SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.
Event Comment: [Afterpiece in place of The Adopted Child, advertised on playbill of 29 Mar.] Receipts: #209 14s. (162.0.6; 46.5.6; 1.8.0)

Performances

Mainpiece Title: She Woud And She Woud Not

Performance Comment: As17951217, but Trappanti-Whitfield.

Afterpiece Title: No Song No Supper

Performance Comment: As17960307but Endless-Benson; William-_; Servant-_.
Event Comment: [Mainpiece in place of The School for Scandal, advertised on playbill of 30 Mar.] Receipts: #230 1s. 6d. (158.9.0; 63.19.6; 7.13.0)

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17960229, but Bravoes-_Phillimore.

Afterpiece Title: The Devil to Pay

Performance Comment: As17951214.
Event Comment: Receipts: #200 6s. (149.1.6; 45.1.6; 6.3.0)

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: As17951226, but Young Fashion-Whitfield.

Afterpiece Title: The Doctor and the Apothecary

Performance Comment: As17951218, but Isabella-Miss DeCamp.
Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Performances

Mainpiece Title: Vortigern

Performance Comment: Characters-Bensley, Barrymore, Caulfield, Kemble, Whitfield, Trueman, C. Kemble, Benson, Phillimore, King, Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb, Master Gregson, Master DeCamp, Mrs Powell, Mrs Jordan, Miss Miller, Miss Tidswell, Miss Heard, Miss Leak; [Cast from text (J. Barker, 1799): Constantius-Bensley; Aurelius-Barrymore; Uter-Caulfield; Vortigern-Kemble; Wortimerus-Whitfield; Catagrines-Trueman; Pascentius-C. Kemble; Hengist-Benson; Horsus-Phillimore; Fool-King; Page-Master Gregson; Servant-Master DeCamp; Edmunda-Mrs Powell; Flavia-Mrs Jordan; Rowena-Miss Miller; Attendants on Edmunda-Miss Tidswell, Miss Heard, Miss Leak; Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb are unassigned.] Prologue [actually, read (Boaden, Jordan, I, 297)]-Whitfield; Epilogue-Mrs Jordan.

Afterpiece Title: My Grandmother

Performance Comment: As17951230.

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Event Comment: Receipts: #297 11s. 6d. (283.5.0; 5.14.6; tickets not come in: 9.0.0)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17950926, but Joseph Surface-Barrymore.

Afterpiece Title: Harlequin Captive

Performance Comment: As17960301but Dubois_; Gipsies-_Garman; Whitmell_; Butler_; Nicolini_; Furies-_Wells, Master _Gregson; Master_ DeCamp; Chorus of Knights and Ladies-Mrs _Bland; unassigned-_Keys, W. _Banks.
Event Comment: Receipts: #196 18s. (146.11; 42.1; 8.6)

Performances

Mainpiece Title: First Love

Performance Comment: As17950917, but Frederick Mowbray-Benson; Servants-_; Waiting@woman-_.

Afterpiece Title: The Doctor and the Apothecary

Performance Comment: As17960401, but Perez-_; Shopman-_.
Event Comment: Account-Book: Paid Aylmer for Chorus to 29th sxr. #18 12s. 6d. Receipts: #273 12s. (195.17.6; 71.6.6; 6.8.0)

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: As17960227, but Freeman-Benson; Splitcause-_; Booksellers-_; Boy-_; Bailiffs-_; song-_.

Afterpiece Title: The Prize

Performance Comment: As17950919.
Event Comment: Receipts: #169 9s. 6d. (122.17.0; 44.14.6; 1.18.0)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17960107.

Afterpiece Title: My Grandmother

Performance Comment: As17951230.
Event Comment: Receipts: #178 9s. 6d. (125.2.6; 46.14.6; 6.12.6)

Performances

Mainpiece Title: The Wheel Of Fortune

Performance Comment: As17960208, but Mr Woodville-Benson; Mr Sydenham-Whitfield.

Afterpiece Title: No Song No Supper

Performance Comment: As17960307but William-_; Servant-_.
Event Comment: Receipts: #388 9s. (308.17; 73.16; 5.16)

Performances

Mainpiece Title: Isabella

Performance Comment: As17950919, but Villeroy-Wroughton; Sampson-Phillimore; 2nd Gentleman-Maddocks; Nurse-Mrs Maddocks.

Afterpiece Title: The Spoild Child

Performance Comment: As17960111, but Miss Pickle-Mrs Maddocks.

Song: As17950919

Event Comment: Benefit for Palmer. Tickets delivered for The Country Girl will be admitted. [Afterpiece in place of The Sultan, advertised on playbill of 11 Apr.] Oracle, 4 Apr.: Tickets to be had of Palmer, No. 12, New Lisle-street, Leicester Fields. Receipts: #346 11s. (158.3.0; 49.11.6; 4.2.6; tickets: 134.14.0). (charge: #241 16s. 6d.)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: As17951123, but Lysimachus-Whitfield; Perdiccas-Benson; Eumenes-Phillimore; Sysigambis-Mrs Maddocks; Slave-_. [The parts are assigned in the playbill.]The parts are assigned in the playbill.]

Afterpiece Title: The Spoild Child

Performance Comment: As17960409.

Song: As17951204

Entertainment: End: Monologue. Collins'Ode on the Passions-Palmer

Performance Comment: Collins'Ode on the Passions-Palmer.
Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MD 2, by Samuel Birch]: The Musick by Attwood. Books of the Songs to be had in the Theatre. 2nd piece [1st time; INT 1, by George Colman, ynger. This was the 1st scene from Colman's New Hay at the Old Market, slightly revised; in subsequent seasons it was acted under the title of Sylvester Daggerwood]: By Permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: With a Sea Fight. [The playbill assigns Sneer to Palmer, but "The Public are most respectfully informed that Palmer being too ill to perform this Evening, the character of Sneer will be attempted by Benson, who humbly hopes for their usual indulgence" (printed slip attached to Kemble playbill).] Oracle, 4 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford Square. Receipts: #613 12s. (332.0.6; 45.19.6; 4.3.0; tickets: 231.9.0) (charge: #221 19s.)

Performances

Mainpiece Title: The Smugglers

Performance Comment: Characters by Aickin, Dignum, Suett, Wewitzer, Bannister Jun., Phillimore, Master Welsh, Miss DeCamp, Miss Leak, Miss Mellon. Cast from text (C. Dilly, 1796): Captain Pendant-Aickin; Valentine-Dignum; Shingle-Suett; Sample-Wewitzer; Trim-Bannister Jun.; Beacon-Phillimore; Edward-Master Welsh; Stella-Miss DeCamp; Phillis-Miss Leak; Margery-Miss Mellon.

Afterpiece Title: A Favourite Scene from New Hay Sylvester Daggerwood

Performance Comment: Sylvester Daggerwood (with Jacky and the Cow, by permission of Dibdin, who has written the accompaniments)-Bannister Jun.; Fustian-Suett; Apewell [with Imitations (see17960607]-Caulfield.

Afterpiece Title: The Critic

Performance Comment: Dangle-Dodd; Sneer-Benson; Sir Fretful Plagiary (for that night)-Bannister Jun. (1st appearance in that character); Signor Ritornello-Fairbrother; Interpreter-Wewitzer; Puff-King; Mrs Dangle-Mrs Maddocks; Italian Girls-Miss Leak, Miss Granger, Miss DeCamp; [Tragedians:] Don Ferolo Whiskerandos-Bannister Jun. [i.e. doubled Sir Fretful Plagiary]; Nieces-Miss Heard, Miss Mellon; Justice's Lady-Mrs Heard; Confidant-Miss Tidswell; Tilburina-Miss Pope.

Afterpiece Title: The Wedding Day

Performance Comment: As17960220, but Lord Rakeland-Benson; Mrs Hamford-Mrs Maddocks; John-_; William-_.
Event Comment: The Publick are most respectfully informed that the New Tragedy of Almeyda [advertised on playbill of 13 Apr.] is obliged to be deferred [see 20 Apr.] on account of the Indisposition of Palmer. Receipts: #205 1s. (145.5.0; 55.5.6; 4.10.6)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17951005.

Afterpiece Title: The Prize

Performance Comment: As17960310 .
Event Comment: Receipts: #279 11s. (188.11.6; 86.3.0; 4.13.6; ticket not come in: 0.3.0)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17951103, but Harcourt-Benson; Servant-Banks; added: William-Maddocks.

Afterpiece Title: The Smugglers

Performance Comment: As17960413.
Event Comment: The Publick are respectfully infopmed that Palmer, being still incapable of performing, Almeyda [advertised on playbill of 15 Apr.] is again unavoidably deferred [see 14 Apr.] Receipts: #241 13s. 6d. (159.16.0; 74.8.6; 7.9.0)

Performances

Mainpiece Title: Isabella

Performance Comment: As17960409.

Afterpiece Title: The Smugglers

Performance Comment: As17960413.

Song: As17950919

Event Comment: Receipts: #198 16s. 6d. (139.18.0; 56.5.0; 2.10.6; ticket not come in: 0.3.0)

Performances

Mainpiece Title: The Smugglers

Performance Comment: As17960413.

Afterpiece Title: The Pannel

Performance Comment: As17951221, but Don Ferdinand-Benson; Don Carlos-Whitfield.

Afterpiece Title: My Grandmother

Performance Comment: As17951230.
Event Comment: Mainpiece [1st time; T 5, by Sophia Lee. Prologue and Epilogue by Harriet Lee (see text)]: With new Scenes, Dresses, &c. Receipts: #252 8s. (182.5; 68.8; 1.15)

Performances

Mainpiece Title: Almeyda Queen Of Granada

Performance Comment: Characters by Palmer, Aickin, Wroughton, Kemble, Caulfield, C. Kemble, Wentworth, Mrs Siddons, Mrs Powell, Miss Heard. Cast from text (Cadell and Davies, 1796): Abdallah-Palmer; Ramirez-Aickin; Orasmyn-Wroughton; Alonzo-Kemble; Nourassin-Caulfield; Hamet-C. Kemble; Almeyda-Mrs Siddons; Victoria-Mrs Powell; Abra-Miss Heard; Wentworth [is unassigned; Prologue-Whitfield; Epilogue-King; [These were spoken, as here assigned, at all subsequent performances.] [These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Smugglers

Performance Comment: As17960413.
Event Comment: Receipts: #204 12s. (143.17; 59.0; 1.6; tickets not come in: 0.9)

Performances

Mainpiece Title: Almeyda

Performance Comment: As17960420.

Afterpiece Title: The Smugglers

Performance Comment: As17960415.
Event Comment: Receipts: #224 10s. 6d. (156.6.6; 64.15.0; 3.3.0; tickets not come in: 0.6.0)

Performances

Mainpiece Title: Almeyda

Performance Comment: As17960420.

Afterpiece Title: The Smugglers

Performance Comment: As17960413.
Event Comment: Receipts: #225 11s. 6d. (168.18.6; 48.17.6; 5.16.6; tickets not come in: 1.19.0)

Performances

Mainpiece Title: Almeyda

Performance Comment: As17960420.

Afterpiece Title: The Smugglers

Performance Comment: As17960413.
Event Comment: Receipts: #261 10s. (201.11; 54.6; 5.13)

Performances

Mainpiece Title: The Gamester

Performance Comment: As17950924, but Dawson-Phillimore; Waiter-Banks.

Afterpiece Title: The Smugglers

Performance Comment: As17960413.
Event Comment: Mainpiece: In Act II a Masquerade Scene. "Neither in conception nor in power is [Mrs Jordan] adequate to the character...This play has not often been so ill performed in a London theatre as it was on this evening" (Monthly Mirror, May 1796, p. 50). Receipts: #231 8s. (162.14.6; 67.15.6; 0.18.0)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17960425, but Romeo-Wroughton.

Afterpiece Title: The Prize

Performance Comment: As17960310 .

Song: Dirge, as17960425, but Miss _DeCamp

Event Comment: Benefit for Dodd. [In afterpiece the playbill assigns Solyman to Benson, but on the BM playbill (Harris, Vol. V) his name is deleted and a MS annotation substitutes Barrymore's.] Morning Herald, 22 Apr.: Tickets to be had of Dodd, No. 8, Southampton-row, Bloomsbury. Receipts: #395 8s. 6d. (136.8.0; 44.16.6; 0.6.0; tickets: 211.19.0; odd money: 1.19.0) (charge: #212 11s. 1d.)

Performances

Mainpiece Title: The Rivals

Performance Comment: As17951124, but added: Maid-Miss Tidswell.

Afterpiece Title: The Sultan

Performance Comment: As17960425.
Event Comment: Benefit for Miss Pope. 2nd piece: Written by David Garrick, Esq. Morning Herald, 23 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #367 8s. 6d. (127.15.0; 62.1.0; 9.17.6; tickets: 167.8.0; odd money: 0.7.0) (charge: #210 16s.)

Performances

Mainpiece Title: First Love

Performance Comment: As17950917, but Servants-_; Waiting@woman-_.

Afterpiece Title: A Much Admired Scene from Harlequins Invasion

Performance Comment: Abraham-Waldron; Mrs Snip-Mrs Hopkins; Dolly Snip-Miss Pope.

Afterpiece Title: The Virgin Unmaskd

Performance Comment: Goodwill-Packer; Blister-Suett; Coupee-Bannister Jun.; Quaver-Dignum; Miss Lucy-Mrs Jordan; Timothy-Mrs Jordan.

Entertainment: Monologue.End: Paraphrase on Shakespeare's Seven Ages, as17960429

Performance Comment: End: Paraphrase on Shakespeare's Seven Ages, as17960429.
Event Comment: Receipts: #298 6s. (238.5.6; 58.18.0; 1.2.6)

Performances

Mainpiece Title: Mahmoud

Performance Comment: As17960504, but Mahmoud-C. Kemble.

Afterpiece Title: The Spoild Child

Performance Comment: As17951201, but Tag-_; Maria-_; Margery-_; Susan-_.