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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R Castleman"/1) | (@(roleclean,performerclean) "R Castleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1772 results for: Keyword - R. Castleman

We found 1726 matches on Performance Comments, 228 matches on Event Comments, 21 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

1751
19 June 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Foundling

Afterpiece Title: LODOISKA

1752
02 July 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

1753
27 August 1794 @ Haymarket Theatre

Performances

Mainpiece Title: The Life And Death Of King Richard Iii

Afterpiece Title: COMUS

1754
09 October 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jew

Afterpiece Title: Lodoiska

1755
12 November 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: My Grandmother

Song: III: a song-Sedgwick

1756
20 February 1795 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Main Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

1757
14 March 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: Alexander the Great

1758
18 December 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: The Doctor and the Apothecary

1759
12 February 1796 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

1760
03 March 1797 @ Covent Garden

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

1761
29 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Devil to Pay

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

1762
25 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Richard Coeur de Lion

1763
23 February 1798 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

1764
18 August 1798 @ Haymarket Theatre

Performances

Mainpiece Title: At King's The Heir At Law

Afterpiece Title: The Children in the Wood

1765
24 October 1798 @ Covent Garden

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Spoil'd Child

1766
19 January 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Feudal Times; or, The Banquet Gallery

1767
08 February 1799 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

1768
23 April 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle Of Montval

Afterpiece Title: Blue-Beard

1769
15 June 1799 @ Haymarket Theatre

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: Family Distress

Afterpiece Title: The Village Lawyer

1770
07 October 1799 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

1771
28 February 1800 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

1772
14 March 1800 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; The Messiah; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End II: a concertante for violin oboe tenor and violoncello-G. Ashley, W. Parke, R. Ashley, C. Ashley