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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princesses Amelia Caroline Mary Louisa"/1) | (@(roleclean,performerclean) "Princesses Amelia Caroline Mary Louisa")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1842 results for: Keyword - Princesses Amelia, Caroline, Mary, Louisa
We found 864 matches on Event Comments, 793 matches on Performance Comments, 244 matches on Performance Title, 29 matches on Author, and 0 matches on Roles/Actors.

1251
16 February 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: The Children in the Wood

Afterpiece Title: Lodoiska

Ballet: The Scotch Ghost. As17970105

1252
28 February 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Lodoiska

Song: As17970222

Monologue: The Masque of Neptune and Amphitrite. As 22 Feb

1253
02 March 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Lodoiska

Ballet: The Scotch Ghost. As17961221

1254
13 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: The Fairy Festival

Afterpiece Title: Lodoiska

Dance: In 2nd piece: Dances incidental to the Piece, composed by Gentili. Principal Dancers-Gentili, Master Menage, Sga Bossi DelCaro, Mrs Wild

1255
12 November 1798 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

1256
01 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Lodoiska

1257
14 April 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Lodoiska

1258
13 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Indiscretion

Afterpiece Title: Lodoiska

1259
November 1659 @ Middle Temple

Event Comment: On 23 Nov. 1659 John Page, the Treasurer of the Middle Temple, entered in his records: Music, four nights at 30s., and acting The Clown four nights at 10s. (See A Calendar of the Middle Temple Records, ed. Hopwood, p. 167. See also Bentley, Jacobean and Caroline Stage, V, 1314.

Performances

Mainpiece Title: The Countryman Or Clown

1260
May 1660 @ The Red Bull Theatre

Event Comment: This play was entered in the Stationers' Register, 29 June 1660, but not printed. A Prologue and Epilogue (Epilogue spoken by Cupid) to a play of this title were printed in Jordan's A Rosary of Rarities, p. 17, but these may refer to an earlier performance. (See Bentley, Jacobean and Caroline Stage, IV, 684-85.

Performances

Mainpiece Title: Love Hath Found Out His Eyes; Or, Distractions

1261
11 March 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

1262
29 November 1666 @ no theater listed

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances

1263
09 March 1671 @ Lincoln's Inn Fields

Event Comment: William Cartwright's The Lady Errant was licensed by Sir Henry Herbert to the Duke's Company on this date. See Bentley, Jacobean and Caroline Stage, III, 128-32

Performances

1264
06 February 1731 @ King's Theatre

Event Comment: [P$Princesses Royal and Caroline present.

Performances

Mainpiece Title: Porus

1265
18 March 1732 @ King's Theatre

Event Comment: PPrincesses Royal and Caroline present

Performances

Mainpiece Title: Sosarmes

1266
13 March 1788 @ Drury Lane Theatre

Event Comment: Benefit for Kemble [whose 1st appearance as Hastings was in Dublin in the spring of 1782]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. Public Advertiser, 25 Feb.: Tickets to be had of Kemble, No. 13, Caroline-street, Bedford-square. Receipts: #324 12s. (190.0; 9.8; 0.14; tickets: 124.10) (charge: #107 4s. 7d.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Catherine and Petruchio

Dance: End: The Conjugal Frolick, as17880221

1267
11 February 1789 @ Covent Garden

Event Comment: Benefit for Miss Wallis. Public Advertiser, 27 Jan.: Tickets to be had of Miss Wallis, at Alden's, No. 15, Caroline-street, Bedford-square. Receipts: #297 10s. (160.6; 6.9; tickets: 130.15)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Love in a Camp

Dance: As17881112

1268
18 April 1796 @ Drury Lane Theatre

Event Comment: Benefit for Kemble. Mainpiece: In Act II an Ovation; or, Entry of Coriolanus into Rome. In Act V A Procession of Roman Matrons to the Volscian Camp. Oracle, 4 Apr.: Tickets to be had of Kemble, No. 13, Caroline-street, Bedford Square. Receipts: #475 4s. (277.10.6; 60.15.0; 5.16.6; tickets: 131.2.0) (charge: #229 14s. 6d.)

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Citizen

1269
17 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: Alive and Merry

Performance Comment: Characters-Russell, Wathen, Wewitzer, Trueman, Suett, Bannister Jun., Hollingsworth, Maddocks, Miss DeCamp, Mrs Bland; [Larpent MS lists the parts: Repartee, Andrew, Charles Seymour, Amoabite, Shroud, Porters, Bailiffs, Security, Jack Junk, Servant, Caroline, Nancy.] Prologue-Bannister Jun.

1270
23 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Afterpiece Title: Celadon and Florimel; or, The Happy Counterplot

Afterpiece Title: No Song No Supper

Cast
Role: Louisa Actor: Miss DeCamp

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

1271
03 March 1732 @ Haymarket Theatre

Event Comment: As 2 March. According to Daily Post, 4 March, the new English Opera of Amelia was rehearsed at hay on 3 March by a Set of Performers that never appeared before upon any Stage

Performances

Mainpiece Title: The Blazing Comet

1272
13 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic Medley Overture composed by Charke

Dance: III: By Nivelon and Miss Mann. End of Afterpiece: English Maggot by S. Lally and Mrs Walter

Song: I: A Teneri Affeti by Mrs Cibber and Mrs Barbier. II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier

Performance Comment: II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier .

1273
10 March 1750 @ Drury Lane Theatre

Event Comment: Benefit for Barry. By Command of his Majesty. Duke and Amelia [present] (Cross). Pit and Boxes laid together, and servants will be allowed to keep places there and on the stage, which will be formed into front and side boxes. Ladies desired to send their servants by three o'clock. Tickets and places to be had of Barry, the corner of Bow St., Covent Garden; and of Hobson at the stage door. Receipts: #280 (Cross); #252 (Treasurer's Book). @Rec'd: Cash Front #84 14s. 6d.@Stage #45 16s. 6d.@Tickets Front #119 10s.@Stage-@ Paid salary List 4 days, #203 7s. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Dance: Grandchamps, Mlle Auretti, Mathews, Miss Baker

1274
21 March 1750 @ Covent Garden

Event Comment: PPrincess Amelia present; audience very thin (Deutsch, Handel, p. 684)

Performances

Mainpiece Title: Theodora

Afterpiece Title: New Concerto on the Organ

1275
20 April 1768 @ Covent Garden

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Love a-la-Mode

Dance: End: The Irish Lilt, as17670921