SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R Cumberland Esq"/1) | (@(roleclean,performerclean) "R Cumberland Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1760 matches on Performance Comments, 618 matches on Author, 601 matches on Event Comments, 34 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Joanna

Related Works
Related Work: Joanna Author(s): Richard Cumberland

Afterpiece Title: The Poor Soldier

Song: As18000124

Performances

Mainpiece Title: The Wheel Of Fortune

Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: Whos the Dupe

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew

Related Works
Related Work: The Jew Author(s): Richard Cumberland

Afterpiece Title: The Castle of Sorrento

Song: 3rd piece: Chorus-Kenrick, Little, Willoughby, Dibble, Aylmer

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew Author(s): Richard Cumberland

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew Author(s): Richard Cumberland

Afterpiece Title: Obi

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew Author(s): Richard Cumberland

Afterpiece Title: Obi

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew Author(s): Richard Cumberland

Afterpiece Title: The Review

Performances

Mainpiece Title: The Fashionable Lady Or Harlequins Opera In The Manner Of A Rehearsal

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Mock Doctor

Dance: HHornpipe-R. Jones , from gf

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Farmers Son or The Maidens Second Slip

Dance: I: Dutch Skipper-Sandham; III: Scaramouch-Sandham; V: Hornpipe-R. Jones

Song: II: Singing in Italian-

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Touchstone

Song: End II: several of the newest and most approved Catches and Glees (selected from the invaluable Collection of the Noblemen's and Gentlemen's Catch-Club)-Reinhold, Vernon, Champness, R.? Smith, Webb, Reynoldson, Simpkinson, Leoni, assisted by several other of the most eminent Performers

Performances

Mainpiece Title: La Vestale

Dance: End I: Divertissement, as17870428; End Opera: Le Cossac Jaloux-Mme Perignon, Goyon, Laborie, Henry, Mlle R. Simonet

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: High Life below Stairs

Dance: End: The Slave in Love-the young D'Egvilles, Miss DeCamp; In afterpiece: Mock Minuet-R. Palmer, Miss Pope [which was danced, as here assigned, in all subsequent performances]

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Song: In course evening: Henry's Cottage Maid-Miss Hagley

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: High Life below Stairs

Dance: In II afterpiece: Mock Minuet-R. Palmer, Miss Pope. [This was danced, as here assigned, in all subsequent performances.

Song: As17911119; accompanied upon the Harp-Meyer Jun

Performances

Mainpiece Title: At Kings The Siege Of Belgrade

Afterpiece Title: High Life Below Stairs

Dance: In II afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: High Life below Stairs

Dance: In II afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Performances

Mainpiece Title: My Grandmother

Afterpiece Title: Tit for Tat

Afterpiece Title: The Liar

Entertainment: MonologueEnd 2nd piece: Bucks have at ye all-R. Palmer

Performances

Mainpiece Title: False And True

Afterpiece Title: Two Strings to Your Bow

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: Mock Minuet-R. Palmer, Miss DeCamp

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: High Life below Stairs

Dance: In II afterpiece: Mock Minuet-R. Palmer, Miss Pope

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Between II and III of the aboveSylvester Daggerwood

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Event Comment: Under the Patronage of H. R. H. the Prince of Wales, H. R. H. the Duke of York, and H. R. H. the Duke of Clarence. Benefit for a Fund for the Relief of the Wounded Seamen, and also for the Widows and Orphans of the Brave Men who fell in the late Glorious Action, under Admiral Lord Viscount Duncan [see 16 Oct.]. The Tickets for the Boxes are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangement of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Guildford, The Earl of Thanet, The Right Honorable the Lord Mayor [Brook Watson], Mr Alderman Combe, M. P., Mr Alderman Skinner, John Julius Angerstein, Esq. Tickets and Places for the Boxes not disposed of by the Committee to be had of Fosbrook at the Box Office, Little Russell-Street, and at the Bar of Lloyds Coffee House. Ladies and Gentlemen having Privilege of the Theatre are requested by the Stewards to waive the use of it for this Evening. [Address by Richard Cumberland (European Magazine, Nov. 1797, p. 339). True Briton. 23 Nov. 1797, prints a letter from the Chairman of Committee of Subscribers to the performers of the theatre, thanking them for not "accepting the usual emolument on the night of performance."] Receipts: #631 8s. (357.17.6; 57.4.6; 1.11.0; money extra left at the doors: 2.14.6; tickets: 212.0.6) (charge: #161 0s. 6d.)

Performances

Mainpiece Title: The Will

Afterpiece Title: The Prize

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg