Event Comment: Mainpiece: Never acted there. Neville MS Diary: Both theatres opened again with The English Merchant. Went into the Pit of cg. Shuter did Freeport pretty well, but had not that appearance of blunt honesty which Yates has in that character....I like Miss Pope better in Molly than Mrs Mattocks. Mrs Goodman by Mrs Ward, who is a very different figure now from what she was some years ago. Her daughter did Amelia pretty well, but has a stiffiness and an indifferent voice. End Act III, The Irish Lilt-The celebrated dancer Aldridge, Sga Manesiere. Entertainment Harlequin Dr Faustus. I hope this emulation between the 2 Houses will cause exertion. Receipts: #146 8s. 6d. (Account Book)

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Event Comment: Program By Command of their Majesties. Present their Majesties, the Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Paid Yeoman of the Guard #2 2s. Paid Messrs Tomkyn and Robinson a bill for wine, &c. 4s. 3d. (Account Book). Receipts: #243 7s. (Account Book)

Event Comment: By Command of their Majesties, both pieces. Present their Majesties, the Prince of Wales Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Gave Yeomen of the Guards #2 2s. Paid Miss Valois the balance of her salary last season #27 16s. 8d., and in full for this season to 24 Oct. 1766, #3 16s. 8d. (Account Book). Receipts: #241 3s

Event Comment: Both pieces By Command of their Majesties. Afterpiece: Not acted these 7 years. [See 27 Nov. 1760.] Present their Majesties, Dukes of Gloster and Cumberland, Princess of Brunswick and Lady Louisa. Gave Yeomen of the guard #2 2s.; Paid Mr Cousins for hair dressing in the Fairy Favour #1 4s. and Mr Thompson for the same #1 12s. Paid Ellis (scourer) a bill for the Men's Wardrobe, #1 4s. 6d. Paid for the license of Love in the City #2 2s. (Account Book). Receipts: #231 16s. (Account Book)

Event Comment: Mainpiece: By Particular Desire. Being the last time of performing it this season. Afterpiece: By Desire. The Conscious Lovers, for benefit of Weller and Lewes and Murden, oblig'd to be deferr'd to Tuesday the 26th instant. Present the Prince and Princess of Brunswick, and Lady Louisa (Account Book). Receipts: #93 1s. 6d. (Account Book)

Event Comment: [The Duke's Company. For Harris' role, see Pepys, 11 May 1668. For Angel as Stephano, see An Elegy Upon...Mr Edward Angell, reprinted in A Little Ark, pp. 38-39: @Who shall play Stephano now? your Tempest's gone@To raise new Storms i' th' hearts of every one.@ For Underhill as Trincalo, note his nickname of Prince Trincalo. (For Mary Davis as Ariel and Mrs Long as Hypolito, see J. H. Wilson, All the King's Ladies, pp. 140, 166.) Downes (Roscius Anglicanus, p. 33): The Tempest...Acted in Lincolns-Inn-Fields...alter'd by Sir William Davenant and Mr Dryden before 'twas made into an Opera. Pepys, Diary: At noon resolved with Sir W. Pen to go see The Tempest, an old play of Shakespeare's, acted, I hear, the first day; and so my wife, and girl, and W. Hewer by themselves, and Sir W. Pen and I afterwards by ourselves; and forced to sit in the side balcone over against the musique-room at the Duke's house, close by my Lady Dorset and a great many great ones. The house mighty full; the King and Court there: and the most innocent play that ever I saw; and a curious piece of musique in an echo of half sentences, the echo repeating the former half, while the man goes on the latter, which is mighty pretty. The play [has] no great wit, but yet good, above ordinary plays. Thence home with Sir W. Pen, and there all mightily pleased with the play

Event Comment: Benefit Mrs Mary Man. At the particular Desire of several Persons of Quality

Event Comment: At Cross and Bridges' Booth, opposite the Hospital Gate. A new Dramatick Droll...being founded on a Story in Real Life, as related in the Memoirs of the celebrated Mrs Constantia Phillips. In which will be introduc'd a New Scene of Bedlam...Interspers'd witn a Merry Interlude call'd The Jovial Tars...with the Comical Humours of Nurse Prate and Will Bowling the Jovial Tar; as also of Jack Hanspite, Nick Hatchway, and Simon Bucket, Sailors; with Mary the Chambermaid, Susan of the Dairy, Kate of the Kitchen, and Nan the Spinster. To begin each day at noon. An extraordinary band of music is provided. Prices: 1s. 6d., 1s., 6d

Event Comment: Miss Mansell made her first appearance upon this Stage in Louisa Dudley She has a good face her figure rather Clumsey a hoarse Voice & not much Simplicity (Hopkins Diary). [Reviewer for Town and Country Magazine agrees Miss Mansell not too good as Louisa. Macmillan note from Kemble differs slightly: "Miss Mansell's first appearance,--she played Louisa Dudley,--a slattern figure, rather clumsy,--a coarse voice,--and no simplicity,--very unfit for the character Hopkins Diary No 7."] Paid three day's salary list at #80 7s. 5d. per diem,-#241 2s. 3d.; Mr S. French, 6 days, #1 10s.; Lampmen #2 12s.; Bill stickers #3 12s. Handbills 5s.; Candlemen #1 8s.; Mantua Maker #6 1s. 2d.; J. Stevens (Porter) 18s. (Treasurer's Book). Receipts: #205 16s. 6d. [The constant payments are tabulated for the season as follows and will not be further itemized]: @Item Weekly Average Season Total Lampmen #3 #111@Bill Stickers #2 14s. #99 15s.@Handbills 12s. #21 12s.@Candlemen & extras #8 #296@Mantua Maker #4 5s. #150@J. Stevens 18s. #33 6s.