SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R B Sheridan Esq"/1) | (@(roleclean,performerclean) "R B Sheridan Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Performance Comments, 659 matches on Event Comments, 310 matches on Author, 33 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Enchanter oblig'd to be deferr'd on account of Indisposition of Mrs Vincent. Both Pieces By Desire. Benefit for Sheridan. ["No benefit in the Bills" (Hopkins MS Notes).

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17601121, but Richard-Sheridan; Buckingham-Bransby; Lord Mayor-Philips.

Afterpiece Title: High Life below Stairs

Dance: T+The May Day Morning Fingalian Dance, as17610416

Song: By Particular Desire, the Mimic Comic Opera Song-Mrs Clive

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Pierre-Sheridan; Priuli-Havard; Renault-Burton; Jaffier-Holland; Duke-Bransby; Bedamour-Blakes; Belvidera-Miss Mowatt, 1st time.

Afterpiece Title: The Contrivances

Dance: TThe Fingalian Dance-Miss Dawson

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Sheridan; Duncan-Bransby; Macduff-Havard; Ross-Davies; Malcolm-Austin; Banquo-Palmer; Angus-Fox; Lennox-Scrase; Siward-Moody; Donaldbain-Master Cautherly; Hecate-Champnes; Witches-Burton, Yates, Blakes; Lady Macduff-Mrs Bennet; Lady Macbeth-Mrs Pritchard; The vocal parts-Lowe, Champnes, Mrs Vincent, Miss Young.

Afterpiece Title: High Life Below Stairs

Dance: By Particular Desire aMinuet-Noverre, Mrs Palmer

Performances

Mainpiece Title: Hamlet

Performance Comment: As17611010, but Hamlet-Sheridan, first time on any stage this season; Ostrick-Dyer; Laertes-Davis.

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: An Attic Evening's Entertainment

Performance Comment: Readings from Milton-; Caractacus-; Gray's Elegy-Sheridan; Two Pieces of prose composition of interest to both sexes. Dryden's Ode on the Power of Music-; pieces of vocal and instrumental music-; the vocal parts-Guistinelli, Mrs Jewel [formerly Miss Edwards].formerly Miss Edwards].

Performances

Mainpiece Title: An Attic Evening's Entertainment

Performance Comment: As17690202, but including Pope's Verses to the Memory of an Unfortunate Lady-Sheridan, Mrs Jewel.

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Sheridan (being his first appearance in this Kingdom these six Years); King-Bannister; Laertes-Aickin; Horatio-DuBellamy; Rosencrantz-Strange; Marcellus-Wheeler; Bernardo-Jacobs; Ghost-Sowdon; Gravediggers-Sparks, Castle; Polonius-Arthur; Ostrick-Hamilton; Guildenstern-Kearny; Player King-Vandermere; Priest-Sharpless; Lucianus-Summers; Queen-Mrs DuBellamy; Player Queen-Mrs White; Ophelia-Mr Jewell.

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Sheridan; King Henry-Bannister; Richmond-Aickin; Buckingham-Sowdon; Tressel-Wheeler; Catesby-Strange; Lord Mayor-Sparks; Oxford-Sharpless; Lord Stanley-DuBellamy; Ratcliff-Jacobs; Lt of Tower-Kearny; Blunt-Summers; Prince Edward-Master Cape; Duke of York-Miss Rose; Lady Anne-Mrs DuBellamy; Dutchess of York-Mrs Dyer; Queen-Mrs Jefferies.

Afterpiece Title: Tom Thumb

Dance: TThe Sailor's Return-Tassoni, Miss Street

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Sheridan; Cassio-Aickin; Brabantio-Gardner; Montano-Wheeler; Gratiano-Kearny; Roderigo-Hamilton; Duke-DuBellamy; Lodovico-Vandermere; Officer-Lings; Senators-Sharpless, Lings; Iago-Sowdon; Emilia-Mrs Jefferies; Desdemona-Young Gentlewoman (first appearance on any stage) [Miss Hamilton (Reed, Diaries).].Miss Hamilton (Reed, Diaries).].

Afterpiece Title: The Padlock

Event Comment: Benefit for Sheridan

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Mayor of Garratt

Dance: As17690515

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Brutus-Sheridan; Octavius-DuBellamy; Caska-Bannister; Lepidus-Lings; Decius-Jacobs; Antony-Young Gentleman, first appearance on any Stage; Pindarus-Vandermere; Metullus-Kearney; Trebonius-Wheeler; Cerina-Summers; Julius Caesar-Aickin; Artemidorus-Sharpless; Popilius-Farrell; Plebians-Sparks, Castle, Hamilton; Cassius-Sowdon; Calphurnia-Mrs DuBellamy; Portia-Mrs Dyer.

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Sheridan; King-Gardner; Laertes-Aickin; Horatio-DuBellamy; Ostrick-Hamilton; Rosencrans-Smith; Guildenstern-Dancer; Polonius-Weston; Player King-Farrell; Marcellus-Wheeler; Bernardo-Lings; Francisco-Griffiths; Lucianus-Jacobs; 1st Gravedigger-Vandermere; 2nd Gravedigger-Castle; Ghost-Sowdon; Queen-Mrs Jefferies; Player Queen-Mrs White; Ophelia-Mrs Jewell.

Afterpiece Title: The Vintner Trick'd

Dance: TThe Cowkeeper, as17700521

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Horatio-Sheridan; Sciolto-Gardner; Altamont-Robson; Rossano-Smyth; Servants-Griffiths, Farrell; Lothario-a Gentleman; Lavinia-a Gentlewoman, her 2nd appearance; Lucilla-Mrs Saunders; Calista-a Gentlewoman [Miss Hayward], being her first appearance upon any stage .Miss Hayward], being her first appearance upon any stage .

Afterpiece Title: The Wrangling Lovers

Dance: The Nosegay, as17700611

Performances

Mainpiece Title: The Orphan

Performance Comment: Chamont-Sheridan; Acasto-Gardner; Chaplain-Dancer; Castalio-Ross; Ernesto-Farrell; Page-Mas. Saunders; Polydore-Fleetwood; Serina-Miss Hamilton; Florella-Miss Trowel; Monimia-Miss Hayward, (who performed Calista) being her 1st appearance .

Afterpiece Title: The Wrangling Lovers

Dance: End of Play: The Pedlar by Mas. and Miss West

Event Comment: Benefit for Clinch. Doors opened at half past 5. Play to begin at Half an Hour after 6. [Afterpiece written by Sheridan for Clinch, traditionally in gratitude for his saving The Rivals from damnation. (See Thomas Moore's Life of Sheridan [London, 1825], I, 148). The Westminster Magazine for May adds to cast: Irish Corporal-Fox; Soldiers-$Davies, $Wewitzer, Chaplin, and reviews the piece briefly: St Patrick's day is replete with broad humor, homely jests, and extravagant caricature. The language in general shewed the author a man of honour and observation; the situations were whimsical and produced that mirth which the audience in the Prologue were invited to partake of....The jests were occasionally too low and vulgar, and his scene too extravagantly absurd. The main drift of the Prologue was to tell the Audience that a fine Spring impeded the theatrical harvest; and that at this season the benefits of Nature were the greatest enemies to the Performer's Benefits."

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: St Patrick's Day; or, The Scheming Lieutenant

Related Works
Related Work: St. Patrick's Day; or, The Scheming Lieutenant Author(s): Richard B. Sheridan

Dance: End: The Vintage Festival, as17741007

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier-Barry; Priuli-Hull; Renault-Clarke; Duke-Mahon; Bedamar-Clinch; Spinoza-L'Estrange; Elliot-Fearon; Officer-Booth; Pierre-Sheridan, second appearance on that stage in 16 years; Belvidera-Mrs Barry.

Afterpiece Title: The Padlock

Dance: End: The Vintage Festival, as17751026

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Sheridan; Moneses-Wroughton; Axalla-Clinch; Dervise-L'Estrange; Omar-Fearon; Prince of Tanais-Booth; Hali-Davis; Bajazet-Barry; Selima-Mrs Jackson; Arpasia-Mrs Barry; the Usual Prologue-Wroughton; The Song, To Thee O Gentle Sleep-DuBellamy.

Afterpiece Title: The Commissary

Dance: End: a New Ballet, The Gardeners-Sg and Sga Zuchelli [see17690114]

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Sciolto-Barry; Lothario-Lewis; Altamont-Wroughton; Rossano-Young; Horatio-Sheridan; Lavinia-Mrs Bulkley; Lucilla-Mrs Poussin; Calista-Mrs Barry.

Afterpiece Title: Cross Purposes

Dance: End: The Italian Gardners, as17751011

Performances

Mainpiece Title: King John

Performance Comment: King John-Sheridan; Prince Henry-Young; Salisbury-Clinch; Hubert-Hull; Pembroke-Booth; Essex-Davis; King of France-Clarke; Dauphin-Wroughton; Austria-Mahon; Panduph-Fearon; Chatillon-L'Estrange; Governor of Angiers-Thompson; Prince Arthur-a Young Lady; Bastard-Lewis; Queen Eleanor-Mrs Booth; Lady Faulconbridge-Mrs Poussin; Lady Blanch-Miss Dayes; Constance-Mrs Barry; in IV, will be introduced the Procession at the Coronation of King John-.

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Hamlet (as Written By shakespeare)

Performance Comment: Hamlet-Sheridan; King-Clarke; Ghost-Aickin; Horatio-Hull; Laertes-Wroughton; Ostrick-Booth; Polonius-Quick; Gravediggers-Dunstall, Jones; Ophelia-Mrs Mattocks; Queen-Mrs Hunter.

Afterpiece Title: Prometheus

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Sheridan; King Henry-Clarke; Richmond-Clinch; Buckingham-Hull; Stanley-Fearon; Tressel-Young; Prince Edward-Miss Besford; Duke of York-Mas. Jones; Norfolk-Booth; Lieut.-L'Estrange; Duchess of York-Mrs Booth; Lady Ann-Miss Macklin; Queen-Mrs Hunter, first time.

Afterpiece Title: Prometheus

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Event Comment: [This is the only occasion in the 18th century when a play was acted in London on this date. "The performance at the Haymarket on the 30th of January has been noticed by his Majesty in a manner which is still a topic of conversation in the higher circles...There will be no more theatrical performances on the 30th of January" (London Chronicle, 28 Feb.). On 3 Feb. the Lord Chamberlain wrote to Sheridan as follows: "Sir--Information has been received at this Office that Theatrical Entertainments were exhibited at the Theatre, under your direction, in St. James's Haymarket on the 30th of Last Month, contrary to all precedent, and repugnant to Decency, being the Anniversary of the Martyrdom of King Charles the First. I do not know by what Authority such a Step was taken but, as Chamberlain of His Majesty's Household, think it my Duty to desire that you will be pleased to Cause the Practice to be discontinued in future. I am, Sir, Your Obedient, Humble Servant, Salisbury" (MS Letters to Sheridan from Various Correspondents,II, 64, in Harvard Theatre Collection). The Morning Chronicle on 31 Jan. offered another opinion: "It gave us infinite pleasure that last night we happily broke through one of the most absurd fasts in the calendar. The Managers of Drury Lane, with proper regard to the public, rescued them from the common dullness of a 30th of January." But the absurd fast remained in force until 1843.] Receipts: #339 18s. (291.4; 40.0; 8.11; ticket not come in: 0.3)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Englishman in Paris

Event Comment: Genest, VII, 88: On this evening there was not any play performed, from respect to the memory of the unfortunate monarch, Louis 16th, who was murdered in Paris on that day [sic] -Kemble, without consulting Sheridan, closed the theatre -Sheridan, who was out of town, arrived late that evening, and finding there was no play, was highly incensed at the shutting up of the theatre upon such an occasion; for, he said, it was an invariable maxim with him, that neither politics nor religion should be taken notice of in his playhouse, yet no man deplored the tragical event more sincerely than he did. (Kelly, Reminiscences, II, 37). [The playbill of 23 Jan. advertises Cymon and The Ghost for this present evening.

Performances

Mainpiece Title: At King's None