SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.
Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Ogleby-Kniveton; Lovewell-Mattocks; Sterling-Dunstall; Sir John-Bensley; Flower-Morris; Brush-Dyer; Canton-Quick; Traverse-Thompson; Truman-R. Smith; Miss Sterling-Mrs Gardner; Fanny-Mrs Mattocks; Betty-Mrs Lessingham; Chambermaid-Miss Ward; Mrs Heidleberg-Mrs Green.

Afterpiece Title: The Commissary

Performance Comment: Commissary-Quick; J. Fungus-Morris; Dr Catgut-Thompson; Young Loveit-Lewes; Simon-Fox; Mrs Loveit-Mrs Pitt; Dolly-Miss Helm; Jenny-Miss Pearce; Mrs Mechlin-Mrs Gardner.

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Performance Comment: Blurton, Miss Besford. [See17700924.]
Event Comment: [The play bill of the day noted that Baddeley from Drury Lane would play Polonius for Shuter who had sprained his ankle (Hogan).] Receipts: #207 6s. (Account Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Younger; Ghost-Bensley; Horatio-Hull; Ostrick-Dyer; Laertes-Perry; Polonius-Shuter; Rosencraus-R. Smith; Guildenstern-Thompson; Gravediggers-Dunstall, Stoppelaer; Ophelia-Mrs Mattocks, 1st time; Queen-Miss Miller.

Afterpiece Title: Midas

Performance Comment: Midas-Shuter; Damaetas-Fox; Pan-Dunstall; Apollo-Mattocks; Sileno-Baker; Jupiter-Legg; Juno-Miss Pearce; Daphne-Mrs Baker; Nysa-Mrs Mattocks; Mysis-Mrs Green.
Event Comment: Receipts: #132 6s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Smith; Aimwell-Bensley; Bonniface-Morris; Sullen-Dunstall; Gibbet-Gardner; Sir Charles-R. Smith; Foigard-Barrington; Scrub-Quick, 1st time; Dorinda-Mrs Mattocks; Cherry-Miss Ward; Mrs Sullen-Miss D'Arcy.

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John-Mattocks; Jobson-Dunstall; Conjuror-Wignell; Lady Overule-Mrs Pitt; Nell-Mrs Green.

Dance: IV: The Tartars-Fishar, Sga Manesiere. [See17701003.

Performance Comment: [See17701003.]
Event Comment: Afterpiece: By Particular Desire. Paid Mr Patterson for a Rocking Horse #5 5s. (Account Book). Receipts: #211 19s. (Account Book)

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Essex-Ross; Southampton-Wroughton; Burleigh-Hull; Raleigh-R. Smith; Lieutenant-Fox; Queen-Mrs Hull; Nottingham-Mrs Vincent; Rutland-Miss Miller.

Afterpiece Title: Midas

Performance Comment: As17711002, but Nysa-Miss Valois [in both sources].in both sources].
Event Comment: Mainpiece: By Particular Desire. Receipts: #204 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Smith; Major Oakly-Yates; Charles-Bensley; Lord Trinket-Dyer; Russet-Dunstall; Sir Harry-Quick; O'Cutter-Fox; Tom-R. Smith; Harriet-Mrs Kniveton; Lady Freelove-Mrs Green; Mrs Oakly-Mrs Yates.

Afterpiece Title: Midas

Performance Comment: As17711007.
Event Comment: Paid Simpson for new music for the orchestra #10 10s. Paid Griffin, bookseller, as per bill #1 3s. 4d. (Account Book). Receipts: #193 4s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith; King Henry-Kniveton; Richmond-Clarke; Buckingham-Hull; Catesby-Fox; Ratcliff-Thompson; Norfolk-Wignell; Stanley-Gardner; Lieut.-R. Smith; Ld. Mayor-Morris; Prince Edward-Mas. Harris; Duke of York-Miss Cockayne; Tressel-Wroughton; Lady Ann-Mrs Vincent; Duchess of York-Mrs Ferguson; Queen-Miss Miller, 1st time.

Afterpiece Title: Mother Shipton

Performance Comment: The Characters-Rayner, Quick, Morris, Thompson, Wild, Banks, Bates, Walters, Holtom, Hamilton, King, Baker, DuBellamy, Miss Twist; The Dance-Fishar, Hamoir, Sga Manesiere, Miss Hamoir.
Event Comment: [First announcement this season of the price and admission policy: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons Admitted Behind the scenes, nor any money returned after the Curtain is drawn up. Places for the Boxes to be taken (only) of Mr Sarjant at the stage door." This notice,not to be repeated here, appeared throughout the rest of the season.] Receipts: #139 11s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Performance Comment: Cyrus-Savigny; Cambyses-Smith; Astyages-Clarke; Harpagus-Hull; Mithranes-Bensley; Mirza-Fox; Officer-R. Smith; Aspasia-Mrs Mattocks; Mandane-Mrs Yates.

Afterpiece Title: The Author

Performance Comment: Cadwallader, Vamp-Yates; Sprightly-DuBellamy; Young Cape-Hull; Governor-Gardner; Arabella-Miss Pearce; Mrs Cadwallader-Mrs Gardner.

Dance: End: The Jealous Woodcutters, as17711004

Event Comment: [The Young Gentleman identified as Owenson by Hopkins MS Notes. Confirmed by Sir Nicholas Nipclose, in The Theatres (2nd. ed. London, 1722, p. 51) speaking of Inchbald's introduction to the London stage with advertisement of "first appearance" though he had been many years an itinerant actor, "this is a trick to gain, from curiosity, what may pay by one night the whole season's pitiful salary of such actors; several mushrooms have vegetated thus; but none more worthless or short lived, than Mr Owenson; brought forward modestly in Tamerlane, some weeks since; without even the requistes of a grown-up school-boy."] Receipts: #180 6s. (Account Book)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-a Young Gentleman, 1st appearance [Owenson]; Bajazet-Smith; Axalla-Hull; Dervise-Gardner; Moneses-Wroughton; Omar-Morris; Stratocles-Fox; Hali-Thompson; Prince of Tanais-R. Smith; Selima-Mrs Mattocks; Arpasia-Miss Miller; [The Original song To Thee, O gentle Sleep-DuBellamy; [The Usual Prologue-Wroughton.

Afterpiece Title: The Author

Performance Comment: As17711018, but Arabella-Mrs Dyer.

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

Performance Comment: [See17630312.]
Event Comment: Paid Freke (ironmonger) #5 19s. 6d.; Jack (blacksmith) #8 13s.; Stephens (mason) 12s. 10d. (Account Book). Reciepts: #146 16s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Smith; Shore-Bensley; Belmour-Hull; Gloster-Clarke; Ratcliff-R. Smith; Catesby-Fox; Derby-Wignell; Alicia-Miss Miller; Jane Shore-Mrs Yates.

Afterpiece Title: The Padlock

Performance Comment: Don Diego-Reinhold; Leander-DuBellamy; Mungo-Quick; Ursula-Mrs Green; Leonora-Mrs Mattocks.

Dance: End: The Reel, as17711030

Event Comment: The Masque of the Fairy Prince oblig'd to be deferr'd till Tuesday. Paid Whitefield for making cloaths &c. #72 10s. 5d. (Account Book). Receipts. #129 13s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Performance Comment: As17710930, but Truman-R. Smith; Maria-Mrs Kniveton; singing in Act I-DuBellamy.

Afterpiece Title: The Commissary

Performance Comment: As17711009.

Monologue: Between Main and Afterpiece: an Entertainment True Blue; or, The Press Gang. Principal Parts-Mattocks, Reinhold, Baker, Mrs Mattocks; Dance-Aldridge

Performance Comment: Principal Parts-Mattocks, Reinhold, Baker, Mrs Mattocks; Dance-Aldridge.
Event Comment: Mainpiece: By Desire. Paid Dr Arne for composing the Music for the Fairy Prince #120 (Account Book). Receipts: #230 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Woodward; Sir George-Smith; Charles-Hull; Sir Francis-Shuter; Sir Jealous-Dunstall; Whisper-R. Smith; Scentwell-Miss Pearce; Isabinda-Mrs Baker; Patch-Mrs Pitt; Miranda-Miss Macklin.

Afterpiece Title: Fairy Prince

Performance Comment: As17711112.
Event Comment: Mainpiece: Written by Ben Jonson, not acted these 20 years. [See 7 Oct. 1754.] Paid Bellamy & Settree (mercers) #300 7s.; Paid Scott (copper lace man) #265 7s. (Account Book). Receipts: #191 9s. (Account Book)

Performances

Mainpiece Title: The Fox

Performance Comment: Volpone-Smith; Mosca-Bensley; Voltore-Hull; Corbino-Clarke; Corbachio-Shuter; Sir P. Wou'dbe-Kniveton; Peregrine-R. Smith; Bonario-Wroughton; Lady Wou'dbe-Mrs Gardner; Caelia-Miss Miller.

Afterpiece Title: The Fairy Prince

Performance Comment: As17711112.
Event Comment: Timanthes and the Citizen oblig'd to be deferr'd on account of Indisposition of Mrs Yates and Mrs Mattocks. Benefit for the increase of a Fund, for the support of such actors and their families who through age or infirmity are oblig'd to retire from the stage (playbill). Charges #70 12s. 6d. Profit to the Fund #68 1s. 6d. plus [apparently] #10 from sale of 40 Box Tickets (Account Book). Receipts: #138 14s. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17711025, but Mercutio-Woodward; Tibalt-Owenson; Paris-R. Smith; Benvolio-Davies; Add to Masquerade Scene in Act I a minuet-Fishar, Sga Manesiere.

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17711004, but Petruchio-Woodward.

Monologue: Entertainment True Blue. As 14 Dec

Performance Comment: As 14 Dec.
Event Comment: [Last time of performing till the Holidays. Miss Brown identifield by Winston MS 10 and playbill for 29 Oct. 1772 as the young lady, although Miss Potts and Mrs Woodman would seem likely candidates too.] Paid Dunstall the Balance of Theatrical Fund profit #68 1s. 6d. (Account Book). Receipts: #209 17s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17711207.

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Woodward; Cross-Shuter; Kitchen-Dunstall; Col. Freeman-DuBellamy; Buck-Davis; Luke-Lewes; Snarl-Wignell; Fleece-R. Smith; Landlord-Morris; Mrs Cross-Mrs Green; Charlotte-Mrs Bulkley; Lettice-Mrs Kniveton; Landlady-Mrs Gardner; Sally-by the young Lady who performed in the Maid of the Mill and the Fairy Prince.

Dance: II: Comic Dance, as17711031

Event Comment: Receipts: #144 6s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Bensley; Iachimo-Smith; Bellarius-Clarke; Cloten-Yates; Cymbeline-Morris; Pisanio-Hull; Guiderius-Wroughton; Arviragus-R. Smith; Queen-Mrs Vincent; Imogen-Mrs Bulkley; In Act II a Masquerade Scene incident to the play, Singing-Mrs Baker.

Afterpiece Title: Mother Shipton

Performance Comment: As17711226.

Dance: III: Comic Dance, as17711031

Event Comment: Mainpiece: By Desire. Paid Whitefield for cloaths bought #47 12s.; Paid Mayer for silver and gold lace as per bill #24 1s. 6d. (Account Book). Receipts: #189 14s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17720204, but Ratcliff-R. Smith; Catesby-Perry; Derby-Thompson (playbill).

Afterpiece Title: Mother Shipton

Performance Comment: As17720227.
Event Comment: Benefit for Woodward. With alterations and two additional scenes from Harlequin Skeleton and Mother Shipton. Mainpiece: Reviv'd. [See 1 May 1767.] Charges #66 8s. 6d. Profit to Woodward #137 12s. 6d., plus #56 5s. from tickets (Boxes 225). Paid 1!2 year's water rent due Xmas last #2 (Account Book). Receipts: #204 1s. (Account Book)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Woodward, 1st time; Strickland-Ross; Frankly-Bensley; Bellamy-Wroughton; Meggot-Lewes; Tester-Quick; Buckle-Cushing; Simon-R. Smith; Mrs Strickland-Mrs Mattocks; Jacintha-Mrs Lessingham; Lucetta-Mrs Green; Milliner-Miss Helme; Clarinda-Mrs Bulkley.

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: Harlequin (that night only)-Woodward; Infernal Spirit-Reinhold; Miller-Morris; Miller's Wife-Miss Twist; Ballad Singer-Dunstall; Shade of Helen-Mrs Baker; Lady Relish-Mrs Dyer; To Conclude with The Whim-Aldridge, Sga Manesiere, as17720312.

Dance: II: The Reel-Aldridge, Sga Manesiere,Miss Valois, as17711030

Event Comment: Benefit for Mattocks. The Young Gentleman who was to have performed the part of Lysimachus in the tragedy of Alexander...for the benefit of Mr Mattocks, being much indisposed, cannot appear in that character as was intended, it will therefore be performed as usual by Mr Hull (Winston, MS 10, newsclipping inserted). Charges #74 7s. Profit to Mattocks #108 10s., plus #38 10s. from tickets (Boxes 121; Pit 55) (Account Book). Receipts: #182 17s. (Account Book)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: Alexander-Smith; Clytus-Younger; Cassander-Clarke; Hephestion-Wroughton; Lysimachus-Hull; Polyperchon-Perry; Thessalus-R. Smith; Roxana-Mrs Mattocks; 1st time; Sysigambis-Mrs Vincent; Parisatis-Miss Pearce; Statira (that night only)-Mrs Yates; With the Triumphal Entry of Alexander into Babylon-.

Afterpiece Title: The Apprentice

Performance Comment: As17711214.

Monologue: True Blue. As 18 Jan., but Principal Parts-Mrs Baker, Mrs _Mattocks

Performance Comment: As 18 Jan., but Principal Parts-Mrs Baker, Mrs _Mattocks.
Event Comment: Benefit for Bensley. Afterpiece: Not acted these 2 years. [See 26 May 1770.] Last time of performing till the Holidays. Charges #67 17s. 6d. Profit to Bensley #82 7s., plus #62 13s. from tickets (Box 244; Pit 11). Paid Palmer (wax chandler) #105 18s.; Whitefield for Cloaths made #57 10s.; Pattinson (tallow chandler) #32 10s. (Account Book). Receipts: #150 4s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17720101, but Arviragus-Perry; Imogen-Mrs Yates.

Afterpiece Title: The Spanish Lady

Performance Comment: Worthy-Mattocks; Major Hearty-Lewes; Lieut.-Fox; Ensign-R. Smith; Anna-By the Young Lady [who perform'd the Fairy Prince and Man and Wife [see17711223]; The Spanish Lady-Mrs Mattocks.

Dance: III: The Lilt, as17720326

Event Comment: Afterpiece: By Desire. Receipts: #200 4s

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Woodward; Sir George-Mattocks; Charles-Wroughton; Sir Francis-Shuter; Sir Jealous-Dunstall; Whisper-R. Smith; Scentwell-Miss Pearce; Isabinda-Mrs Baker; Patch-Mrs Pitt; Miranda-Miss Macklin; With Marplot's Address to the Public-Woodward.

Afterpiece Title: The Commissary

Performance Comment: Commissary-Quick; Young Loveit-Davis; Simon-Fox; Mrs Loveit-Mrs Pitt; Dolly-Miss Helme; Jenny-Miss Pearce; Mrs Macklin-Mrs Gardner. [See additional cast 13 Oct.]See additional cast 13 Oct.]

Dance: End: The Dutch Milkmaid-Mas. Blurton, Miss Besford

Performance Comment: Blurton, Miss Besford.

Monologue: Before: The New Occasional Prelude. As 21 Sept

Performance Comment: As 21 Sept.
Event Comment: Receipts: #226 7s. 6d

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith; King Henry-Kniveton; Richmond-Clarke; Buckingham-Hull; Catesby-Davis; Ratcliff-Lewes; Norfolk-Owenson; Lt.-R. Smith; Lord Mayor-Wignell; Stanley-Gardner; Prince Edward-Mas. Harris; Duke of York-Mas. Jones; Tressel-Wroughton; Dutchess of York-Mrs Vincent; Lady Ann-Mrs Lessingham; Queen-Miss Miller.

Afterpiece Title: The Apprentice

Performance Comment: Dick (with Prologue)-Woodward; Gargle-Morris; Wingate-Dunstall; Simon-Cushing; Watchman-Besford; Charlotte-Miss Ogilvie.

Dance: End: The Old Ground Young-Aldridge, Mas. Harris, Miss Twist. [See17711030.

Performance Comment: Harris, Miss Twist. [See17711030.]

Monologue: Before: New Occasional Prelude. As 21 Sept

Performance Comment: As 21 Sept.
Event Comment: Afterpiece [by Bickerstaffe]: a Musical Entertainment never performed there before. The Cnaracters new dress'd. [Daphne identified by Winston MS 10 and by Kemble note on playbill.] Paid Cooper (printer) #42 1s. (Account Book). [Reviewer for Town and Country Magazine commends Miss Wewitzer for the lower register of her voice. Belives she will be a credit to her tutor, Griffiths the Organist."] Receipts: #181 4s. 6d

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Bensley; Bajazet-Smith; Axalla-Perry; Dervise-Gardner; Moneses-Wroughton; Omar-Morris; Stratocles-Fox; Hali-Davis; Prince of Tanais-R. Smith; Selima-Mrs Mattocks; Arpasia-Miss Miller; The Original Song-DuBellamy; The Usual Prologue-Wroughton.

Afterpiece Title: Daphne and Amintor

Performance Comment: Amintor-Mattocks; Mindora-Mrs Baker; Daphne-a Young Lady[, first appearance any stage Miss Wewitzer]; [With a Dance [incident to the piece-Mas. Harris, Mas. Blurton, Miss Twist, Miss Valois.

Dance: End: The Merry Sailors, as17721012

Event Comment: Mainpiece: Not acted these 20 years. [See 16 April 1751.] With the Decorations prescribed by Shakespeare. The Characters new Dressed in the Haibts of the Times. [The reviewer for Town and Country Magazine preferred Mrs Hartley's acting in Jane Shore to that in Henry VIII, where she frequently sunk into a whining monotony which from the length of some of the speeches became very disagreeable.' She did, however, he thought, do the last scene well.] Receipts: #223 13s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Clarke; Wolsey-Bensley; Surry-Dyer; Norfolk-Perry; Suffolk-Owenson; Capucius-DuBellamy; Butts-Stoppelaer; Surveyor-Thompson; Brandon-Fox; Old Lady-Mrs Pitt; Ld Chamberlain-Lewes; Buckingham-Wroughton; Cranmer-Gardner; Cromwell-Hull; Sands-Kniveton; Guilford-R. Smith; Lovell-Davis; Campeius-Morris; Gardiner-Shuter; Anne Bullen-Miss Ogilvie; Patience (with a Song)-Mrs Baker; Queen Catherine-Mrs Hartley; In Act I, The Banquet-; with Dancing-Fishar, Aldridge, Sga Manesiere, Miss Twist Act IV, The Procession in the Abbeyv at the Coronation of Anne Bullenv.

Afterpiece Title: The Deuce Is in Him

Performance Comment: As17720921.
Event Comment: Receipts: #128

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Woodward; Strickland-Ross; Frankly-Bensley; Bellamy-Wroughton; Jack Meggot-Lewes; Tester-Quick; Buckle-Cushing; Simon-R. Smith; Mrs Strickland-Mrs Mattocks; Jacintha-Mrs Lessingham; Lucetta-Mrs Green; Milliner-Miss Helme; Clarinda-Mrs Bulkley.

Afterpiece Title: Cross Purposes

Performance Comment: As17721205.

Dance: II: The Old Ground Young, as17720928

Event Comment: [The preliminary number of The Westminster Magazine this date heartily condemned Colman's Comus "picked down into a skeleton," his production of King Henry VIII, and the new play Cross Purposes.] Receipts: #172 10s

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17721102, but Paris-R. Smith.

Afterpiece Title: Harlequin Sorcerer

Performance Comment: As17721226.