SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ralph S Brown Jr"/1) | (@(roleclean,performerclean) "Ralph S Brown Jr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1347 matches on Performance Comments, 600 matches on Performance Title, 211 matches on Event Comments, 98 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Paid Master Brown 6 nights (this incl.) #2 5s.; Chorus 2 nights (this incl.) #5 1s. (Treasurer's Book). Receipts: #85 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Institution of the Garter

Event Comment: Paid Miss Brown 2 weeks not on the list, #1; Mr Wright as per order Mr G. G. #3 10s. 10d.; Dorman for coals #46 5s.; Chorus (this night incl.) #6 16s. (Treasurer's Book). Receipts: #180 12s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Harlequin's Invasion

Event Comment: Paid Buxton and Enderby (oyl merchants) #116, and Brown (coal merchant) #44 9s. Receipts: #190 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Fair

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17740326 but Roxana-Miss Miller; Lysimachus-the Gentleman who Played Othello [Brown; see17731127] his 3rd appearance on any stage.Brown; see17731127] his 3rd appearance on any stage.

Afterpiece Title: Catherine and Petruchio

Dance: End: The Merry Sailors, as17731007

Entertainment: After dance: Ode on the Passions-the Gentleman who performed Lysimachus

Event Comment: By Command of their Majesties. [From the Westminster Magazine for March: "On Friday the third instant the Entertainments peculiar to this season commenced. Messrs Bach and Abel were first, and have been at each successive Oratorio since (one night excepted when the King and Queen favored Mr Stanley, with bringing the only good House he has hitherto had), honoured with the presence of their Majesties, who have been accused, we think justly, of partiality to these foreigners, in overlooking Mr Stanley's past services and great personal merits. Justice, however, requires us to observe, that both in point of vocal and instrumental performers, the former have displayed a striking superiority over the latter. The singers at Messrs Bach and Abel's are, Parry, Corse, Mrs Weichsel, Miss Brown and Sga Corri. At Drury Lane, Norris, Reinhold, Mrs Mattocks, Mrs Barthelemon, and a young Lady from the Founding Hospital."

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Hautboy Concerto-Vincent; Part II: Violin Concerto-Barthelemon

Event Comment: Benefit for Mr Palmer. The Entertainment, a New Poetical Interlude (never perform'd there) Alter'd from Prior's Nut Brown Maid, by Mr Bates, With a New Air and Chorus. Music by Dr Arne. Receipts: #203 12s. Charges: #68 2s. 6d. Profits to Palmer: #13 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Deserter

Dance: The Sailors Revels, as17740920

Monologue: End of Play: Henry and Emma. Henry-Brereton; Eugenius-Palmer; Venus-Mrs Smith; Emma-Mrs Baddeley

Event Comment: [Miss Brown had eloped. See 3 Jan. 1776.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Guardian

Dance: End Opera: La Soiree A@la@mode, as17751207

Event Comment: The father of the runaway siren of Covent Garden [Miss Brown; see 16 Dec. 1775] apprehended the little wanton truant at her aunt's in the city, forcing her into a coach, drove off with her into the country: however, she had not been carried above five miles before her cries raised the inhabitants of a village; whom she soon worked to her purpose by declaring that the man (her father) was carrying her away by force, in order to ship her for America....The peasants released her, when she run to town across the country, and has not been re-taken since by her father (Morning Post, 5 Jan.)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Dance: End Opera: Mirth and Jollity, as17760102

Event Comment: Street Ballad, The Duenna or the Double Elopement, a new song to an old Tune: @In the days of Gay, they sing and say,@The town was full of folly:@For all day long, its sole sing-song@Was pretty, pretty Polly.@So now-a-days, as it was in Gay's,@The world's run mad again-a@From morn to night its whole delight@To cry up the Duenna.@One half the town still talks of Brown@The other of Leoni,@While those sly curs, the managers,@Keep pocketing the money... [Brown was the original Clara in the opera. See 16 Dec. 1775 (Hampden, Journal).

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Prometheus

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Hotel

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Performance Comment: -Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd.
Event Comment: Tickets delivered by Rudd, Ledger, Stevens, Mountford, Mrs Heard, Mrs Morris and Miss Bassan [Account-Book adds: Thompson, Jones, Bates] will be taken this Evening. Miss Brown being ill, Lionel and Clarissa [announced on playbill of 8 May] is obliged to be set aside. Receipts: #158 1s. (40.4; 1.9; tickets: -116.8)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Cross Purposes

Dance: End II: Minuet de la Cour and Allemande-Rudd, Miss Ross; End: Double Hornpipe-Rudd, Miss Bassan

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Touchstone

Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): John Brownsmith

Song: Vocal parts-Reinhold, Doyle, J. Wilson, Baker, Miss Brown, Miss Valois, Mrs Morton, Mrs Willems

Performance Comment: Wilson, Baker, Miss Brown, Miss Valois, Mrs Morton, Mrs Willems.
Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. 1st piece: Altered from [The Soldier's Fortune, by] Otway, by John Brownsmith. [not in Larpent MS; not published.] 2nd piece: A Poetical Interlude altered from Prior's Nut-brown Maid. 3rd piece: Altered to 3 acts. [Prologue by Shatford Jones. Author of Epilogue unknown. For authorship of 1st piece and prologue see Morning Chronicle, 25 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Davis and Wright will be admitted

Performances

Mainpiece Title: The Touchstone Of Invention; Or, The Soldier's Fortune

Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): John Brownsmith

Afterpiece Title: Henry And Emma

Afterpiece Title: The Busy Body

Dance: 2nd piece: With a Hornpipe-Lonsdale

Song: End I: two part song, Damon and Clora-Leach, Miss Mitchell (1st appearance); End III: My sweet pretty Mogg-Wright

Event Comment: "As soon as the Play was over at Covent Garden Theatre yesterday evening, Reinhold walked forward and told the audience that 'It would be esteemed a particular mark of their Kindness and Favour if they would accept Miss Cranfield's performance of Colombine, Miss Brown having been taken extremely ill"' (Morning Chronicle, 11 Jan.). Receipts: #195 2s. (193.6; 1.16)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Every-where

Event Comment: The Flitch of Bacon [announced on playbill of 10 Jan.] is obliged to be deferred on account of Miss Brown's Indisposition. Receipts: #116 2s. (114.9; 1.13)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin Every-where

Dance: As17791231

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: A new Comedy, in 5 Acts [1st time; author unknown; not in Larpent MS; not published. Authors of Prologue and Epilogue unknown]. Afterpiece: Never acted here. A Comedy in 2 Acts, taken from Moliere and D'Ancourt. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for Vietch, Burton and Miss Brown will be taken

Performances

Mainpiece Title: A School For Ladies; Or, The Levee Of Lovers

Afterpiece Title: No Wit Like A Woman's

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Comus

Performance Comment: As17800624 but Euphrosyne, Principal Bacchant-Mrs Cargill (late Miss Brown; 1st appearance on this stage). 1st appearance on this stage).

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon (1st appearance in that character these 6 years); Peachum-Moody; Filch-Parsons; Lockit-Baddeley; Mat o' th' Mint-Gaudry; Ben Budge-Burton; Player-Wrighten; Beggar-Waldron; Lucy-Miss Collett; Mrs Peachum-Mrs Hopkins; Jenny Diver-Miss Kirby; Diana Trapes-Mrs Love; Polly-Mrs Cargill (late Miss Brown; 1st appearance this season). 1st appearance this season).

Afterpiece Title: The Citizen

Dance: End II: The Butterfly-the Miss Stageldoirs; III: a Hornpipe-Walker; End: Country Dance-the Characters

Event Comment: Benefit for Miss Farren. 2nd piece: Altered [by Henry Bate] from Prior's Nut Brown Maid, with new Airs and Chorusses composed by Shield. Receipts: #226 5s. (105.1.0; 29.3.6; 1.2.6; tickets: 90.18.0) (charge: #108.14)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Henry and Emma

Afterpiece Title: All the World's a Stage

Dance: As17810312

Event Comment: Benefit for Miss Wheeler. Morning Herald, 8 Apr.: Tickets to be had of Miss Wheeler, No. 11, Tavistock-street, Covent-garden. 2nd piece: Altered from Prior's Nut-brown Maid. With Airs and Chorusses composed by Shield. Afterpiece: Not acted these 15 years. Receipts: #213 3s. 6d. (95/7/0; 32/2/6; 0/14/0; tickets: 85/0/0) (charge: #108 10s. 3d.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Henry and Emma

Afterpiece Title: The Capricious Lovers

Dance: End of Act I of afterpiece The Irish Fair, as17820406

Event Comment: Benefit for Mrs Bulkley. 2nd piece [1st time; c 2, by James Brown Williamson. MS: Larpent 630; not published. Prologue probably by the author; Epilogue by the author; speakers' names (Public Advertiser, 3 Sept.)]

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Lawyer

Related Works
Related Work: The Lawyer's Feast Author(s): James Ralph

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk; or, The Westminster Boy

Performance Comment: Principal Parts by Quick, Booth, Palmer, Brown, Wewitzer, Fearon, Davies, Edwin; Mrs Webb, Miss Brangin, Mrs Wells. Cast not known. Prologue spoken by Holman .

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

Event Comment: This [main] Piece, written by Dr Brown, is peculiarly happy in evincing to the world "That Virtue still shall conquer tho' in ruin." Mr Sterne presents his respectful Compliments to the Ladies and Gentlemen of Newington and its Vicinity, and now begs leave to inform them that he has been at a considerable Expence in procuring several Performers, in order that every Performance may give Satisfaction to those Ladies and Gentlemen who have so generously exerted their Interest for him and his Company; and as their Stay will be but very short, he hopes that his Care by obtaining so many fresh Members may meet with the Encouragement of a candid Public. N. B. Any Lady or Gentleman who will honor the Company by bespeaking a Play, their Commands will be thankfully received and attended to by applying to Mr Sterne

Performances

Mainpiece Title: Barbarossa; Or, The Freedom Of Algiers

Related Works
Related Work: Barbarossa Author(s): John Brown

Afterpiece Title: Thomasand Sally

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot

Event Comment: Benefit for Mrs Clendining. The Poetry of the additional Songs [in 1st piece] by Peter Pindar, Esq. [pseud. for John Wolcot]. Morning Herald, 27 Apr.: Tickets to be had of Mrs Clendining, No. 19, Martlett-court, Bow-street, Covent-garden. "Mrs Clendining's endeavours to entertain were successful, and Fitzroy by Incledon gave a rich feast to the musical amateur. The air beginning, 'Dear Tom, this brown jug,' had a fine effect by the music being omitted" (Diary, 18 May). Receipts: #273 17s

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Soldier's Festival

Afterpiece Title: The Poor Soldier

Music: End: a concerto of his own composition, on the Grand Piano Forte-King (1st appearance in public)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Mountaineers

Song: 2nd piece: Vocal Parts-Kenrick, Walker, Linton, Dorion Jun., Little, Brown, Hobler, Horsfall, Saunders, Dibble, Lyons, Miss Fontenelle, Miss DeCamp, Miss Dall, Miss Menage, Mrs Powell, Mrs Hatton, Mrs Masters, Mrs Bramwell, Mrs Edwin, Mrs Gaudry

Performance Comment: , Little, Brown, Hobler, Horsfall, Saunders, Dibble, Lyons, Miss Fontenelle, Miss DeCamp, Miss Dall, Miss Menage, Mrs Powell, Mrs Hatton, Mrs Masters, Mrs Bramwell, Mrs Edwin, Mrs Gaudry.