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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Professor G H Jones"/1) | (@(roleclean,performerclean) "Professor G H Jones")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2178 results for: Keyword - Professor G. H. Jones
We found 1349 matches on Performance Comments, 452 matches on Event Comments, 255 matches on Performance Title, 176 matches on Author, and 0 matches on Roles/Actors.

76
23 May 1776 @ King's Theatre

Performances

Mainpiece Title: Antigono

Dance: As17760518

77
01 June 1776 @ King's Theatre

Performances

Mainpiece Title: Antigono

Dance: As17760530; End II: La Fete du Village, as17760224

78
08 June 1776 @ King's Theatre

Performances

Mainpiece Title: Antigono

Dance: I: Minuet a la Cour-the two Vallouys; II: Pigmalion-Fierville, Helm, Mlle Sophie, Mlle Baccelli; End Opera: La Fete du Village, as17760224

79
15 June 1776 @ King's Theatre

Performances

Mainpiece Title: Antigono

Dance: As17760611Diane et Endymion, Les Deux Soeurs

Ballet: Astolphe. As17760611

80
22 June 1776 @ King's Theatre

Performances

Mainpiece Title: Antigono

Dance: As17760611Diane et Endymion, Les Deux Soeurs

Ballet: Astolphe. As17760611

81
29 June 1776 @ King's Theatre

Performances

Mainpiece Title: Antigono

Dance: As17760413 End II: Diane et Endymion, as17760312

Ballet: Astolphe. As17760413

82
01 March 1777 @ King's Theatre

Performances

Mainpiece Title: Antigono

Dance: End I: La Force de l'Amour, as17761214; End II: Serious Ballet, as17770225; End Opera: Les Amusemens Champetres, as17761102

83
08 March 1777 @ King's Theatre

Performances

Mainpiece Title: Antigono

Dance: End Act I: Les Amans Heureux, as17770104; End II: Serious Ballet, as17770225; End Opera: L'Epouse Persane, as17770121

84
February 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not known, but the fact that Narcissus Luttrell purchased a copy on 22 March 1679@80 suggests that the premiere occurred not later than February. A copy, with Luttrell's date of purchase, is in the Ohio State University Library. (I am indebted to Professor J. H. Wilson for this information.

Performances

Mainpiece Title: The Misery Of Civil war

85
02 December 1674 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K: & Q:. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. BM Add. Mss. 27, 962v, f. 312 (a transcript of a newsletter by Salvetti), 14 Dec. 1674 (translation): On last Wednesday all the royal family were present at the theatre to hear the tragedy of Hamlet, which, for their greater entertainment, was adorned and embellished with very curious dances between the acts. [I am indebted to Professor George Hilton Jones, Kansas State University, for this item.

Performances

Mainpiece Title: Hamlet

86
14 December 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. Lord Ashburnham's Diary: I waited on my Mother home and afterwards I went into the play (the Maiden Queen) There was a great deale of company, I came home before 8 at night, I am now not charm'd with Playes &c. (Ashburnham MS 932, East Sussex County Record Office, County Hall, Lewes, Sussex; I owe this entry and the subsequent ones from this MS to the kindness of Professor George Hilton Jones, Kansas State University). This is an unusual example of the revival of a play at the public theatre the day before its presentation at court

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

87
28 February 1800 @ Covent Garden

Event Comment: Principal Instrumental Performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, Barret, R. Ashley, Parkinson, Woodham, Jenkinson, M'Arthur, the Munros, Purney, Cantelo, Taylor, M'Intosh, Gwilliam, Nicks, Cobham, Leffler, Betts, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Ware, J. Ware, Wood, G. Jones, Moorehead, Slezack, Francis, Jackson, Vial, White, &c. Organ by J. Ashley. The Band and Chorusses will be numerous and complete, and assisted by the Trombones and Double Drums, used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley Sen. Places for the Boxes to be had of Brandon at the stage door. The Doors to be opened at 6:00, and the Performance to begin at 7:00 precisely [same throughout oratorio season]. Half Price will be taken at 9:00. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance to be had at the Theatre (6d.)

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

88
19 April 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Committee

Performance Comment: Careless-Cautherly, first time; Bookseller-Jones; Day's Servant-Jacobs; Keeper-Watkins; Arabella-Mrs Jefferson; Ruth (first time)-Miss Pope; Teague (with songs)-Moody; Blunt-J. Aickin; Lt Story-Fawcett; Musician-Messink; Porter-Wrighten; Day-Baddeley; Obadiah-Parsons; Abel-Burton; Committeemen-Hartry, Griffith; Coachman-Keen; Mrs Day-Mrs Bradshaw; Mrs Chat-Mrs Simson; In Act IV, Teague's Ramble-introduced by Moody.
Cast
Role: Bookseller Actor: Jones

Afterpiece Title: Edgar and Emmeline

Dance: V: The Irish Fair, as17730918

89
30 April 1799 @ Covent Garden

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son in Law

Afterpiece Title: The Paradox or Maid Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

90
11 March 1791 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

91
24 February 1792 @ Covent Garden

Performances

Mainpiece Title: Lallegro Ed Il Pensieroso 0

Afterpiece Title: LAlegro ed il Pensieroso 1

Afterpiece Title: LAllegro ed il Pensieroso

Afterpiece Title: Grand Miscellaneous Act

92
31 March 1792 @ Haymarket Theatre

Performances

Mainpiece Title: La Discordia Conjugale

Dance: As17920310

93
15 February 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

94
07 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

95
23 February 1798 @ Covent Garden

Event Comment: Composed by G. F. Handel. Among the Instrumental Performers: C. Ashley, Sarjant, Wm. Parke, Boyce, R. Ashley, Bridgtower, Pinto, Parkinson, Lavenu. the Flacks, Taylor, Mackintosh, Wm. Ware, Dresler, Francis, Gwilliam, Nicks, the Munros, Archer, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Betts, Cobham, Jackson, Wood, Coyle, Cornish, Jones, Purney, Leffler, Woodham, Piele, the Cantelos, Skillern, &c. Organ-J. Ashley. Double Drums (used at Westminster-Abbey)-Jenkinson. The Chorusses will be numerous and complete; the whole under the direction of Ashley. The Doors to be opened at 6:00. To begin at 7:00 precisely [same throughout oratorio season]. Books of the Performance (with the Imprimatur of E. Macleish) to be had at the Theatre, price 6d. Places for the Boxes to be had of Brandon, at the Stage-Door in Hart-street. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

96
01 July 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Mock Doctor

Performance Comment: Doctor-Cibber; Sir Jasper-Shepard; Leander-Salway; James-Leigh; Hellebore-Cole; Harry-Turbutt; Davy-Jones; Dorcas-Mrs Pritchard; Charlotte-Mrs Este, the first time of her appearing on any stage. By particular Desire, an Epilogue, as17350603.
Cast
Role: Davy Actor: Jones

Music: Select Pieces. II: A Concerto for two Hautboys performed by Woodbridge and Neale

Dance: I:Jenny come tie me; or, The Neu, Way of Wooing by Davenport and Miss Brett. III: Drunken Peasant by Le Brun. V: Pierot by Davenport and Cox. End Afterpiece: A new Comic Dance by Le Brun and Mrs Anderson

Song: IV: As17350603

97
18 February 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan-Packer; Malcolm-Palmer Jun. (1st appearance on that stage); Donalbain-Bland; Macbeth-Kemble; Banquo-Bensley; Lenox-Whitfield; Macduff-Wroughton; Rosse-Barrymore; Fleance-Master Gregson; Seward-Fawcett; Seyton-Phillimore; Doctor-Jones; Captain-Benson; Messenger-Banks; Murderer-Webb; Hecate-Bannister; Witches-Aickin, Moody, Burton; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.
Cast
Role: Doctor Actor: Jones

Afterpiece Title: The Virgin Unmaskd

Song: In: The original Music by Matthew Locke, with full Chorusses and additional Accompaniments-Bannister, Sedgwick, Dignum, Danby, Maddocks, Caulfield, Cooke, Alfred, Shaw, Lyons, Mrs Bland, Mrs Edwards, Miss Hagley, Miss DeCamp, Mrs Shaw, Mrs Edwin, Mrs Butler, Mrs Bramwell, Mrs Gawdry, Miss Kirton

98
21 July 1798 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; MD 3, by James Boaden; some of the songs written by George Colman, ynger]: With new Musick, Scenes, Dresses, and Decorations. The new Musick by Dr Arnold. With an appropriate Overture, accompanied by two Pedal Harps and the Union Pipes, by Weippert, C. Jones, and Murphy. The Scenery by Marinari. The Dresses and Decorations designed by A. Johnston, and executed by him and Mrs Egan. Books of the Songs to be had at the Theatre. "Any exertion of impartial criticism to check the prevalent taste for the marvellous and the horrific which so wantonly conjures up the spirit (it was once thought had been for ever laid) of gross superstition and Gothic barbarism must, we fear, prove at present unavailing" (Times, 23 July). Morning Chronicle, 30 July 1798: This Day is published Cambro-Britons (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Cambro Britons

99
08 December 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The Duel

Performance Comment: Parts by Barry, King, Reddish, Weston, Moody, Brereton, Davies, Wright, W. Palmer, Griffith, Mrs Hopkins, Miss Jarratt, Mrs Bradshaw, Miss Younge, Mrs Barry. Prologue-; Epilogue-; Melville-Barry; Hargrave-King; Young Melville-Reddish; Servant to Sir Dermont-Weston; Sir Dermot O'Leinster-Moody; Barfort-Brereton; Servant to Young Melville-Wright; other servants (?)-Davies, W. Palmer, Griffith; Lady Margaret Sinclair-Miss Younge; Mrs Melville-Mrs Hopkins; Miss Melville-Miss Jarratt; Mrs Jones-Mrs Bradshaw; Maria-Mrs Barry (Genest, V, 342, MacMillan.)
Cast
Role: Mrs Jones Actor: Mrs Bradshaw

Afterpiece Title: The Old Maid

100
05 March 1799 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: British Fortitude

Afterpiece Title: Oscar and Malvina

Dance: II: Negro Dance-Blurton, Platt, Jackson

Song: In 3rd piece: As17990304but O ever in my bosom live-Mrs Chapman, Mrs Iliff