SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Professor Lucyle Hook"/1) | (@(roleclean,performerclean) "Professor Lucyle Hook")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 64 matches on Event Comments, 33 matches on Performance Title, 29 matches on Author, 18 matches on Performance Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Magnet

Entertainment: Musical Imitations-Bannister; Concerto on Organ-Hook; Solo on Violin-Reeves

Performances

Mainpiece Title: The Magnet

Entertainment: Singing, Soldier Tir'd, the Wanton God-Miss Catley; With Horns and with Hounds-Miss Thompson; Concerto on Organ-Hook; Solo on Violin-Reeves

Performances

Mainpiece Title: The Magnet

Entertainment: Singing-Miss Harper, Miss Esser; Concerto on Organ-Hook; Solo on Violin-Reeves; Musical Imitations, O What a Glorious Thing's a Battle-Bannister; With Horns and With Hounds-Mrs Thomson

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequin Sorcerer

Song: II: A New Cantata by Hook-DuBellamy; IV: [Duett] Sweet is the Breath of Morn [by Milton-Miss Brown, DuBellamy

Dance: III: The Whim, as17730426

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Comus

Dance: End of Act IV of mainpiece, as17821016; End of mainpiece, as17820917

Song: End of Act II of mainpiece A Soldier for Me (composed by Hook for The Best Bidder) by Mrs Wrighten

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Flitch of Bacon

Song: End of Act II of mainpiece The Mansion of Peace (composed by Webbe) by Dignum; End of Act IV Awake, AEolean Lyre, as17850422, but Wilson in place of Staunton; End of mainpiece Bright Phoebus has mounted the Chariot of Day (composed by Hook) by Dignum

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Whos the Dupe

Dance: End of mainpiece The Lucky Return, as17860420

Song: End of Act II of mainpiece Bright Phoebus (composed by Hook) by Dignum

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Bon Ton

Dance: End of mainpiece The Lucky Return, as17860105, but Ferrere in place of Williamson

Song: End of Act II of mainpiece a favourite Hunting Song (composed by Hook) by Dignum

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Piety in Pattens

Afterpiece Title: The Quaker

Song: End II: The Lass of Richmond Hill (composed by Hook)-Dignum; End IV: The Greenwich Pensioner-Dignum; End: Poor Jack-Dignum

Performances

Mainpiece Title: Double Falsehood Or The Distrest Lovers

Afterpiece Title: Tippoo Saib or British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Spoild Child

Afterpiece Title: No Song No Supper

Song: End I: Within a mile of Edinburgh-Dignum; End II: I never lov'd any dear Mary but you (composed by Hook)-Dignum; End I 2nd piece: Sally in our Alley-Dignum; End 2nd piece I that once was a Ploughman a Sailor am now (composed by Dibdin)-Dignum

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: The Virgin Unmaskd

Afterpiece Title: The Deserter

Song: End: the favourite duett from Sampson, My Faith and Truth-Miss Leak, Master Welsh; End 2nd piece: Listen to the Voice of Love (composed by Hook)-Master Welsh

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Afterpiece Title: A Musical Olio

Song: End II: The Little Waist- (composed by Hook); End IV: The Sailor's Journal (composed by Dibdin)-Dignum

Performances

Mainpiece Title: The Will

Afterpiece Title: The Doctor and the Apothecary

Song: End II: Ally Croaker-Miss Leak, Master Welsh; End IV: The Black Bird (composed by Hook)-Master Welsh

Music: End: A Lilliputian Performance, As17970518

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Purse

Afterpiece Title: The Wandering Jew

Song: End II: Sweet Lillies of the Valley-Dignum (composed by Hook); End III: The Sailor's Journal-Dignum (composed by Dibdin); End IV: The Town and Country-Dignum (written by Morris); End I 3rd piece: Sally in our Alley-Dignum

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Critic

Afterpiece Title: The Shipwreck

Song: End II 1st piece: I never lov'd any dear Mary but you-Dignum (composed by Hook); End 1st piece: The Fight off Camperdown-Dignum; End I 2nd piece: The Town and Country-Dignum (composed [i.e. words] by Capt. Morris); End 2nd piece: an Answer to the above, Country and Town-Dignum

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Miser

Song: In IV 1st piece: Masquerade Scene-; Orphan Bess the Beggar Girl (the Musick by Hook)-; End 1st piece: A Musical Address (accompanied on the harp by Weippert, the Musick by Dr Arnold)-Miss Leak; In 2nd piece: The Country Club-Bannister Jun

Performances

Mainpiece Title: Dramatic Lecture

Performance Comment: Don Buskin-Socco, Professor of Dramatic Exercises proposes to instruct (upon reasonable Terms, publickly or privately) such young Gentlemen, Ladies, etc., who for amusement, or otherwise, are willing to become Pupils in the Art of Theatrical Speaking and Acting...The Professor also gives Notice, that he intends to go through a Course of fifteen Dramatic Lectures founded on Shakespear's Plays. Each one to consist of three parts, and to be exhibited thrice weekly, as follow: The Heads of the first Lecture are as follow, viz. An Introduction to the Course. An Account of Dramatick Poesy. Aristotle's Definition of Tragedy and Comedy. The Sentiments of the Judicious concerning Shakespear. His Play of Hamlet consider'd, the Fable, Manners, Sentiments, and with Remarks on his Instructions to the Actors.
Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Orators

Performance Comment: See17620518, but Professor-Foote.
Cast
Role: Professor Actor: Foote.

Performances

Mainpiece Title: The Orators

Performance Comment: Donald MacGregor-Gibson; Counsellor-Gibson; Butcher-Slaughter; Professor-Cook.
Cast
Role: Professor Actor: Cook.

Entertainment: A Prologue, Singing, a Dutch Story, Hippisley's Drunken Man-, with alterations and additions

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Performance Comment: Edition of 1702 lists: Don Manuel-Cibber; Don Philip-Husband; Octavio-Mills; Trappanti-Pinkethman; Soto-Bullock; Hypolita-Mrs Verbruggen; Rosara-Mrs Hook; Flora-Mrs Moor; Viletta-Mrs Knight; Prologue-; Epilogue-.
Cast
Role: Rosara Actor: Mrs Hook

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Edition of 1702 lists: Elder Wouldbe-Wilks; Young Wouldbe-Cibber; Richmore-Husband; Trueman-Mills; Subtleman-Penkethman; Balderdash-Johnson; Alderman-Johnson; Clear Account-Fairbank; Teague-Bowen; Constance-Mrs Rogers; Aurelia-Mrs Hook; Mandrake-Bullock; Steward's Wife-Mrs Moor; Prologue written by Motteux-Wilks; Epilogue-Aurelia.
Cast
Role: Aurelia Actor: Mrs Hook
Event Comment: A Concert of Vocal and Instrumental Music benefit for Mrs Pinto. Songs by Mrs Forbes, Master Brown, and Mrs Pinto. Concertos on the organ and Hautboy by Hook and Park. After which will be performed for the first time a Pastoral Serenata called Love and Innocence, in two acts composed by Mr Hook, with chorusses. An elegant transparent Temple of Apollo designed and painted by Sig Bigar, machinist to the Opera House. The Gardens will be additionally illuminated. Fireworks. The whole to conclude with a Ball

Performances

Mainpiece Title: Love And Innocence