-Mrs Powell; Elvira-Mrs Kemble; Honoria-Mrs Bramwell; Catalina-Mrs Shaw.
Cast
Role: Don Lewis Actor: King
Role: Angelina Actor: Mrs Goodall
Role: Louisa Actor: Mrs Powell
Role: Elvira Actor: Mrs Kemble
Role: Honoria Actor: Mrs Bramwell
Role: Catalina Actor: Mrs Shaw.

Afterpiece Title: No Song No Supper

Cast
Role: Dorothy Actor: Mrs Bland

Performances

Mainpiece Title: At King's The Confederacy

Performance Comment: Gripe-Moody; Money@trap-Waldron [Public Advertiser: Parsons]; Dick-Palmer; Brass-King; Clip-Benson; Jessamin-Burton; Clarissa-Miss Farren; Araminta-Mrs Ward; Corinna-Mrs Jordan; Flippanta-Miss Pope; Mrs Amlet-Mrs Hopkins; Mrs Clogget-Miss Tidswell.
Cast
Role: Brass Actor: King
Role: Araminta Actor: Mrs Ward
Role: Corinna Actor: Mrs Jordan
Role: Mrs Amlet Actor: Mrs Hopkins
Role: Mrs Clogget Actor: Miss Tidswell.

Afterpiece Title: Ozmyn and Daraxa

Dance: As17930307

Performances

Mainpiece Title: The True, Famous And Ancient History Of King Saul, And The Witch Of Endor; Containing The Death Of Gyant Goliath, The Friendship Of David And Jonathan, And The Defeat Of King Saul And His Host, By The Philistine Army; With The Comical Humours Of Dame Double-dabber, Weezel Her Son, And Corporal Bowling-pin

Performance Comment: Parts-Leigh, Hall, Williams, Oates, Hewlet, Mrs Willis, Mrs Cook.

Song: Ray, Mrs Bowman

Dance: The best Masters

Event Comment: Benefit Ryan. Not Acted these Twenty Years. Written by Beaumont and Fletcher. Receipts: money #58 5s. 6d.; tickets #84 10s

Performances

Mainpiece Title: A King And No King

Performance Comment: Arbaces-Boheme; Mordornis-Ryan; Tigranes-Walker; Bacurius-Diggs; Gobrius-Leigh; Bessus-Quin; First Swordsman-Spiller; Second-H. Bullock; Arane-Mrs Knight; Spaconia-Mrs Parker; Panthea-Mrs Brett.
Cast
Role: Arane Actor: Mrs Knight
Role: Spaconia Actor: Mrs Parker
Role: Panthea Actor: Mrs Brett.

Song: End II: Singing in Italian and English-Mrs Chambers; End III: The Tipling Philosophers-Leveridge

Dance: End I: Two Pierrots-Nivelons; End IV: Flag Dance-Nivelon Sr

Performances

Mainpiece Title: At King's The School For Scandal

Performance Comment: Sir Peter Teazle-King; Joseph Surface-Palmer; Charles Surface-Kemble; Sir Oliver Surface-Aickin; Snake-Phillimore; Rowley-Packer; Moses-Baddeley; Careless-Barrymore; Trip-R. Palmer; Sir Benjamin Backbite-Dodd; Crabtree-Parsons; Lady Teazle-Miss Farren; Lady Sneerwell-Mrs Ward; Mrs Candour-Miss Pope; Maria-Mrs Kemble; Maid-Mrs Heard.
Cast
Role: Sir Peter Teazle Actor: King
Role: Lady Sneerwell Actor: Mrs Ward
Role: Mrs Candour Actor: Miss Pope
Role: Maria Actor: Mrs Kemble
Role: Maid Actor: Mrs Heard.

Afterpiece Title: All The World's A Stage

Performance Comment: Sir Gilbert Pumpkin-Waldron; Charles Stanley-Barrymore; Harry Stukely-R. Palmer; William-Lyons; Waiter-Phillimore; Diggery-Suett; Cymon-Burton; Wat-Maddocks; Miss Bridget-Mrs Hopkins; Miss Kitty Sprightly-Miss Collins.
Cast
Role: Miss Bridget Actor: Mrs Hopkins

Song: III: a song-Dignum

Performances

Mainpiece Title: At King's False Colours

Performance Comment: [Characters by Suett, King, Wroughton, Barrymore, Bannister Jun., R. Palmer, Wewitzer, Maddocks, Alfred, Banks, Webb, Miss Pope, Miss Farren, Mrs Goodall, Miss Heard. Cast from text (T. Cadell, 1793): Lord Visage-Suett; Sir Paul Panick-King; Sir Harry Cecil-Wroughton; Captain Montague-Barrymore; Grotesque-Bannister Jun.; Subtle-R. Palmer; Tony-Wewitzer; Robert-Maddocks; Cook-Alfred; Servants [so listed in text, but actors' names omitted]-Banks, Webb; Lady Panick-Miss Pope; Constance Evelyn-Miss Farren; Harriet-Mrs Goodall; Lucy-Miss Heard; Prologue-Wroughton; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]
Cast
Role: Sir Paul Panick Actor: King
Role: Harriet Actor: Mrs Goodall

Afterpiece Title: The Prisoner

Cast
Role: Clara Actor: Mrs Crouch
Role: Nina Actor: Mrs Bland

Performances

Mainpiece Title: The History Of King Lear

Performance Comment: Edition of 1681: Prologue-; King Lear-Betterton; Gloster-Gillo; Kent-Wiltshire; Edgar-Smith; Bastard-Jo. Williams; Cornwall-Norris; Albany-Bowman; Gentleman Usher-Jevon; Gonerill-Mrs Shadwell; Regan-Lady Slingsby; Cordelia-Mrs Barry; Epilogue-Mrs Barry.
Cast
Role: King Lear Actor: Betterton
Role: Gonerill Actor: Mrs Shadwell
Role: Cordelia Actor: Mrs Barry
Role: Epilogue Actor: Mrs Barry.
Event Comment: Rich's Company. The date of the premiere is not knwon, but the Dedication is dated February 1699@1700, the play was entered in the Term Catalogues in February 1699@1700, and advertised in the Flying Post, 16 March 1699@1700. The latest likely date for the first production is January 1700, but the play may have appeared in late December as a rival to lif's production of I Henry IV early in January 1700. Cibber, Apology, I, 275: But the Master of the Revels, who then licens'd all Plays for the Stage, assisted this Reformation [of the morality of the stage] with a more zealous Severity than ever. He would strike out whole Scenes of a vicious or immoral Character, tho' it were visibly shewn to be reform'd or punish'd; a severe Instance of this kind falling upon my self may be an Excuse for my relating it: When Richard the Third (as I alter'd it from Shakespear) came from his Hands to the Stage, he expung'd the whole first Act without sparing a Line of it. This extraordinary Stroke of a Sic volo occasion'd my applying to him for the small Indulgence of a Speech or two, that the other four Acts might limp on with a little less Absurdity! no! he had no leisure to consider what might be separately inoffensive. [Cibber continues with an explanation of the censor's argument for cutting the act.] Preface to Cibber's Ximena, 1719: Richard the Third, which I alter'd from Shakespear, did not raise me Five Pounds on Third Day

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Performance Comment: Edition of 1700: King Henry the Sixth-Wilks; Edward Prince of Wales-Miss Allison; Richard Duke of York-Miss Chock; Richard Duke of Gloucester-Cibber; Duke of Buckingham-Powel; Lord Stanley-Mills; Duke of Norfolk-Simpson; Ratcliff-Kent; Catesby-Thomas; Henry Earl of Richmond-Evans; Oxford-Fairbank; Elizabeth-Mrs Knight; Ann-Mrs Rogers; Cicely-Mrs Powel.
Cast
Role: King Henry the Sixth Actor: Wilks
Role: Duke of Buckingham Actor: Powel
Role: Elizabeth Actor: Mrs Knight
Role: Ann Actor: Mrs Rogers
Role: Cicely Actor: Mrs Powel.

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Performance Comment: Richard-Ryan; King Henry-Bridgewater; Richmond-Ridout; Buckingham-Sparks; Stanley-Redman; Catesby-Usher; Ratcliff-Anderson; Tressel-Cushing; Norfolk-Wignell; Oxford-Bencraft; Tirrel-Dunstall; Lieutenant-White; Prince Edward-Miss Morrison; Duke of York-Miss Hallam; Lady Anne-Mrs Barrington; Duchess of York-Mrs Bambridge; Queen-Mrs Vincent.
Cast
Role: King Henry Actor: Bridgewater
Role: Buckingham Actor: Sparks
Role: Ratcliff Actor: Anderson
Role: Lady Anne Actor: Mrs Barrington
Role: Duchess of York Actor: Mrs Bambridge
Role: Queen Actor: Mrs Vincent.

Afterpiece Title: The Lover His Own Rival

Cast
Role: Harriet Actor: Mrs Chambers.

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: As17680926, but Osmyn-Barry; Almeria-Mrs Barry; Gonzales-Packer.
Cast
Role: Almeria Actor: Mrs Barry
Role: King Actor: J. Aickin
Role: Lenora Actor: Mrs Johnston
Role: Zara Actor: Mrs Hopkins.

Afterpiece Title: Wit's Last Stake

Performance Comment: Parts by: King, Cautherly, Parsons, Hartry, Strange, Mrs Johnston, Miss Platt, Miss Pope. Martin-King; Saville-Cautherly; Item-Strange; Boy-Mas. Cape; Myra-Miss Platt; Linger-Parsons; Lucetta-Miss Pope; Mrs Watchly-Mrs Johnston; Caveat-Hartry (Winston MS 10).
Cast
Role: Martin Actor: King
Role: Mrs Watchly Actor: Mrs Johnston
Related Works
Related Work: Wit's Last Stake Author(s): Thomas King