SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R B Sheridan Esq"/1) | (@(roleclean,performerclean) "R B Sheridan Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Performance Comments, 659 matches on Event Comments, 310 matches on Author, 33 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Performances

Mainpiece Title: Heroick Love

Performance Comment: Edition of 1698: Prologue- by Henry StJohn Esq; Epilogue- By Bevill Higgons, Esq; Agamemnon-Betterton; Achilles-Verbruggen; Nestor-Bowman; Ulysses-Sandford; Patroclus-Scudemore; Chryses-Kynaston; Chalcas-Freeman; Talthybius-Baily; Chruseis-Mrs Barry; Briseis-Mrs Bracegirdle; Artemis-Mrs Prince.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Grand Volgi

Music: A New Sett of Act Tunes composed by Mr Arne

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: [The Virgin Unmask'd

Dance: [II: Savoyards, as17471215; V: Gondoliers-Cooke

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus (With a New Additional Scene)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Performances

Mainpiece Title: Concerto Spirituale; Judas Maccabaeus

Music: First Violin, as17760223; After I: Concerto on German Flute, as17760223; End II: Concerto on Violin-Lamotte

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: AULD ROBIN GRAY

Performances

Mainpiece Title: Alceste; Or, Il Tronfo Dell' Amor Conjugale

Dance: End Opera: Paul et Virginie, as17950411o other ballet listed]

Performances

Mainpiece Title: Evelina

Dance: End I: Divertissement-Didelot, Mme Rose, Mlle Parisot; End Opera: Apollon Berger-Mlle Parisot, Didelot, Mme Hilligsberg, Gentili, Mme Rose

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Blue-Beard

Music: As17980915

Dance: As17980915

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Feudal Times

Music: As17980915

Dance: As17980915

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Will

Afterpiece Title: Blue-Beard

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. Jamie-Gheri (1st appearance); Glaude-Grimaldi; Saundy-Master Chatterley; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi DelCaro

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: Of Age To-morrow

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Liar

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Sultan

Song: In afterpiece: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; II: song-Master Suett

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Strangers at Home

Dance: In: a favorite Pas Seul-Sga Bossi DelCaro

Performances

Mainpiece Title: Hamlet

Performance Comment: As17431214, but Hamlet-Sheridan (1st appearance on English Stage); Queen-Mrs Pritchard.

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: Richard Iii

Performance Comment: As17431210, but Richard-Sheridan.

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17430923, but Townly-Sheridan; Lady Townly-Mrs Pritchard; Manly-Quin; Lady Wronghead-Mrs James.

Afterpiece Title: The Royal Chace