Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Event Comment: Before the Play began, Reddish went on, and addressed the Audience as follows, which was drawn up by Mr Sheridan, "Ladies and Gentlemen, having in my Address to the Publick on Tuesday Night last accounted for my Omission in the Part of Vainlove in a manner which appeared to reflect highly on the Managers, I now beg Permission to ascribe it to the Confusion I was in from the Displeasure of the Audience, and, as the Managers are satisfied with my Assurance that this was the Case, I humbly hope for the Indulgence of the Publick, whom I never meant to offend, and whom I will ever study to please" (Hopkins Diary). Raceipts: #119 17s. 6d

Event Comment: Mainpiece: Never acted here. [Epilogue by Richard Brinsley Sheridan.] Receipts: #235 17s. (216.14.0; 17.19.6; 1.3.6)

Event Comment: Mainpiece [1st time, i.e. as an alteration of Richard Savage's play; T 5, by William Woodfall. Prologue by Richard Brinsley Sheridan. Epilogue by Richard Cumberland (see text)]: with New Scenes and Dresses. Public Advertiser, 13 Feb. 1777: Sir Thomas Overbury (the Publication of which was unavoidably postponed) will be ready this Morning, at Ten o'Clock (1s. 6d.). Receipts: #212 4s. 6d. (210.7.6; 1.17.0)

Event Comment: Mainpiece: Altered from [The Relapse, by] Sir John Vanbrugh [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick (see edition of 1781)]. The Characters new dressed. Receipts: #229 7s. 6d. (217.13.0; 10.8.0; 1.6.6)

Event Comment: Benefit for Lee Lewes. Afterpiece: In [it] will be introduced the Stockwell Scenes, with a Prologue [by Richard Brinsley Sheridan (Boaden, Mrs Siddons, I, 107)], in the Character of Harlequin, spoken by Lee Lewes; to conclude with the Escape through the Tub, as in Mother Shipton. [The Stockwell Scenes were included in all subsequent performances. The Prologue and Escape were included in the first 3 performances only (see 3 May).] Public Advertiser, 8 Apr.: Tickets to be had of Lee Lewes, No. 40, Charlotte-street, Rathbone Place. Receipts: #282 18s. (119.15; tickets: 163.3) (charge: #69 17s. 6d.)

Event Comment: Mainpiece: With Alterations [by Richard Brinsley Sheridan]. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season]. Receipts: #187 9s. (139.0.0; 45.4.6; 3.4.6)

Event Comment: Mainpiece: The 21st night [i.e. in continuation of the reckoning for the previous season]. Account-Book, 21 Nov.: Paid Sheridan Net Rect. of Scl. for Scandal 22d Oct. last #280 11s. Receipts: #280 11s. (274.10.0; 5.8.6; 0.12.6)

Event Comment: Benefit for the Author [of mainpiece: Richard Brinsley Sheridan, who is named in the Account-Book, but not on the playbill]. Receipts: #259 9s. (250.7.0; 8.19.6; 0.2.6; tickets: none listed) (charge: #73 10s.)

Event Comment: Mainpiece: With alterations [by Richard Brinsley Sheridan]. The new comedy of The Fathers [announced on playbill of 27 Nov.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #123 6s. 6d. (89.14.0; 32.19.0; 0.13.6)

Event Comment: Mainpiece: Not acted these 2 years. With a Procession and Sacrificev. [These were included in both subsequent performances.] Afterpiece [1st time; F 2, by Thomas Sheridan. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 21 Dec.]: Taken from the comedy of that name by Sir John Vanburghi [sic]. Receipts: #151 2s. 6d. (115.4.0; 35.16.0; 0.2.6)

Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)

Event Comment: Mainpiece [1st time; T 5]: Written by the Author of Percy [Hannah More. Prologue by the author; Epilogue by Richard Brinsley Sheridan (see text)]. Public Advertiser, 1 Dec. 1779: This Day is published The Fatal Falsehood [sic] (1s. 6d.). Afterpiece [1st time; CO 2, by Charles Dibdin]: The Overture and all the Music composed by Dibdin. With new Scenes, Dresses, and Decorations to both Pieces. Books of the Entertainment to be had at the Theatre. Public Advertiser, 6 May 1779: This Afternoon at three is published The Chelsea Pensioner (1s.). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Event Comment: Mainpiece: Written by the author of Percy [Hannah More]. 5th time [i.e. in continuation of the reckoning for the previous season.Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text).] Receipts: #121 (118.1; 2.19)

Event Comment: Afterpiece: Not acted these 13 years [acted 5 May 1770]. With Alterations and 3 entire new Scenes [by Richard Brinsley Sheridan; and new music by Thomas Linley Sen.]. To conclude with a Representation of the Storming of Fort Omoa in the Bay of Hondurasv [when it was captured by the British from the Spaniards on 26 Oct. 1779. This scene was included in all subsequent performances]. The View and Machinery designed by DeLoutherbourg and executed under his direction. With New Dresses and Decorations. "The scenemen blundered egregiously all through the entertainment. During the siege of the fort so much gunpowder was fired off that the stage was so filled with smoke that the officers, men, were scarcely discernible from the boxes" (London Chronicle, 4 Jan.). Receipts: #203 2s. 6d. (154.7.0;47.17.0; 0.18.6)

Event Comment: Mainpiece: With alterations [by Richard Brinsley Sheridan]. Receipts: #168 12s. (124.4.0; 42.5.6; 2.2.6)

Event Comment: 3rd piece: With Alterations and 3 entire new Scenes [by Richard Brinsley Sheridan]. To conclude with a Representation of the Storming of Fort Omoa in the Bay of Hondurasv [see 3 Jan. 1780. This scene was included in all subsequent performances]. The View and Machinery designed by DeLoutherbourg and executed under his direction. Receipts: #131 16s. 6d. (99.14.0; 31.12.0; 0.10.6)

Event Comment: Mainpiece: With Alterations [by Richard Brinsley Sheridan]. Paid John Dallas, painter, #11 10s. Receipts: #95 4s. 6d. (70.12.0; 23.12.6; 1.0.0)

Event Comment: Afterpiece [1st time; P 2, by Richard Brinsley Sheridan; music by Thomas Linley Sen.]: With entire new Scenery, Machinery, Dresses, and Decorations. The Scenery designed by DeLoutherbourg, and executed under his Direction. Nothing under Full Price will be taken. Receipts: #257 19s. (249.16; 8.3)

Event Comment: Mainpiece [1st time; CO 3, by Richard Tickell, some of the songs attributed to Richard Brinsley Sheridan; synopsis of plot in Public Advertiser, 18 Dec. Songs (no pub., 1781) omits several [i.e. all the non-singing] characters. MS not in Larpent; not published]: With entirely new Music and a new Overture [by Thomas Linley Sen.]. To conclude with a View of St. Mark's Place, and a grand Representation of the Carnival. With new Scenes, Dresses, and Decorations, designed by De Loutherbourg, and executed under his Direction. Books of the Songs to be had at the Theatre. Public Advertiser, 19 Dec. 1781: This Day are published the Songs in The Carnival of Venice (6d.). Account-Book, 11 Jan. 1782: Received from Miss Giles for 1,550 Books of the Songs in the Carnival #31. Receipts: #225 18s. 6d. (216/4/0; 9/14/6; 0/0/0)

Event Comment: Benefit for Zuchelli, Delpini & the Miss Stageldoirs. Mainpiece: With Alterations [by Richard Brinsley Sheridan]. Afterpiece [1st time; P 2, author unknown]: The whole under the direction of Delpini and Zuchelli. The Music by the celebrated Chevalier Clough. An Historical Account of the Pantomime, with the Songs, may be had at the Theatre. Morning Herald, 27 Apr.: Tickets to be had of Zuchelli, No. 81, Hay-market; Ibid, 30 Apr.: of the Miss Stageldoirs at their house, No. 26, Crown-street, Little Russel-street, Covent-garden [Delpini not listed]. Receipts: #226 13s. (67/7; 28/12; 0/3; tickets: 130/11) (charge: #120 16s. 9d.)

Event Comment: [In mainpiece the playbill assigns Lady Sneerwell to Miss Sherry, but on the Kemble playbill a MS annotation substitutes Mrs Whitfield. Miss Sherry was ill; she died early in October.] "Sheridan has also despised the faults of another school, trap claps. Not a word in The School for Scandal is to be found in praise of Laws, Jack Tars, Innocence, an Englishman's castellum, or Liberty" (Reynolds, II, 227). Receipts: #193 13s. 6d. (155/11/0; 37/12/6; 0/10/0)

Event Comment: "[King's] utterance possessed an articulate velocity and smartness never heard but from him; and a collected confidence in himself that extorted an applause paid to the situation, or the sentiment, rather than the man" (Boaden, Siddons, II, 105). [Address written by Richard Cumberland (Betsy Sheridan, Journal, 1960, p. 25).] Receipts: #255 13s. 6d. (228/1/0; 27/11/0; 0/1/6)