SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.
Event Comment: Benefit for Barrymore. A new Edition of [The Country Girl] to be had at the Theatre. Morning Chronicle, 27 Apr.: Tickets to be had of Barrymore, No. 11, Bedford-street, Bedford-row. Receipts: #305 0s. 6d. (84.4.0; 25.13.6; 5.0.0; tickets: 190.3.0) (charge: #115 6s. 6d.)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17900914, but Harcourt-Barrymore; William-Alfred.

Afterpiece Title: The Pannel

Performance Comment: As17910114.
Event Comment: Benefit for Bensley. Public Advertiser, 27 Apr.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #226 12s. 6d. (96.18.0; 30.19.0; 2.15.6; tickets: 96.0.0) (charge: #121 5s.)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17901120.

Afterpiece Title: Bon Ton

Performance Comment: As17910128, but Sir John Trotley [without the Prologue]-Bensley (1st appearance in that character).
Event Comment: Receipts: #249 5s. 6d. (213.12.0; 34.1.0; 1.12.6)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: As17910416.

Afterpiece Title: The Spoild Child

Performance Comment: As17900916.
Event Comment: Benefit for Mrs Ward. Oracle, 22 Apr.: Tickets to be had of Mrs Ward, No. 6, York-street, Covent-Garden. Receipts: #82 19s. (56.7.0; 22.18.6; 3.13.6; tickets: none listed) (charge: #115 2s. 2d.)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17900914, but William-Alfred.

Afterpiece Title: The Citizen

Performance Comment: As17910222.

Dance: End: As17910429

Song: End II: song-Sedgwick

Event Comment: Benefit for a Fund for the Relief of those whose Infirmities oblige them to retire from the Stage. The whole Pit will be laid into the Boxes. Those Ladies and Gentlemen who have seats in the Pit are earnestly requested to be early at the Theatre, and Servants are desired to attend at half past Four o'Clock to keep Places. "The fine tragic powers of [Mrs Siddons] and Kemble were but wasted on the turgid trumpery of the play...But Kemble in this scene [end of Act III] was so impassioned and transcendent that it killed all the rest of the piece. The scorn of Mrs Siddons at his dissimulation--her haughty bearing and marking emphasis, with the piercing powers of her eye, are all treasured where they should be" (Oracle, 16 May). Receipts: #117 14s. (107.11.0; 9.12.6; 0.10.6; tickets: none listed, but Oracle, 17 May, reports that tickets were purchased for as much as one guinea and a half) (charge: free)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Manuel-Aickin; Gonzalez-Packer; Garcia-Barrymore; Perez-Haymes; Alonzo-Phillimore; Osmyn-Kemble; Heli-Benson; Selim-Williames; Almeria-Mrs Powell (1st appearance in that character); Zara-Mrs Siddons (only time of her performing [in this play] this season); Leonora-Miss Tidswell.

Afterpiece Title: All the Worlds a Stage

Performance Comment: As17910430.
Event Comment: Benefit for Dignum. Part of the Pit will be laid into the Boxes. Public Advertiser, 14 May: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #56 16s. (43.1.0; 11.8.6; 2.6.6; tickets: none listed) (charge: #121 6s. 4d.)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17901120.

Afterpiece Title: The Citizen

Performance Comment: As17910222.

Song: End I: My Poll and my Partner Joe (composed by Dibdin)-Dignum

Event Comment: Benefit for Sedgwick. Morning Chronicle, 14 May: Tickets to be had of Sedgwick, No. 66, St. Martin's-lane. Receipts: #100 16s. 6d. (65.11.0; 31.9.0; 3.16.6; tickets: none listed) (charge: #117 13s. 8d.)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17910427, but Serjeant Kite-Sedgwick; O what a charming things's a battle-Sedgwick; Coster Pearmain-Hollingsworth; a song-Mrs Jordan.

Afterpiece Title: The Court of Apollo i

Performance Comment: e.. The Sons of Anacreon]. In which The Anacreontic Song-Sedgwick; Glorious Apollo-(Webbe); Now is the Month of Maying-(Morley); Fill the bowl with rosy wine-(Dyne); Here's a health to all good Lasses-; My Poll and my Partner Joe-Dignum; [a favourite Duett-Dignum, Sedgwick.

Afterpiece Title: The Pannel

Performance Comment: As17910114, but Notary-_; Servant-_.
Event Comment: The Public is respectfully informed, that the Cave of Trophonius performed with universal applause for the Benefit of Mrs Crouch [on 3 May], is now undergoing some Alterations, and will be produced in the early part of next Season [see 15 Oct.]. Receipts: #161 15s. 6d. (125.13.0; 35.2.6; 1.0.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: As17910416.

Afterpiece Title: The Spoild Child

Performance Comment: As17900916.
Event Comment: Benefit for Spencer and Nix. Receipts: #118 9s. (97.5; 17.4; 4.0; tickets: none listed) (charge: #121 6s. 4d.)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17901120.

Afterpiece Title: The Follies of a Day

Performance Comment: As17910510.
Event Comment: Benefit for Fosbrook, box-book and house-keeper. Receipts: #79 12s. 6d. (60.10.0; 16.4.6; 2.18.0; tickets: none listed) (charge: #126 5s. 1d.)

Performances

Mainpiece Title: The Rivals

Performance Comment: As17910426.

Afterpiece Title: No Song No Supper

Performance Comment: As17901209.

Dance: End: Minuet de la Cour and Gavot-Master D'Egville, Miss DeCamp

Event Comment: Benefit for Fox, Chapman, Johnston, Dale & the young D'Egvilles. Receipts: #56 18s. 6d. (40.7.0; 15.0.0; 1.11.6; tickets: none listed) (charge: #112 2s. 11d.)

Performances

Mainpiece Title: The Heiress

Performance Comment: As17900916, but Lady Emily-Mrs Goodall.

Afterpiece Title: The Island of St

Performance Comment: Marguerite. As17910505.

Dance: End II: La Fete Marine- [see17910520]; End: a new Dance, Cupid Recruiting[; or, The Female Volunteer-; La Cossaque et Le Pas Russe-the two young D'Egvilles, the two Miss Blanchards, Miss D'Egville, Miss DeCamp

Event Comment: Tickets delivered for this Evening [Account-Book: by Alfred, Benson, Kirk, Maddocks, Walker, Whittow, Whitmell, Mrs Booth, Miss Daniels, Mrs Davies, Mrs Edwin, Mrs Gaudry, Mrs Jones] will be admitted. Receipts: #69 9s. (47.0; 19.12; 2.17; tickets: none listed)

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: As17910510, but Letitia Hardy [without song]-Mrs Goodall; Lady Touchwood-Mrs Kemble; Lady-Mrs Edwin.

Afterpiece Title: The Padlock

Performance Comment: Don Diego-Williames; Leander-Dignum; Mungo-Suett; Leonora-Miss Daniels (1st appearance in that character); Ursula-Mrs Hopkins.

Song: In IV: Italian Air-Miss Daniels

Dance: End I afterpiece: Hornpipe-a Young Lady

Event Comment: Receipts: #185 3s. 6d. (151.14.0; 31.8.6; 2.1.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: As17910416.

Afterpiece Title: The Spoild Child

Performance Comment: As17900916.
Event Comment: Benefit for Wood, Percey, Cameron, Wilson, George, Woollams. Kemble Mem.: Benefit for the Boxkeepers. A New Edition of the [mainpiece] to be had at the Theatre. "Went to play. Mrs Jordan in 'Rosalind.' I am still of opinion, there is more in her person and natural manners than in her acting. Her merit lies out of her part. The words set down by the author she does not repeat with great propriety of tone, emphasis, or gesture, than others. But she has of these, certain peculiarities, which indicate dispositions, such as take strong hold of the affections, at least of the male part of her audience; and therefore, when the part is of a sort to admit a large portion of these, she produces a great effect. The true acting of the part may, in many instances, not require what she throws into it, but it may admit it; and if the expression so thrown in is of the sort described, the effect of the whole will be improved, though the part is thereby neither better nor worse acted" (Windham Diary, 28 May 1791, 227). Receipts: #363 4s. 6d. (33.5.0; 9.5.6; 2.13.0; tickets: 318.1.0) (charge: #117 1s. 7d.)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17910429, but Barrymore's name listed in playbill; Dennis-Webb.

Afterpiece Title: All the Worlds a Stage

Performance Comment: As17910430.

Song: As17901027

Event Comment: Receipts: #140 13s. 6d. (111.7.0; 24.1.6; 5.5.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17901120.

Afterpiece Title: The Pannel

Performance Comment: As17910518.
Event Comment: Receipts: #163 1s. (135.7.0; 23.10.6; 4.3.6)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: As17910416.

Afterpiece Title: The Spoild Child

Performance Comment: As17900916.
Event Comment: [Mainpiece in place of Summer Amusement; afterpiece of A Mogul Tale, both advertised on playbill of 13 June.

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: As17910606.

Afterpiece Title: Katherine and Petruchio

Performance Comment: As17910606.
Event Comment: By Command of Their Majesties

Performances

Mainpiece Title: Summer Amusement

Performance Comment: As17910617 but Kit Crab-Barrett; Sir Dilberry-_.

Afterpiece Title: The Agreeable Surprise

Performance Comment: As17910618 but Cudden-_.

Dance: As17910617

Performances

Mainpiece Title: Half An Hour After Supper

Performance Comment: As17910616.

Afterpiece Title: The Battle of Hexham

Performance Comment: As17910616 but Marquis of Montague-Cubitt.

Afterpiece Title: Seeing is Believing

Performance Comment: As17910618.
Event Comment: Mainpiece [1st time; MD 3, by the Hon. Francis North. Johnstone was from cg]: The Music partly new by Gyrowetz, and partly compiled [by Miss Monck, or Monckton] from Paisiello, Sacchini, and Guglielmi. With new Dresses, Decorations, &c. Books of the Songs to be had at the Theatre. Oracle, 27 June: The chief excellence of this piece is the preservation of costume. Gazetteer, 27 June: Bensley disgraced a performance otherwise good by concluding his sentences with a rant, and a look at the gallery. Times, 9 July 1791: This day is published The Kentish Barons (1s. 6d.)

Performances

Mainpiece Title: Seeing Is Believing

Performance Comment: As17910618.

Afterpiece Title: The Kentish Barons

Performance Comment: Characters by Johnstone (1st appearance on this stage), Aickin, Bannister Jun., Mrs Goodall, Chapman, Evatt, Bensley, Mrs Kemble, Mrs Webb, Mrs Taylor. Cast from text (J. Ridgway, 1791): Clifford-Johnstone; Bertram-Aickin; Gam-Bannister Jun.; Osbert-Mrs Goodall; William-Chapman; Walter-Evatt; Mortimer-Bensley; Elina-Mrs Kemble; Susan-Mrs Webb; Beatrice-Mrs Taylor.

Performances

Mainpiece Title: The Kentish Barons

Performance Comment: As17910625.

Afterpiece Title: The Village Lawyer

Performance Comment: As17910621.

Performances

Mainpiece Title: The Kentish Barons

Performance Comment: As17910625 but Beatrice-Miss Heard in place of Mrs Taylor.

Afterpiece Title: Gretna Green

Performance Comment: As17910623.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Performance Comment: As17910616 but Wealthy-Cubitt; Plainwell-Kemble; John-Chapman.

Afterpiece Title: King Henry the Fourth Part I

Performance Comment: As17910620 Prologue as17910620 .

Performances

Mainpiece Title: The Kentish Barons

Performance Comment: As17910628.

Afterpiece Title: The Son in Law

Performance Comment: As17910630.

Performances

Mainpiece Title: Seeing Is Believing

Performance Comment: As17910618.

Afterpiece Title: The Battle of Hexham

Performance Comment: As17910624 but Goodman Hobbs-Rock; Rasher-Burton.

Afterpiece Title: Half an Hour after Supper

Performance Comment: As17910616.