SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R H Prince Edward"/1) | (@(roleclean,performerclean) "R H Prince Edward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3004 matches on Performance Comments, 1341 matches on Author, 1326 matches on Event Comments, 591 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Honest Thieves

Afterpiece Title: The Soldier's Festival

Entertainment: Vaudeville. End 1st piece: Black Ey'd Susan-Incledon; Whims & Fancies[; or, +Patches from Harlequin's Jacket (an Entertainment, both Serious and Comic, selected from the best Authors)-Betterton; The Bull and Boat[; or, +Law! Law! Law!-; The Snug [i.e. Tight] Little Island-Townsend

Performances

Mainpiece Title: Cymbeline, King Of Britain

Afterpiece Title: The Child of Nature

Afterpiece Title: The Soldier's Festival

Song: In II 1st piece: Hark! the Lark-Hill, Linton, Miss Wheatley, Mrs Atkins; Young William was a Seaman True (composed by himself), Sally in our Alley-Incledon

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Deserter of Naples

Afterpiece Title: St

Related Works
Related Work: St Helena; or, The Isle of Love Author(s): Edward Thompson

Song: End: the following songs illustrative of the Whims and Sports of Bartholomew Fair: Raro Raro-Delpini; The Wind blew fresh and fair-Townsend; By the gaily circling Glass-Linton; a New Song (composed by Walsh, and written in Commemoration of His Majesty's Providential Escape [from assassination; see dl, 15 May])-Incledon

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Jew and the Doctor

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. It is surprising to see a Davenant play acted by the King's Company. Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight at the Fleece Tavern...The gentlemen were discussing the play which they then came from, by name The Unfortunate Lover; at the latter end of the play there was a duel upon the stage; which, they, discounting upon, drew their swords in jest to show wherein they failed (HMC, 5th Report, 1876, p. 200)

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: The United Company. This play was in rehearsal before the death of Charles II-see 6 Feb. 1684@5-and was staged shortly after the playhouse reopened. Luttrell's date of acquisition of the separately-printed Prologue and Epilogue is 9 May 1685 (in possession of Pickering and Chatto, Ltd., 1938), and the play may have been first given on that date or during the week preceding Saturday 9 May 1685. For Cibber's account of Mountfort as Sir Courtly, see Cibber, Apology, ed. Lowe, I, 129. The separately-printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 228-30. A separately-printed Three New Songs in Sir Courtley Nice (1685) contains three songs, with the music by Samuel Ackroyde and an unknown composer. In addition, two songs, As I grazed unaware and O be kind my dear be kind, both composed by R. King, are in The Theater of Music, Second Book, 1685. Downes (Roscius Anglicanus, pp. 40-41): The first new Comedy after King James came to the Crown, was Sir Courtly Nice, wrote by Mr Crown:...The Comedy being justly Acted, and the Characters in't new, Crown'd it with a general Applause: Sir Courtly was so nicely Perform'd, that not any succeeding, but Mr Cyber has Equall'd him. Note, Mr Griffin so Excell'd in Surly, Sir Edward Belfond, The Plain Dealer, none succeeding in the 2 former have Equall'd him, except his Predecessor Mr Hart in the latter. The Lover's Session; In Imitation of Sir John Suckling's Session of Poets (in Poems on Affairs of State, II [1703], 162): @Montrath was in Foppery conceiv'd another@Of Whitehall true Breed, Sir Nices Twin Brother:@None could tell, so alike all their Follies did seem,@Whether he acted Mumford, or Mumford him.

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p.162. See also Nicoll, Restoration Drama, p. 349. The Diary of Edward Lake, 16 Nov. 1677: This day the court began to whisper the prince's sullennesse, or clownishnesse, that hee took no notice of his princesse at the playe and balle (Camden Miscellany, 1847, I, 9)

Performances

Mainpiece Title: The Tempest

Event Comment: By His Royal Highness's Command. According to the Original Weekly Journal 26 April the Prince was present, but Edward Harley Jr writing to Abigail Harley on 6 May stated: The P..., not long ago, bespoke at the Old Playhouse, a play called the Indian Emperor. The K...hearing of it, sent to the players to tell them that if the P...came, and they acted that play, he would turn them out of his service, which message they sent to the P..., who had the good sense not to come, so the Indian Emperor was acted.-Portland MS, V, 560

Performances

Mainpiece Title: The Indian Emperour

Dance: Serious and Comic Dancing-

Event Comment: PPrince of Wales, Edward, Augusta, and 2 more princes. Mr Garrick (By Command) did Osmyn (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: [But unspecified.

Event Comment: Benefit for Fawcett and Butler. [As mainpiece the playbill announces Edward the Black Prince, but it was not acted. The Account-Book lists the substitute play.] Receipts: #280 7s. (37/9; 4/6; tickets: 238/12) (charge: #115 10s.)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Junior

Dance: End of Act II of mainpiece Hornpipe, as17840517; End of Act hi, as17840311athi

Song: End of mainpiece Gramacbree Molly, as17840503

Event Comment: The Duke's Company. This is another in the series of Court performances in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80. Mountstevens to Henry Stevens, 20 Feb. 1679@80: Upon Sunday the Court is to be in mourning for the death of the Princess Elizabeth, sister to Prince Rupert. (R. W. Blencowe, Diary of the Time of Charles the Second [London, 1843], I, 283)

Performances

Mainpiece Title: Epsom Wells

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: Judas Maccabaeus

Music: I: Concerto on Violin-Mr ThomasLinley

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Apprentice

Music: In Act III of mainpiece an Epitbalamium [not listed in playbill, but see17811129]

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Peeping Tom

Afterpiece Title: The Swop

Performances

Mainpiece Title: Next Door Neighbours

Afterpiece Title: The Padlock

Afterpiece Title: The Irishman in Spain

Performances

Mainpiece Title: The Quaker

Related Works
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Edward Thompson

Afterpiece Title: Don Pedro

Performances

Mainpiece Title: The Will

Afterpiece Title: The Purse

Cast
Role: Prince Lupauski Actor: Aickin
Role: Princess Lodoiska Actor: Mrs Crouch

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Fairy Festival

Cast
Role: Prince Lupauski Actor: Aickin
Role: Princess Lodoiska Actor: Mrs Crouch

Afterpiece Title: The Wandering Jew; or, Love's Masquerade

Dance: As17970513

Performances

Mainpiece Title: First Love

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Prince Lupauski Actor: Aickin
Role: Princess Lodoiska Actor: Mrs Crouch

Afterpiece Title: Lodoiska

Cast
Role: Prince Lupauski Actor: Aickin
Role: Princess Lodoiska Actor: Mrs Crouch
Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Manoa-Savage; Micah-Mrs Cibber; Dalila-Mrs Clive; Harapha-Reinhold; Officer-Lowe; Israelite Women-Signora Avoglio, Miss Edwards; Philistine Women-Signora Avoglio, Miss Edwards; Philistine-Lowe (Deutsch, Handel p. 559).

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Statesman Foil'd

Performance Comment: Characters-Sowdon, Mahoon, Bannister, Miss Grace, Miss Edwards. Lord Crafty-Sowdon; Meanwell-Mahoon; Worthy-Bannister; Amilia-Miss Edwards; Sally-Miss Groce (Edition of 1768).

Dance: As17680530

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Judgment of Paris

Performance Comment: Parts by Mahoon, Bannister, Vandermere, Mrs Barthelemon, Mrs Saunders, Miss Ogilvie, Miss Edwards. Paris-Mahoon; Mercury-Bannister; Palaemon-Vandermere; Oenone-Mrs Barthelemon; Venus-Miss Edwards; Pallas, Discord-Mrs Saunders; Juno-Miss Ogilvie (Edition of 1768).
Cast
Role: Venus Actor: Miss Edwards

Dance: As17680530

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: Harvest Home

Performance Comment: Principal Characters by Meadows, Chapman, Usher, Mathews, Johnson, Young Sestini, Mrs Bannister, Mrs Edwards, Miss George. Cast from text (Harrison and Co., 1787): Glanville-Meadows; Trim-Chapman; Scandaroon-Usher; Muzzy-Mathews; Congo-Johnson; Pickle-Young Sestini; Cleora-Mrs Bannister; Goody Muzzy-Mrs Edwards; Unah-Miss George; Signora Estella-Mrs Poussin (see17870521).
Cast
Role: Goody Muzzy Actor: Mrs Edwards

Entertainment: Monologue End: Occasional Address (in character)-Young Sestini (European Magazine, July 1787, p. 63)