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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R Glover Esq"/1) | (@(roleclean,performerclean) "R Glover Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2616 results for: Keyword - R. Glover, Esq
We found 1903 matches on Performance Comments, 530 matches on Event Comments, 432 matches on Performance Title, 15 matches on Author, and 0 matches on Roles/Actors.

51
31 October 1732 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Congreve. St. James's Evening Post, 31 Oct.: We are informed, that John Ellys Esq: the eminent painter, succeeds Mr Wilks in the management of Drurylane Play-House; and that Mr Cibber Jr succeeds his father, who has resign'd to him

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Contrivances

Dance: Mrs Booth

52
06 December 1759 @ Covent Garden

Event Comment: Receipts: #52 10s. 6d. Paid Jno Rich Esq as per receipt #52 10s

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Contrivances

Dance: FFingalian Dance-Miss Hilliard, as17591102

53
13 August 1779 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. Tickets to be had of Jewell, in Suffolk-street. Mainpiece: Written by the late $S. Foote, Esq.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Flitch of Bacon

Dance: As17790610

54
21 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. [Author of Prologue to 1st piece unknown. 2nd piece: By permission of G. Colman, Esq. [owner of the copyright]. 3rd piece [1st time; F 2 (?)]: Altered from Woman's a Riddle [by Christopher Bullock; alterer unknown. Not in Larpent MS; not published]. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #286 11s. (145.16; 14.5; 1.12; tickets: 124.18) (charge: #106 1s. 5d.)

Performances

Mainpiece Title: Transformation; Or, The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

55
16 February 1789 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Mainpiece: Not acted these 10 years. [Epilogue by Robert Jephson.] Afterpiece: Written by D. Garrick, Esq. Public Advertiser, 31 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #340 5s. 6d. (166.10.0; 11.0.0; 1.4.6; tickets: 161.11.0) (charge: free)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: Lethe; or, AEsop in the Shades

56
29 March 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Bannister Jun. Mainpiece: By Permission of George Colman Jun., Esq. [Prologue by George Colman Jun. (Kemble Mem.), printed in Henry Angelo,@Reminiscences, 1828, I, 331-32.] Morning Herald, 29 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #538 18s. 6d. (251.19.6; 32.18.0; 3.0.0; tickets: 251.1.0) (charge: #163 9s. 2d.)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Minor

Entertainment: Monologue. Occasional Prologue-Bannister Jun

57
22 June 1792 @ Haymarket Theatre

Event Comment: Afterpiece: Written by Samuel Foote, Esq

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Liar

58
26 April 1796 @ Covent Garden

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

59
25 March 1736 @ Covent Garden

Event Comment: Benefit Glover. At the particular Desire of several Persons of Quality. Three Rows of the Pit will be rail'd in, and Part of the Stage form'd into Boxes. Receipts: money #43 6s.; tickets #169 19s

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Devil to Pay

Dance: II: Clown by Nivelon. III: By particular Desire, Minuet and Louvre by Glover and Miss Rogers. IV: Tambourine by Glover and Miss Rogers. V: French Peasants by Lalauze, Mlle D'Hervigni, &c

Performance Comment: III: By particular Desire, Minuet and Louvre by Glover and Miss Rogers. IV: Tambourine by Glover and Miss Rogers. V: French Peasants by Lalauze, Mlle D'Hervigni, &c .

60
29 March 1769 @ Covent Garden

Event Comment: Benefit for Yates. Tragedy written by R. Glover. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Charges #64 19s. Balance to Yates #52 19s. plus #151 3s. from tickets (Box 589; Pit 26) (Account Book). Neville MS Diary: Having places in the Pit at Covent Garden went to see Mrs Yates do Medea in which she is inimitably great. My strong desire to see her in this character was one reason of continuing to town so long. Read her part before the play began. Her husband is truly comic in Tim in the Knights. Receipts; #117 18s. (Account Book)

Performances

Mainpiece Title: Medea

Related Works
Related Work: Medea Author(s): Richard Glover

Afterpiece Title: The Knights

Dance: End: The Tartars, as17681004

61
05 August 1786 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: Benefit for Mr and Mrs Johnston & Miss Williams. Mainpiece: Written by R. Cumberland, Esq., and perform'd at the Theatre-Royal, Drury-Lane, with great Applause. Never acted there. Tickets to be had of Mr and Mrs Johnston & Miss Williams at the Windsor Castle [Inn], Plough and Harrow, Angel, Cock and Magpie, Salutation; and of Waldron, No. 17, Dorville's Row, where places for the Boxes may be taken

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Wrangling Lovers; or, Like Master Like Man

62
02 May 1791 @ Covent Garden

Event Comment: Benefit for Quick. Mainpiece: Written by R. Cumberland, Esq. Afterpiece: Written by Colley Cibber, with capital Additions by Fielding, Dean Swift, G. A. Stevens, &c. &c. &c. Public Advertiser, 20 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #327 4s. (177.2.6; 9.11.6; tickets: 140.10.0)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Alexander the Little; or, The Rival Queans

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

63
11 April 1793 @ Covent Garden

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: True Blue

Performance Comment: Lieutenant (with Blow high, Blow low; The Mid Watch, written by R. Sheridan, Esq.; Rule Britannia)-Incledon; True Blue-Davies; Careful-Darley; Nancy-Miss Broadhurst.

Afterpiece Title: Comus

Dance: In 2nd piece: a Hornpipe-Blurton

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers-Incledon

64
29 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Devil to Pay

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

Performance Comment: End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan.

65
11 April 1717 @ King's Theatre

Performances

Mainpiece Title: Amadis

Dance: Glover, Mlle Cerail; particularly a Spanish Dance-

Related Works
Related Work: Boadicia Author(s): Richard Glover
Related Work: Medea Author(s): Richard Glover

66
02 March 1719 @ King's Theatre

Performances

Mainpiece Title: Le Precaution Inutile

Song: Mrs Aubert

Music: French Musick that Night, by the Famous Mr Baptist Luly-The Band of Musick

Dance: Glover, Salle, Mlle Salle; with the Leap over 12 Hoops-Antoni, Octave

Related Works
Related Work: Boadicia Author(s): Richard Glover
Related Work: Medea Author(s): Richard Glover

67
06 February 1722 @ Haymarket Theatre

Performances

Mainpiece Title: Lavare

Afterpiece Title: Lepreuve Reciproque

Dance: Glover, being the first time of his appearing on this Stage

Related Works
Related Work: Boadicia Author(s): Richard Glover
Related Work: Medea Author(s): Richard Glover

68
07 October 1723 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Busie Body

Dance: Glover, Dupre, Newhouse, Pelling, Mrs Rogeir, Mrs Wall, Mrs Bullock; particularly Myrtillo-

Related Works
Related Work: Boadicia Author(s): Richard Glover
Related Work: Medea Author(s): Richard Glover

69
20 September 1731 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Conscious Lovers

Dance: Glover, Miss LaTour

Related Works
Related Work: Boadicia Author(s): Richard Glover
Related Work: Medea Author(s): Richard Glover

70
25 November 1734 @ Covent Garden

Performances

Mainpiece Title: The Fatal Extravagance

Afterpiece Title: Rule a Wife and Have a Wife

Dance: Glover's Scot's Dance. Richmond Maggot by Le Sac and Miss Rogers

Song: By Leveridge

71
26 October 1737 @ Covent Garden

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Dragon of Wantley

Dance: Glover, Mlle Roland, the first Time of her appearing on that stage

Related Works
Related Work: Boadicia Author(s): Richard Glover
Related Work: Medea Author(s): Richard Glover

72
27 October 1737 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Dragon of Wantley

Dance: Glover, Mlle Roland

Related Works
Related Work: Boadicia Author(s): Richard Glover
Related Work: Medea Author(s): Richard Glover

73
08 November 1737 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Dragon of Wantley

Song: CChancon a Boire-Leveridge, Laguerre

Dance: Glover, Mlle Roland

Related Works
Related Work: Boadicia Author(s): Richard Glover
Related Work: Medea Author(s): Richard Glover

74
09 November 1737 @ Covent Garden

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Afterpiece Title: The Dragon of Wantley

Dance: Glover, Mlle Roland

Related Works
Related Work: Boadicia Author(s): Richard Glover
Related Work: Medea Author(s): Richard Glover

75
10 November 1737 @ Covent Garden

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The Dragon of Wantley

Dance: Glover, Mlle Roland

Related Works
Related Work: Boadicia Author(s): Richard Glover
Related Work: Medea Author(s): Richard Glover