2270

20 January 1772 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Afterpiece: With an Additional Scene painted by Cipriani, Representing the taking of the Bohemian Standard at the Battle of Cressyv. In memory of which, the Princes of Wales have ever since borne three Ostrich Feathers (the Bohemian Standard) as their crest, with the original motto Ich Dien. This scene is pleasingly executed and has a very good effect, and is the work of that celebrated artist Cipriani (Theatrical Review, II, p. 36). Paid Whitefield a Bill for making cloaths #30 8s. 7d. (Account Book). Receipts: #184 8s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17711118, but Mrs Sullen-Mrs Lessingham.

Afterpiece Title: The Fairy Prince

Performance Comment: As17720117.

Dance: IV: Comic Dance, as17711031

2271

23 January 1772 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Paid Banks for Masks, &c. #4 8s. 6d.; Paid Humphries for 130 yds of silver trimming #3 11s. 6d.; Paid Pearce for earthen ware &c. #2 13s. Advanc'd cash to Bensley as per note #200 (Account Book). Receipts: #129 17s. (Account Book)

Performances

Mainpiece Title: Barbarossa

Performance Comment: As17711011.

Afterpiece Title: Man and Wife

Performance Comment: As17711223.

Dance: End II of Comedy: A Comic Dance, as17711031

2272

28 January 1772 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Paid Fisher for composing the music to Zobeide #24 3s. (Account Book). Receipts: #117 (Account Book)

Performances

Mainpiece Title: The Fox

Performance Comment: As17711126, but Caelia-Mrs Bulkley, 1st time.

Afterpiece Title: The Fairy Prince

Performance Comment: As17720117.

2273

29 January 1772 @ Covent Garden

Event Comment: Man and Wife oblig'd to be deferr'd on account of Indisposition of Mrs Green. Paid Simpson for supper for the orchestra #8 1s.; Paid Mr Vincent for Music for the Orchestra #1 8s. 4d. (Account Book). Receipts: #161 12s. (Account Book)

Performances

Mainpiece Title: Cyrus

Performance Comment: As17711018.

Afterpiece Title: The Apprentice

Performance Comment: As17711214.

2274

31 January 1772 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17720102.

Afterpiece Title: Harlequin Skeleton

Performance Comment: Harlequin-Lewes; Chasseur Royal-DuBellamy (playbill; but Reinhold in Public Advertiser); Doctor-Banks; Colombine-Mrs Dyer; Merlin-Legg; Diana-Mrs Baker; Pierrot-Morris.

2275

03 February 1772 @ Covent Garden

Event Comment: Paid Bellamy & Settree (mercers) #38 12s.; Paid Toms for Trumpeter's coats & Banners #34 13s.; Paid Hughes (Linnendraper) #6 (Account Book). Receipts: #205 6s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17711216, but Lady Ann-Mrs Lessingham; Dutchess of York-Mrs Vincent.; Duke of York-Master Jones.

Afterpiece Title: Harlequin Skeleton

Performance Comment: As17720201, but Chasseur Royal-DuBellamy (playbill) but Reinhold in Public Advertiser.