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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R King"/1) | (@(roleclean,performerclean) "R King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7186 results for: Keyword - R. King
We found 4066 matches on Performance Comments, 2655 matches on Performance Title, 1790 matches on Event Comments, 28 matches on Author, and 0 matches on Roles/Actors.

776
02 June 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Cast
Role: 1st Grave@digger Actor: King

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End: A Picture of a Play House; or, Bucks have at ye all-R. Palmer

777
08 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Children in the Wood

Song: In I: The Song [Blest were the hours], Song incidental to the Epilogue-Mrs Jordan

778
April 1684 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

779
August 1684 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. The date of the first performance is not certain, but Luttrell acquired his copy of the separately-printed Prologue and Epilogue on 18 Aug. 1684. (Bindley Collection, William Andrews Clark@Jr@Library), and the play was probably first performed on that day or in the preceding week. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 221-23. In the broadside the speaker of the Prologue is identified as Jevon. A sofg, Ah poor Oliver never boast, the verse by a Lady, and the music by R. King, is in A Collection of Twenty-Four Songs, 1685. Another, Damon if you wilt believe me, the verse by a Person of Quality and the music by Alexander Damascene, is in The Banquet of Musick, The Fifth Book, 1691. Two songs, Tell me no more I am deceived, the verse by Sir George Etherege and the music by J. B. Draghi, and Who can resist my Celia's charms, the music by J. B. Drahgi, and the verse by A Person of Quality, are in the printed play. This cast contains the last new role certainly assigned to John Wiltshire, who, according to (Cibber, Apology, ed. Lowe, I, 84-85), entered the army and was killed in action

Performances

Mainpiece Title: A Duke And No Duke

780
March 1690 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. The date of the first performance is not known, but the fact that the separately printed Prologue and Epilogue bear a licensing date of 17 March 1689@90 suggests a first performance near that date, as on many Previous occasions the separately-printed prologues and epilogues appeared almost simultaneously with the first performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 287-89. A song, I once had virtue, wealth, and fame, the music by R. King, is in The Banquet of Musick, The Fifth Book, 1691

Performances

Mainpiece Title: The English Frier; Or, The Town Sparks

781
March 1690 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known, but the Dedication is dated 5 May 1690; the play was entered in the Term Catalogues, May 1690; and it was advertised in the London Gazette, No. 2557, 12-15 May 1690. Although the play may not have been first acted until mid-April, it may have been given in late March 1690. Dedication, Edition of 1690: I have no reason to complain of the reception of this Play. A song, The fire of love in youthful blood, the music composed by R. King, is in Apollo's Banquet, 1691

Performances

Mainpiece Title: The Amorous Bigotte: With The Second Part Of Tegue O Divelly

782
19 March 1762 @ Covent Garden

Performances

Mainpiece Title: Semele

Performance Comment: Jupiter-; Cadmus- (King of Thebes); Athamas- (Prince of Boeotia, in love with Semele); Somnus-; Apollo-; Cupid-; Juno-; Iris-; Semele- (Daughter of Cadmus); Ino-; Chorus of Priests and Augurs-; Chorus of Loves and Zephyrs-; Chorus of Nymphs and Swains-; Attendants- (Larpent MS 43).

Music: As17620226

783
17 June 1789 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Vimonda

Afterpiece Title: As It Should Be

Entertainment: Monologue. End 2nd piece: British Loyalty or A Squeeze for St. Paul's-Bannister Jun.; conclude with: God save the King-Chapman, Chambers, Mathews

Performance Comment: End 2nd piece: British Loyalty or A Squeeze for St. Paul's-Bannister Jun.; conclude with: God save the King-Chapman, Chambers, Mathews.
Cast
Role: God save the King Actor: Chapman, Chambers, Mathews.

784
26 November 1792 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Silvester. Mainpiece: Written by Congreve. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Silvester, No. 50, Brewer-street, Golden-square, and at No. 25, North Audley-street, Grosvenor-square; of Massey, No. 18, Snow-hill; of Frith, No. 39, King-street, West Smithfield; and of Blandford, Pea-Hen, Bishopsgate-street

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Manuel (King of Granada)-Silvester; Gonzales-Gray; Garcia-Gardner; Heli-Ford; Selim-Guilford; Alonzo-Ryder; Perez-Smith; Osmyn-Wilkinson; Almeria-Mrs Somerville; Leonora-Miss Laudermey; Zara-A Lady (1st appearance on any stage [unidentified]).unidentified]).

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

785
20 February 1795 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Main Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Happy Iphis (Jephtha)-; My arms, Sound an alarm, We hear-Chorus (Judas Maccabaeus); O magnify the Lord [Chandos Anthems]-; Hear Jacob's God-Chorus (Samson); What's sweeter than the new@blown rose (Joseph)-; I feel the Deity within-; Arm arm ye brave-; We come-Chorus (Judas Maccabaeus); From mighty Kings-Miss Parke (Judas Maccabaeus); Gloria Patri-Chorus (Jubilate).
Cast
Role: From mighty Kings Actor: Miss Parke

786
28 February 1800 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe concerto-; Awful pleasing being-Miss Tennant (Joshua); Gentle airs-Incledon; accompanied on the violoncello-Charles Ashley (Athalia); Jehovah crowned-Miss Crosby; He comes-Chorus (Esther); Lord remember David-Mrs Dussek (Redemption); God save the King-Chorus (Coronation Anthems).
Cast
Role: God save the King Actor: Chorus

Music: End II: concerto on the grand piano@forte-Master Neate

787
08 May 1731 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The What D'ye Call It

788
15 May 1754 @ Covent Garden

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Double Disappointment

Song: I: No Never-Lowe, Mrs Chambers; III: Song-Mrs Chambers

Dance: V: Dutch Dance, as17531018

789
09 May 1755 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Schoolboy

Dance: IItalian Peasants-Granier and Mrs Granier

790
05 May 1756 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Orpheus and Eurydice

791
02 May 1758 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Lying Valet

Dance: Drunken Peasants-Miles; Comic Ballet-Guerin, Dumay, Gosly, Miss Dawson, Miss Viviez, Mrs Guerin, Mlle Jansolin

792
29 April 1761 @ Covent Garden

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Devil to Pay

Dance: The Last New Comic Dance-Maranesi, Mlle Capdeville

793
05 May 1762 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Contrivances

Dance: TThe Taylors, as17620107

794
09 May 1763 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): Thomas King

Afterpiece Title: The Intriguing Chambermaid

Dance: IV: The Jealous Woodcutter, as17621023

795
14 May 1764 @ Covent Garden

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Dance: II: A Hornpipe-Miss Pitt; End: The Dutch Skippers, as17640509

796
07 May 1765 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Miss in Her Teens

Dance: III: A Hornpipe-Miss Pitt; End of Play: Rural Love, as17641212

797
29 January 1768 @ Covent Garden

Performances

Mainpiece Title: The Good Natured Man

Afterpiece Title: The Chaplet

798
08 May 1771 @ Covent Garden

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Thomasand Sally

Ballet: End: The Wapping Landlady. As17710422[with Double Hornpipe, as17710422

799
13 May 1772 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Catherine and Petruchio

Dance: III: Comic Dance, as17711031; IV: A Tambourine, as17720501

800
30 April 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Deserter

Dance: Grand Naval Review, As17761109; End I afterpiece: a Hornpipe-Walker

Song: As17761109

Entertainment: Monologue. End: Bucks have at ye All-R. Palmer