SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princesses Royal Amelia and Caroline"/1) | (@(roleclean,performerclean) "Princesses Royal Amelia and Caroline")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1562 matches on Event Comments, 858 matches on Performance Title, 532 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Palmer. [1st piece originally acted in 1767 as Dido. Prologue by David Garrick.] 3rd piece [1st time; INT 1, consisting of 3 tales in verse inserted into a continuous verse narrative]: As intended for Representation at the Theatre Royal, Hay-market, by George Colman Ynger. Morning Herald, 3 Apr. 1797: This Day is Published My Nightgown and Slippers (2s. 6d.). True Briton, 25 Apr.: Tickets to be had of Palmer, No. 39, Great Pulteney-street, Golden-square. Receipts: #491 16s. (152.3; 77.16; 11.16; tickets: 250.1) (charge: #232 18s. 6d.)

Performances

Mainpiece Title: The Queen Of Carthage

Afterpiece Title: The Spoil'd Child

Afterpiece Title: My Nightgown and Slippers

Ballet: The Scotch Ghost. As17970105

Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Afterpiece Title: Cross Purposes

Afterpiece Title: Netley Abbey

Performance Comment: As17961006, but added to Capt. Oakland: A Sail on our Lee Bow-Incledon.
Cast
Role: Oakland Actor: Incledon
Role: Oakland Actor: Munden
Role: Lucy Oakland Actor: Mrs Follett
Event Comment: Account-Book: Tickets delivered by Ledger, Claremont, Goostree. Mrs Dick, Mrs Egan will be admitted. 2nd piece [1st time; M. INT 1, by Richard Cumberland. Larpent MS 1111; not published]: To conclude with an Illumination, Transparency, and a Rural Procession. The Music partly selected, and partly composed, by Shield. The Harp by Weippert. The Bells by Lawrence. With appropriate Scenery, Dresses, and Decorations. [Written in honour of the Royal Marriage" [see dl, 13 May] (Morning Herald, 19 May). "If we are to have these repeated Congratulations, let them be written by men of spirit and invention. The public are miserably placed, in cases like the present: between a respect for their King and a respect for their own understandings, they know not how to act" (Monthly Visitor, May 1797, pp. 454-55, which also includes a brief synopsis of the plot). Receipts: #254 9s. 6d. (84.0.0; 11.2.6; tickets: 159.7.0)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Village Fete

Related Works
Related Work: The Village Fete Author(s): Richard Cumberland

Afterpiece Title: Peeping Tom

Song: 2nd piece: Chorusses-Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, J. Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray

Performances

Mainpiece Title: The Purse

Cast
Role: Sally Actor: Mrs Bland.

Afterpiece Title: The Country Girl

Performance Comment: As17961001, but Moody-Swendall (from the Theatre Royal, Dublin; 1st appearance on this stage); Sparkish-Russell; William-_; Servant-_.

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Sir Rowland Actor: Barrymore

Afterpiece Title: The Minor

Performances

Mainpiece Title: The Child Of Nature

Cast
Role: Mrs Candour Actor: Miss Pope

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood (with O bring me Wine by Shield, and There the silver'd waters roam, from The Pirates by Storace)-Sedgwick; Little John (with All in preparation, from The Haunted Tower)-Bannister Jun.; Ruttekin-Wathen; Bowman-Caulfield; Fitzherbert-Dowton; Scarlet-Trueman; Edwin-Incledon (by permission of the Proprietor of the Theatre Royal, Covent-Garden); Clorinda-Miss Leak; Annette-Mrs Bland; Angelina-Miss DeCamp (Their 1st appearance in those characters).
Cast
Role: Annette Actor: Mrs Bland

Afterpiece Title: The Devil to Pay

Song: In the course of the evening: The Storm-Incledon

Event Comment: Benefit for Wathen. 3rd piece: By permission of the Proprietor of the Theatre Royal, Covent Garden. True Briton, 2 June: Tickets to be had of Wathen, No. 2, Frith-street. Receipts: #358 1s. (54.12.0; 61.13.6; 3.14.0; tickets: 238.1.6) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Sir Rowland Actor: Barrymore

Afterpiece Title: The Poor Soldier

Performance Comment: Capt. Fitzroy-Cooke; Patrick-Miss DeCamp; Darby-Wathen; Dermot-Dignum; Bagatelle-Wewitzer; Father Luke-Caulfield; Norah-Miss D'Evelyn; Kathleen-Mrs Bland.
Cast
Role: Kathleen Actor: Mrs Bland.

Song: End: The Waggoner (composed by Dibdin)-Wathen

Event Comment: [Miss Andrews' 1st appearance on the stage was at dl on 13 May 1796.] The Publick is respectfully informed that, in consequence of the Benefit advertised for To-morrow, at the Theatre-Royal in Covent Garden, no Entertainments will be given here on that night; it being the wish of the Proprietor of this Theatre to promote, by any means in his power, the success of the above charitable purpose

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Agreeable Surprise

Performance Comment: Lingo-Fawcett; Sir Felix Friendly-Hollingsworth (of dl); Compton-Bannister; Eugene-Davies; Chicane-Usher; Thomas-Waldron Jun.; John-Lyons; Cudden-Chippendale; Stump-Ledger; Laura-Miss Andrews (1st appearance on any stage [recte at this theatre]); Mrs Cheshire-Mrs Davenport; Fringe-Mrs Harlowe; Cowslip-Mrs Gibbs (1st appearance in that character).
Cast
Role: Laura Actor: Miss Andrews

Afterpiece Title: Katharine and Petruchio

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, at Bays-water. Under the Patronage of Her Majesty. [Braham's 1st appearance at this theatre was on 21 Apr. 1787.]. The Orchestra under the Direction of Mountain. Principal Oboe by W. Parke. To the Renters of Covent Garden Theatre, it is humbly requested by the Promoters of the Charity, for which the Opera performed this Evening is appropriated, that they will humanely forego their claim on that Night, it being out of the Manager's Season, and an additional expence to the Charity. Those Gentlemen willing to resign their demand on the above occasion are requested to send word t the Theatre which will be thankfully received by the promoters of the Charity. The Doors to be opened at 6:00. To begin at 7:00. Tickets to be had at the Hospital; The Crown and Anchor Tavern, Strand; Longman and Broderip's; and of Brandon at the Theatre, where places for the Boxes may be taken. Receipts: none listed in Account-Book, but Monthly Visitor, July 1797, p. 63, reports that #401 was received

Performances

Mainpiece Title: The Duenna

Performance Comment: Antonio (by permission of the Managers of Vauxhall)-Dignum; Ferdinand-Clarke (from the Theatre Royal Edinburgh; 1st appearance on this stage); Don Jerome-Powel; Isaac-Baker; Father Paul-Haymes; Lopez-Pitt; Starved Friar-Evans; Carlos (by Permission of the Proprietors of the king's Theatre)-Braham (1st appearance in that character, and on this stage); Louisa-Mrs Martyr; The Duenna-Mrs Wentworth; Clara (by Permission of the Proprietors of the king's Theatre)-Sga Storace.
Cast
Role: Ferdinand Actor: Clarke

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre-Royal, Covent-Garden. [Philipps was from cg.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Lock and Key

Performance Comment: Cheerly-Philipps (1st appearance on this stage); Brummagem-Munden; Ralph-Fawcett; Capt. Vain-R. Palmer; Sailors and Servants-Linton, Walker, Abbot, Lyons; Laura-Miss DeCamp; Selina-Mrs Edward; Dolly-Mrs Norton; Fanny-Mrs Bland.
Cast
Role: Sailors and Servants Actor: Linton, Walker, Abbot, Lyons
Role: Fanny Actor: Mrs Bland.
Event Comment: Benefit for Elliston [whose 1st appearance as Othello was at Bath, 8 July 1797]. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. True Briton, 30 Aug.: Tickets to be had of Elliston, No. 3, Frith-street, Soho

Performances

Mainpiece Title: Othello

Afterpiece Title: No Song No Supper

Performance Comment: Robin-Fawcett; Crop-Trueman; Frederick-Philipps; William-Caulfield; Endless-Suett; Dorothy-Mrs Bland; Louisa-Miss Andrews; Nelly-Miss Menage; Margaretta-Mrs Atkins (1st appearance in that character).
Cast
Role: Dorothy Actor: Mrs Bland
Role: Louisa Actor: Miss Andrews

Song: End: Sweet Echo, the song-Mrs Bland, the echoMrs Atkins

Event Comment: Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Places for the Boxes to be taken of Fosbrook at the office in Russel Street. The Doors t be opened at 5:30. To begin at 6:30 [see 4 Dec.]. Printed by C. Lowndes next the Stage-door. The Public are respectfully informed that the Entrances to the Pit are now removed from Bridges Street to Russel Street and Wooburn Street. In Wooburn Street the Lower Saloon is opened for the accomodation of the Frequenters of the Pit, previous to Opening the office Doors of admission. Many complaints having been made by the Frequenters of this Theatre respecting the application of the Box and office keepers and other Servants of the Theatre for Benefit Tickets, Christmas Boxes, &c., the Public are respectfully informed that a full compensation being made by the Proprzetors to all the said Persons in lieu of all such emoluments, no Benefit, Gift, or Perquistite will in future be permitted to the servants of this Theatre on any pretence whatever. [On Kemble playbill Kemble has written, "See June 14th and 15th for the Benefit of the Boxkeepers, and the perpetuating of this Ruse, if it is one at all."] Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #324 8s. 6d. (227.19.0; 94.13.6; 1.16.0)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King; Sir Oliver Surface-Aickin; Sir Benjamin Backbite-R. Palmer; Joseph Surface-Palmer; Charles Surface-Wroughton; Crabtree-Suett; Careless-C. Kemble; Snake-Wathen; Rowley-Packer; Moses-Wewitzer; Trip-Trueman; Lady Teazle-Mrs Jordan; Lady Sneerwell-Mrs Goodall; Mrs Candour-Miss Pope; Maria-Miss Miller.
Cast
Role: Mrs Candour Actor: Miss Pope

Afterpiece Title: The Children in the Wood

Performance Comment: Sir Rowland-Barrymore; Lord Alford-Dignum; Walter-Bannister Jun.; Apathy-Suett; Gabriel-R. Palmer; Lady Helen-Mrs Powell; Josephine-Mrs Bland; Winifred-Miss Tidswell; Children-Master Menage, Master Chatterley.
Cast
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland

Song: In III: a song-Dignum

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Lewis; Strickland-Murray; Jack Meggot-Knight; Bellamy-Toms; Tester-Townsend; Buckle-Farley; Simon-Abbot; Ranger's Servant-Simmons; Chairmen-Ledger, Rees; Frankly-Holman; Mrs Strickland-Miss Chapman; Lucetta-Mrs Mattocks; Jacintha-Miss Mansel; Milliner-Mrs Follett; Clarinda-Mrs Coates (from the Theatre Royal Dublin; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Strickland Actor: Murray
Role: Mrs Strickland Actor: Miss Chapman

Afterpiece Title: The Farmer

Performance Comment: Jemmy Jumps-Munden; Valentine-Johnstone; Farmer Blackberry-Townsend; Colonel Dormant-Hull; Rundy-Simmons; Fairly-Thompson; Farmer Stubble-Powel; Flummery-Rees; Waiters-Ledger, Abbot; Molly Maybush-Mrs Martyr; Louisa-Mrs Mountain; Landlady-Mrs Platt; Betty Blackberry-Mrs Mattocks.
Cast
Role: Landlady Actor: Mrs Platt
Event Comment: Mainpiece: Not acted these 12 years. [Address by Richard Cumberland (London Chronicle, 13 Oct.).] Receipts: #130 9s. (124.1; 6.8)

Performances

Mainpiece Title: Percy

Performance Comment: Percy-Holman; Raby-Murray; Hubert-Clarke; Harcourt-Claremont; Edrick-Toms; Knight-Thompson; Douglas-Pope; Birtha-Miss Mansel; Elwina-Miss Betterton (from the Theatre Royal, Bath; 1st appearance on this stage). 1st appearance on this stage).

Dance: Afterpiece: To conclude with a Finale-; Spanish Fandango-

Entertainment: Monologue. Preceding: Occasional Address-Holman

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Pope; Acasto-Hull; Polydore-Clarke; Chaplain-Powel; Ernesto-Thompson; Page-Master Standen; Chamont-Holman; Serina-Miss Mansel; Florella-Miss Leserve; Monimia-Mrs Spencer (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Page Actor: Master Standen

Afterpiece Title: A Divertisement

Dance: Ballet, as17971002, but Mrs _Watts

Event Comment: "The only fault we observed was [Miss Biggs's] mode of turning away at the close of every speech, and retiring towards the back of the stage, as if the character was of no consequence when the speech was ended" (True Briton, 18 Oct.). MS annotation on Kemble playbill: Rehearsals--Cheap Living at 10; Sir Benjamin Backbite's scenes at 11; Irish Widow at 12; Adela'rs scenes, Haunted Tower at 1. Receipts: #247 16s. 6d. (162.0.0; 82.12.6; 3.4.0)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Mrs Candour Actor: Miss Pope

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Caulfield; Whittle-Dowton; Nephew-Holland; Bates-Maddocks; Kecksey-Suett; Thomas-Hollingsworth; Widow Brady-Miss Biggs (from the Theatre Royal Bath; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Nephew Actor: Holland

Song: As17970919

Entertainment: Entertainment.As17971016

Performances

Mainpiece Title: The Orphan

Performance Comment: As17971013. but Castalio-Betterton (from the Theatre Royal, Bath; 1st appearance on this stage); Acasto-Murray.
Cast
Role: Page Actor: Master Standen

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Performance Comment: As17971018, but in Scene I: Hearts of Oak-Townsend; in Scene IV: We've bade the restless Seas adieu-Townsend, _Incledon; in Scene V: +Rule Britannia-Townsend, Gray; from Scene IV: With pride we steer'd for England's Coast-_.

Dance: As17971018

Event Comment: "It was with extreme regret that we perceived the ravages of time in the person of [Mrs Crawford, who had not acted in London since 12 Apr. 1785], tho' we were much consoled in observing that his influence is not equally apparent in her abilities...The blaze is gone, but there is a richness in the setting lustre...Kemble is evidently [Johnston's] model, and he followed him so closely, as even to the crossing of the legs in dying; so that where he was best, his efforts seemed to be the effect of imitation" (True Briton, 24 Oct.). "Mrs Crawford has had her day; but the sun of her genius has long sunk beneath the horizon...Many parts of her performance, we were sorry to observe, evinced the most evident decline of powers, and her tremulous accents, the debility of which was rendered the more striking from the want of several teeth, proclaimed that her days of play and action were nearly brought to a close...She was received with reiterated plaudits throughout...Nature has been very bountiful in supplying [Johnston] with a voice of much compass and melody, but he does not appear to have paid much attention to the cultivation of her favours. His transitions are often abrupt, and sometimes discordant; and the management of his tones is of so strange a nature that it appears more like two distinct voices than a judicious modulation of his natural accents" (Morning Herald, 24 Oct.). Receipts: #260 9s. (253.4.6; 7.4.6)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Johnston (from the Theatre Royal Edinburgh; 1st appearance on this stage); Lord Randolph-Clarke; Glenalvon-Whitfield; Officer-Thompson; Old Norval-Murray; Anna-Miss Mansel; Lady Randolph-Mrs Crawford.
Cast
Role: Lord Randolph Actor: Clarke
Role: Lady Randolph Actor: Mrs Crawford.

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Dance: As17971018

Performances

Mainpiece Title: Cheap Living

Cast
Role: Old Woodland Actor: Suett
Role: Young Woodland Actor: C. Kemble

Afterpiece Title: The Old Maid

Performance Comment: Clermont-C. Kemble; Captain Cape-King; Mr Harlow-Holland; Mrs Harlow-Mrs Goodall; Miss Harlow-Mrs Sparks (from the Theatre Royal Edinburgh; 1st appearance on this stage); Trifle-Mrs Roffey.
Cast
Role: Mr Harlow Actor: Holland
Event Comment: Afterpiece [1st time; BALL P 1, by John Cartwright Cross. Text, i.e. synopsis of ballet, and the songs, in Cross's Circusiana (Lackington, Allen and Co., 1809), Vol. I. Bologna, Bologna Jun. and Mrs Parker were from the Royal Circus]: Invented and under the Direction of Cross. With entire new Scenes, Dresses, Music and Decorations. The Overture and Music principally new, with a Selection of some novel Irish Air, by Reeve, composer of the Music to Oscar and Malvina, &c. The Harp by Weippert. The Scenery, comprehending a Display of the most Romantic Views in Ireland, painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper and Goostree. The Dresses by Dick, Mrs Egan, &c. The Following are a Part of the new Scenes, &c.: The Ancient Temple, dedicated to Bel, the God of Fire, with the Flactaga, or Sacred Fire burning; it having been enacted that, on the last Evening of October, no other Fire should be Used thro'out the Kingdom, that all might be derived from that, which being a Fire Sacrifice, would render the rest Propitious and Holy. The Dargle, where the Irish Druids consulted their Oracle. A View near Wicklow. The Salmon Leap. Entrance of a Subterraneous Pass. Maon's Cavern. Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. Receipts: #264 2s. 6d. (259.19.6; 4.3.0)

Performances

Mainpiece Title: False Impressions

Related Works
Related Work: False Impressions Author(s): Richard Cumberland

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Bull; Portius-Wilkinson; Marcus-Thomas; Sempronius-Williams; Syphax-Minton; Lucius-Dawson; Decius-Cameron; Mutineers-Barnet, Duncan; Juba-Bellamy (from the Theatre Royal York); Lucia-Miss Parker; Marcia-Miss Herbert.

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Wilson (from the Theatre Royal Margate); Young Wilding-Murray; Sir Jasper Wilding-Dawson; Beaufort-Barnet; Dapper-Thomas; Quildrive-Williams; Young Philpot-Wilkinson; Corinna-Miss Twaites; Maria-Miss Sadler.

Song: End: a celebrated Scotch Ballad-

Entertainment: Monologue.Before: [the original Address-; [i.e. Prologue] [written by Pope, with four concluding lines from Prologue of Agis- [by John Home]

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17971202, but Gratiano-R. Palmer; Shylock-Archer (from the Theatre Royal Edinburgh; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Salarino Actor: Holland
Role: Jessica Actor: Mrs Bland.

Afterpiece Title: The Citizen

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #179 (168.11.6; 10.8.6)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Peeping Tom

Event Comment: Benefit for Johnston. [He had 1st acted Hamlet at Edinburgh, 9 July 1794: Egerton's 1st appearance at cg was on 5 June 1797.] 2nd piece [1st time at this theatre; M. PAST 1, author unknown. Larpent MS 1207; not published. 1st acted at Sadler's Wells, 28 May 1787, when the playbill gives the 2nd title as "The Highland Laddie", and adds "The Words of the Airs selected from Allan Ramsay"]. Times, 13 Apr.: Tickets to be had of Johnston, No. 31, King-street, Covent-garden. Receipts: #230 19s. 6d. (110.2.6; 1.14.0; tickets: 119.3.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Hooly and Fairly; or, The Highland Lad and Lowland Lass

Performance Comment: Donald-Gray; Jockey-Clarke; Kate-Miss Wheatley; Old Woman-Mr Graham (from the Theatre Royal Edinburgh, 1st appearance on this stage).

Afterpiece Title: A Divertisement

Dance: 2nd piece to conclude with: Highland Reel-; In 3rd piece: Ballet, as17971013

Song: In V 1st piece: a Dirge, as17970925; In 2nd piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie- [recte Oggy]; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; The Little Farthing Rushlight-Graham

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Performance Comment: Walmsley-Bannister Jun; Captain Wattle and Miss Roe-Bannister Jun; The Country Club-Bannister Jun; The Advantage of Toping-Bannister Jun.; Captain Higgins-Dignum; The Sailor's Journal-Dignum; Lovely Nan-Dignum; Buntline-Suett; Toll de Roll-Suett; Cudgo-Wathen; Kickaraboo-Wathen; Binns-Trueman; Hewit-Holland; Hannah Hewit-Miss DeCamp; The Complaint-Miss DeCamp; Virtue-Miss DeCamp; Anna-Miss Leak; True Glory-Miss Leak; Mrs Binns-Miss Heard.

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Benefit for Murray. 1st piece: By Permission of the Author [Walsh Porter], and the Manager of the Theatre Royal Bath [William Wyatt Dimond]. [This was 1st acted at Bath, 27 Feb. 1798. It refers to the nation-wide attempt, being made at this time, to raise funds by voluntary contribution for the defense of the country. And see 9 Feb. Larpent MS 1197; not published. Miss Murray's 1st appearance on the stage was at Bristol, 1 July 1793.] Times, 27 Apr.: Tickets to be had of Murray, No. 77, Long Acre. Receipts: #198 17s. (102.6.0; 4.1.6; tickets: 92.9.6)

Performances

Mainpiece Title: Voluntary Contributions

Afterpiece Title: Curiosity

Cast
Role: Servants and Sailors Actor: Gray, Lee, Street

Afterpiece Title: Florizel and Perdita; or, The Sheep Shearing

Performance Comment: Florizel-Holman; Polixenes-Murray; Antigonus-Hull; Camillo-Powel; Clown-Simmons; Autolicus (the Pedlar)-Munden; Dorcas (with the Sheep Shearing Song)-Mrs Mountain; Mopsa-Mrs Castelle; Perdita-Miss Murray (1st appearance on this, and 4th on any stage).

Song: End 1st piece: Black Ey'd Susan-; End 2nd piece: Admiral Benbow-Incledon