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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princesses Royal Amelia Caroline"/1) | (@(roleclean,performerclean) "Princesses Royal Amelia Caroline")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2792 results for: Keyword - Princesses Royal, Amelia, Caroline
We found 1562 matches on Event Comments, 858 matches on Performance Title, 532 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1551
13 May 1768 @ Covent Garden

Performances

Mainpiece Title: None

Afterpiece Title: None

Dance: II: Hornpipe-Miss Pitt

1552
08 February 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

1553
09 October 1776 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Life and Death of Tom Thumb the Great

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

1554
08 February 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: High Life below Stairs

1555
24 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Kensington Gardens

Afterpiece Title: Ripe Fruit

Afterpiece Title: Tom Thumb

Song: In 2nd piece: As17810822; End of 3rd piece: Moderation and Alteration, as17810817

1556
31 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: King Charles I

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

1557
16 February 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: Lethe; or, AEsop in the Shades

1558
12 June 1789 @ Covent Garden

Performances

Mainpiece Title: The Giant Defeated; Or, The Reward Of Valour

Afterpiece Title: The Child of Nature

Afterpiece Title: The Death of Captain Cook

Song: End 2nd piece: Poor Thomas Day-Edwin, Davies, Bannister

1559
01 October 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Virgin Unmask'd

1560
07 October 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Romp

1561
31 October 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Comus

1562
25 September 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Liar

1563
24 September 1793 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: All the World's a Stage

1564
27 September 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband; Or, The Journey To London

Afterpiece Title: Lodoiska

1565
01 October 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Lodoiska

1566
28 February 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Lodoiska

Song: As17970222

Monologue: The Masque of Neptune and Amphitrite. As 22 Feb

1567
02 March 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Lodoiska

Ballet: The Scotch Ghost. As17961221

1568
12 November 1798 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

1569
01 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Lodoiska

1570
14 April 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Lodoiska

1571
13 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Indiscretion

Afterpiece Title: Lodoiska

1572
November 1659 @ Middle Temple

Event Comment: On 23 Nov. 1659 John Page, the Treasurer of the Middle Temple, entered in his records: Music, four nights at 30s., and acting The Clown four nights at 10s. (See A Calendar of the Middle Temple Records, ed. Hopwood, p. 167. See also Bentley, Jacobean and Caroline Stage, V, 1314.

Performances

Mainpiece Title: The Countryman Or Clown

1573
May 1660 @ The Red Bull Theatre

Event Comment: This play was entered in the Stationers' Register, 29 June 1660, but not printed. A Prologue and Epilogue (Epilogue spoken by Cupid) to a play of this title were printed in Jordan's A Rosary of Rarities, p. 17, but these may refer to an earlier performance. (See Bentley, Jacobean and Caroline Stage, IV, 684-85.

Performances

Mainpiece Title: Love Hath Found Out His Eyes; Or, Distractions

1574
11 March 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

1575
29 November 1666 @ no theater listed

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances