SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.
Event Comment: A Comparison Between the Two Stages (1702), commenting upon Betterton's success with I Henry IV (see 9 Jan. 1699@1700) pictures Betterton entering his Closet and praying to Shakespeare for further assistance (p. 25), with the result that "tho' some of those Plays that Batterton Acted were Historical, and consequently highly irregular, yet they never fail'd to please" (p. 26). Sullen adds: Well, this lucky hit of Batterton's put D. Lane in a non-plus! Shakespear's Ghost was rais'd at the New-house, and he seem'd to inhabit it for ever: What's to be done then? Oh, says Rich I'll pray as well as he-What? Shall a Heathen Player have more Religion than a Lawyer? No, it shall never be said--with that Mr R@@ goes up to the Garret (a pair of Stairs higher than his own Apartment) and taking Ben Johnson's Picture with him, he implores. This work implies that Betterton presented Henry VIII in addition to I Henry IV and that Rich revived Volpone, The Alchymist, and The Silent Woman, which had, according to the author of this work, lain unacted for twenty years (p. 26)

Performances

Event Comment: Steele wrote a Prologue for the opening, but the Lord Chamberlain had already engaged one by Tickell. For Steele's Prologue, see Blanchard, Occasional Verse of Richard Steele, p. 49: for Tickell's, see R. E. Tickell, pp. 231-32. Original Weekly Journal, 27 Sept.: His Majesty beheld the Performance with much Satisfaction. The young Princesses were present, and a very great Concourse of Nobility and Gentry

Performances

Mainpiece Title: The Stratagem

Performance Comment: Prologue by ThomasTickell-.
Event Comment: Written by Sir R. Howard

Performances

Mainpiece Title: The Committee

Performance Comment: As17211009, but Mrs Day-Mrs Baker.
Event Comment: Benefit Chetwood. At the particular Desire of several Persons of Quality. Mainpiece: Written by Mr Wycherley. Afterpiece: [By W. R. Chetwood.] A new Dramatick Entertainment of one Act. Intermixed with above 40 Airs, made to Old Ballad Tunes and Country Dances. N.B. Books of the Opera will be sold at the Theatre the Night of Performance

Performances

Mainpiece Title: The Country Wife

Performance Comment: Horner-Wilks; Harcourt-Mills; Sparkish-Cibber; Sir Jasper-Norris; Dorilant-Watson; Pinchwife-Harper; Mrs Pinchwife-Mrs Cibber; Lady Fidget-Mrs Horton; Alithea-Mrs Butler; Lucy-Mrs Shireburn; Mrs Fidget-Mrs Walter; Mrs Squeamish-Mrs Grace.

Afterpiece Title: The Lovers Opera

Performance Comment: Parts-Oates, Miller, Harper, Griffin, Berry, Ray, Mrs Thurmond, Mrs Cibber, Miss Raftor; but edition of 1729 lists: Justice Dalton-Harper; Edgar-Oates; Moody-Ray; Varole-Miller; Aminadab Prim-Griffin; Squire Clodpole-Berry; Clara-Mrs Cibber; Flora-Miss Raftor; Lucy-Mrs Thurmond; Prologue-Cibber Jr.

Dance: FFrench Peasant-a Gentleman just arrived from Paris; Polonese-Rainton, Miss Robinson; Village Dance-Thurmond, Essex, Houghton, Rainton, Mrs Mills, Miss Robinson, Mrs Walter, Mrs Houghton

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Giffard; Aimwell-W. Williams; Sullen-Smith; Sir Charles-Lacy; Gibbet-W. Giffard; Foigard-(R.) Williams; Boniface-Hallam; Scrub-Collet; Mrs Sullen-Mrs Haughton; Dorinda-Mrs Purden; Lady Bountiful-Mrs Thomas; Gipsey-Mrs Palmer.

Dance:

Event Comment: Benefit R. Williams and Mrs Haughton. At the particular Desire of several Gentlemen and Ladies. Mainpiece: Written by Mr Cibber, Poet-Laureat to His Majesty

Performances

Mainpiece Title: The Double Gallant

Performance Comment: As17310322.

Afterpiece Title: Damon and Phillida

Performance Comment: As17310405.

Dance: Haughton, for dl, being positively the only Time of his performing on this Stage

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Done from Moliere. 5s., 3s., 2s., 6:30 p.m

Performances

Mainpiece Title: The Mock Doctor

Performance Comment: Sir Jasper-Pullen; Leander-Mynitt; Gregory-Hallam; Hellebore-Machen; James-Brown; Harry-Simpson; Welshman-Hicks; Dorcas-Mrs Strange; Charlot-Mrs Morse; Maid-Miss Palmes.

Afterpiece Title: Love Runs All Dangers

Performance Comment: As17330316 but Squire-Hallum; Son-Jevon; Park Keeper-Pullen; Drawer-Jones.

Dance: End Mainpiece: Dutch Skipper-T. Jones, R. Jones; Concluding with a Hornpipe-Jones

Performance Comment: Jones, R. Jones; Concluding with a Hornpipe-Jones.
Event Comment: Benefit Chetwood. Afterpiece: Written by the Author of the Lover's Opera (W. R. Chetwood. Apparently not published.] A Ballad Opera of one Act

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17330217, but Lady Darling-Mrs Haughton; Angelica-Mrs Hamilton.

Afterpiece Title: The Mock Mason

Performance Comment: Sir Jasper-Morgan; Clerimont-Jenkins; Noodle-Rosco; Doodle-Bardin; Davy-James; Caelia-Mrs Hamilton; Lettice-Mrs Roberts; Jenny-Miss Wherrit; A new Epilogue-Miss Cole.

Music: I: Concerto for German Flute-Burk Thumoth; II: The 5th Concerto of Vivaldi-; III: Trumpet Concerto-; IV: Concerto with Flutes and German Flutes-

Dance: I: Chacone-Mrs Bullock; II: Friendly Lasses-Miss Wherrit, Miss Sandham; In V: The Difference of Nations-

Song: III: Chanson a Boire-Excell

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: A New Opera. [Text by Metastasio. Music by J. A. Hasse and R. Broschi.] Pit and Boxes by Tickets at a half guinea. Gallery 5s. 6 P.M. Daily Advertiser, 30 Oct.: All the Royal Family were at the Opera, when Signior Farinelli perform'd . . . with prodigious Applause. The Theatre was exceedingly crowded

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Cast not listed, but edition of 1734 lists: Artaserse-Montagnana; Arbace-Carlo Broschi called Farinelli; Mandane-Signora Fran. Cuzzoni; Artabano-Francis Barnardi called Senesino; Semira-Signora Bertolli; Megabise-Signora Maria Scgatti .
Event Comment: Benefit the Author of the Farce. [R. Fabian.] By Their Majesties Command. Afterpiece: a Farce of Two Acts. Intermix'd with Songs. London Daily Post and General Advertiser, 13 May: On Saturday Night last, during the Play time, one Mr Mechlin (alias Macloughlin) who lately belong'd to [DL], having had a Dispute with Mr Hallam, of the same Theatre, about a particular Wig, which the latter had from the Wardrobe, to wear in his Part that Night, in the Farce, and which he resign'd to Mr Mechlin; but reproved him for his Behaviour, and ill Language. Some time after Mr Mechlin, thrust a Crabtree Stick that was in his Hand, at the Face of Mr Hallam, which enter'd at his Left Eye, and penetrated into his brain, of which Wound he languish'd till Sunday Night 6 o'clock, when he died

Performances

Mainpiece Title: Cato

Performance Comment: As17350301 but Lucia-Mrs Butler .

Afterpiece Title: Trick for Trick

Performance Comment: Don Lopez-Berry; Don Fernand-Salway; Don Garcia-Shepard; Don Diego-Turbutt; Sancho-Mechlin; Guzman-Hallam; Elvira-Mrs Cantrel; Eugenia-Mrs Pritchard; Estifania-Master Arne. Edition of 1735 adds: Messinger-Cole .

Dance: Amorous Swain, as17350327

Performance Comment: hathi.
Event Comment: Benefit Miss Burgess, who has so zealousy espoused the Country-Interest. Afterpiece: A Tragi-Comi-Operatic Pastoral Farce. [Presumably a variant of R. Drury's The Rival Milliners.]

Performances

Mainpiece Title: Pasquin

Performance Comment: Cast not listed, but see17360427 With a New Epilogue to be spoke by Miss Burgess .

Afterpiece Title: The Temple Rake or The Rival Milliners

Performance Comment: Molly Wheedle-Miss Burgess .
Event Comment: Mainpiece: Written by the late J. Hughes, Esq. Afterpiece: a New Dramatick Tale. Written by the Author of the Toy Shop [R. Dodsley]

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: As17370114.

Afterpiece Title: The King and the Miller of Mansfield

Performance Comment: King-Cibber; Miller-Miller; Lord Lurewell-Este; Richard-Berry; Joe-Stoppelaer; Peggy-Mrs Pritchard; Margery-Mrs Bennet; Kate-Mrs Cross; Courtiers-Winstone, Cross, Hill; Foresters-Turbutt, Leigh, Marshall.

Dance: I: Tambourine-Mlle Roland; III: Muilment; V: Ballet-Denoyer

Event Comment: Benefit R. Collett. 7 p.m

Performances

Mainpiece Title: Concert

Music: Two Solos on the Violin-Collett; A Lesson on the Harpsichord-Vincent; A Trumpet Piece-Snow

Event Comment: Benefit Penkethman

Performances

Mainpiece Title: The Fond Husband Or The Plotting Sisters

Performance Comment: Pergrine-Penkethman; Rashly-Giffard; Emilia-Mrs Haughton; Maria-Mrs Roberts; Ranger-Richardson; Old Fumble-Norris; Sneak-Woodward; Sir R. Petulant-Lyon; Spatterdash-Hamilton; Mrs Snare-Mrs M. Giffard; Governess-Mrs Wetherilt; Betty-Miss Tollet; Cordelia-Mrs Penkethman; the first time of her appearing on any stage. Likewise (by Desire) an Epilogue-Penkethman, riding on an Ass.

Afterpiece Title: Hymens Triumph

Performance Comment: As17370310.
Event Comment: During this month was publish'd The Dramatic Congress, a short state of the stage under present management, by W. R. Chetwynd. The older actors and dramatists sit in Elysium and discuss the fate of the theatre under Fleetwood and Rich. Much on cartels and the decay of the stage, and the chicanery indulged in to starve the Macklin-Garrick revolters. Probably about this time was also publish'd Tyranny Triumphant...Or Historical and critical remarks on the famous Cartel lately agreed on by the masters of the two theatres, by Patrick Fitz-Crambo. Discusses the rumor that Rich shut up Lincoln's Inn Fields for six months and for #600 gave the key to the Manager of Drury Lane, leaving the actors to starve, and the town to be satisfied with whatever nonsense Drury Lane chose to put on

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Performance Comment: Castalio-Davis; Chamont-Delane; Polydore-Giffard; Monimia-Mrs Giffard, her 1st appearance there for 4 years; Acasto-Bridges; Chaplain-Cross; Serina-Mrs Ridout; Florella-Mrs Bennet.

Afterpiece Title: The School Boy

Performance Comment: As17431004.
Event Comment: Benefit of the Author, it being the eighth night only of acting, but the night from the first Representation, because of the interruption of Mrs Woffington's Benefit. Tickets to be had of G. Strahan, in Cornhill; J. Davidson in the Poultry; A. Millar in the Strand; R. Dodsley in Pall Mall, and of Mr Hobson at the Theatre, where places may be taken on the stage.-Daily Advertiser

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Actors only, but See17450323.
Event Comment: 7 p. p.m. Benefit R. Starkey. Tickets given for Benefit of Kennedy taken this night. [Common prices as 26 Dec. 1744. Concert formula now used for the rest of the season.

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: The Honest Yorkshireman

Event Comment: On Monday will be publish'd The Suspicious Husband, a Comedy as it is acted at Covent Garden. Written by Dr Hoadly. Published for J. and R. Tonson, and S. Draper in the Strand.--General Advertiser. Receipts: #114 12s. 6d

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Performance Comment: Dominic-Quin; Gomez-Hippisley; Queen-Mrs Horton; Elvira-Mrs Cibber; Torrismond-Havard; Lorenzo-Ryan; Bertran-Cashell; Raymond-Rosco; Alphonso-Ridout; Pedro-Gibson; Teresa-Mrs Hale.

Afterpiece Title: Phebe or The Beggars Wedding

Performance Comment: Hunter-Beard; Phebe-Mrs Dunstall; Tippet-Miss Hippisley; Quorum-Marten; Chaunter-Bridgwater.
Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17470312.

Afterpiece Title: The Dragon of Wantley

Performance Comment: As17470310.

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Event Comment: Note in General Advertiser: For the Benefit of the Author's Sisters, Box and Pit Tickets for Coriolanus, a Tragedy written by the late Mr Thomson, and now acting at Covent Garden Theatre, are to be had of A. Millar, opposite to Catherine Street in the Strand; J. Davidson in the Poultry; and R. Dodsley in Pall Mall

Performances

Mainpiece Title: Coriolanus

Performance Comment: As17490114.
Event Comment: Tomorrow will be publish'd, at 1s. 6d. Irene. A Tragedy, acted at the Theatre Royal Drury Lane, by Mr Samuel Johnson, Printed for R. Dodsley in Pall Mall, and sold by M. Cooper in Paternoster Row. [In 1749 was published an Essay on Tragedy, with a Critical Examen of Mahomet and Irene (T. P. Barton@Collection, Boston Public Library).

Performances

Mainpiece Title: None

Performance Comment: [No Performance.]
Event Comment: This month, as recorded in the Gentleman's Magazine Register of Books, was published A General History of the Stage, from its origin in Greece down to the present time. With the Memoirs of most of the principal performers that have appeared on the English and Irish Stage. With notes antient and modern, foreign, domestic, serious, comic, moral, merry, historical, and geographical. Containing many theatrical anecdotes; also several pieces of poetry never before published. Collected and digested by W. R. Chetwood, twenty years prompter to His Majesty's Company of Comedians at the Theatre Royal in Drury Lane. Printed for W. Owen

Performances

Mainpiece Title: None

Performance Comment: [No Performance.]
Event Comment: [No record of the cast exists, but Deutsch, Handel, p. 658, speculates on a probable one.] This day Publish'd Samson an Oratorio at 1s. as it is performed at Covent Garden. The words taken from Samson Agonistes of Milton. The Music by Handel. Printed for J. and R. Tonson, and S. Draper in the Strand

Performances

Mainpiece Title: Samson

Performance Comment: Parts were: Samson-; Manoa-; Micah-; Israelite Officer-; Chorus of Israelites-; Dalila-; Harapha-; Chorus of Philistine Women-; Priests of Dagon- (Larpent MS).

Afterpiece Title: Concerto

Event Comment: Benefit for Mr and Mrs Bridges. Tickets to be had of Mr Bridges at Mr Courteen's in Bow St., Covent Garden; and of Hobson at the stage door. Publish'd this day at 1s. Miss in Her Teens; or, the Medley of Lovers, a Farce in Two Acts, as it is performed at Drury Lane. Written by Mr Garrick. Printed for J. and R. Tonson. Receipts: #140 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17481001, but Richard-_; Moody-_; Poundage-_; Mrs Motherly-_; Myrtilla-_; Trusty-_.

Afterpiece Title: Lethe and Jumpedo

Performance Comment: Frenchman-Garrick the only character listed; see17490407. The whole to conclude with an extraordinary and surprising performance of the Original Seignor Capitello Jumpedo, who after entertaining the audience with a Hornpipe-Seignor Capitello Jumpedo; will in a manner entirely new, Jump down his own throat-Seignor Capitello Jumpedo.