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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Queens Birth"/1) | (@(roleclean,performerclean) "Queens Birth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2269 results for: Keyword - Queens-Birth

We found 1128 matches on Performance Comments, 834 matches on Performance Title, 462 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1751
04 March 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Don Quixote in England; or, The Humours of Sancho Pancha

Monologue: 1782 03 04 End of mainpiece Bucks have at ye all by Benson. vaudeville. End of Act I of afterpiece The Manual Exercise by Mrs Lefevre

1752
17 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Afterpiece Title: The Country Mad-Cap

Dance: End of Act II of mainpiece The Poney Races by Harris, Ratchford, Miss Matthews; End of mainpiece The Gala, as17820409

1753
20 May 1782 @ Covent Garden

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: A Fete

Afterpiece Title: The Choice of Harlequin

1754
09 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Flitch of Bacon

Dance: In Act I of mainpiece a Masquerade, in which a Dance by Master and Miss Byrn; End of Act III, as17820606

Song: In Masquerade a Song by Miss Morris. imitations. End of mainpiece, by Bannister Jun

1755
27 September 1782 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820925

1756
14 October 1782 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Choice of Harlequin

1757
30 December 1782 @ Covent Garden

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Lord Mayor's Day

Song: In Act III song by Mrs Kennedy

1758
31 December 1782 @ Covent Garden

Performances

Mainpiece Title: King Henry The Second; Or, The Fall Of Rosamond

Afterpiece Title: Rosina

Dance: End of mainpiece new Dance, composed by Harris, Damon and Musidora, by Harris, Miss Besford, and others

1759
18 February 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III, as17820917

Song: In Masquerade, by Miss Romanzini

1760
10 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Triumph of Mirth

1761
29 March 1783 @ Covent Garden

Performances

Mainpiece Title: King John

Afterpiece Title: Rosina

1762
13 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

1763
23 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Dance: Afterpiece to conclude with a Dance by Williamson, the Miss Stageldoirs, &c

1764
26 September 1783 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

1765
13 October 1783 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: (End of Act II) The Rival Knights

Afterpiece Title: Rosina

1766
10 November 1783 @ Covent Garden

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Lord Mayor's Day; or, A Flight from Lapland in an Air Balloon

Song: In Act III of mainpiece a song by Mrs Kennedy

1767
10 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: The Deaf Lover

1768
15 December 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Irish Widow

Monologue: 1783 12 15 End of Act I of afterpiece The Farmer's Blunder by Kenrick

1769
03 January 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Too Civil by Half

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III The Devonshire Minuet by the Miss Stageldoirs

Song: In Masquerade Scene a New Song by Miss George

1770
16 January 1784 @ Covent Garden

Performances

Mainpiece Title: King John

Afterpiece Title: The Son-in-Law

1771
18 March 1784 @ King's Theatre

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

1772
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

1773
11 October 1784 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Rambler

1774
18 October 1784 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: End of Act III of mainpiece Pastoral Sports, as17840922

Song: In Act II of mainpiece a song by Mrs Martyr

1775
05 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Spanish Rivals