Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess Royal"/1) | (@(roleclean,performerclean) "Princess Royal")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
2643 results for: Keyword - Princess Royal
We found 1547 matches on Event Comments, 839 matches on Performance Title, 399 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

76
23 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Performance Comment: Jupiter (in the character of Harlequin)-[W.] Bates; Chasseur Royal (with The Early Horn)-Brett; Mercury-Darley; Doctor-Thompson; Punch-Jackson; Hercules-Dumay; Apollo-Byrne; Scaramouch-Ratchford; Mars-Cranfield; Anatomist-Jones; Pierrot-Stevens; Highland Lad and Lassie (with a new Character Duet)-Mahon and Miss Satchell; Old Woman-Mr Wewitzer; Columbine-Miss Matthews .
Cast
Role: Chasseur Royal Actor: Brett

Song: End of Act iv of mainpiece Tally Ho!, as17830516

77
09 December 1707 @ Queen's Theatre

Event Comment: [In Daily Courant, 8 Dec., The Royal Amazon was advertised for this day with a cast consisting principally of singers who performed this day in Camilla at dl. See also dl, 18 Dec.

Performances

Mainpiece Title: The Royal Amazon

78
22 December 1731 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. [The Prince and Duke present.

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Beggar's Wedding

Dance: new Grand Ballad D'Amour by Monsieur Denoyer Dancing-Master to his Royal Highness the Prince of Wales-Denoyer, Mrs Booth, others, being the first Time of his Dancing since his Arrival in England

79
30 December 1734 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness. Mainpiece: Written by the late Mr Houdart De La Motte

Performances

Mainpiece Title: Ines De Castro; Or, Royal Justice

Afterpiece Title: La F1lle Cap1ta1n et Arlequin Son Sergeant: With the Scene of Le Professeur d'Amour

Dance: Tambourine by Miss Chateauneuf. La Frolick (Daily Advertiser only)

80
04 February 1736 @ Covent Garden

Event Comment: By Command of His Royal Highness [who was present]. Receipts: #167 1s. 6d

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Royal Chace

81
28 October 1738 @ Covent Garden

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Performance Comment: Pierot-Lalauze; Endymion-Salway; Chasseurs-Vincent; Roberts; Nymphs-Miss Brunette, Miss Rogers; Diana-Mrs Vincent; Merlin-Leveridge; Cupid-Glover; Graces-Mrs Bullock, Miss Oates, Mrs LeBrun; Hour-Miss Cantrell; Zephyrs-Villeneuve, Desse, Richardson, DuPre; Psyche-Mlle Roland; Jupiter (Harlequin)-Lun; Mercury-Laguerre; Doctor-Penkethman; Doctor's Wife-Mrs Kilby. With Scenes representing the exact Views of The Hermitage and Merlin's Cave, as taken from the Royal Gardens at Richmond.
Cast
Role: Doctor's Wife Actor: Mrs Kilby. With Scenes representing the exact Views of The Hermitage and Merlin's Cave, as taken from the Royal Gardens at Richmond.

82
21 January 1741 @ Covent Garden

Event Comment: By Command of His Royal Highness the Prince of Wales. Receipts: #142 8s. 6d. (Account Book); #110 (Rylands MS.)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Dance: Desnoyer, Haughton, Signora Barberini

83
09 January 1749 @ Covent Garden

Event Comment: We hear that the Tragedy of Coriolanus, wrote by the late Mr Thompson, has been rehearsed at the Theatre Royal Covent Garden, and will be perform'd there on Friday next

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Royal Chace

84
11 March 1749 @ Covent Garden

Event Comment: GGeneral Advertiser, 13 March: Don Jumpedo, who lately was to have performed at the Little Theatre in the Haymarket, appeared on Saturday last, at the Theatre in Covent-Garden, in the Character of Harlequin in the Royal Chace; in which he made his first Essay of Jumping down his own Throat, and was universally applauded

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Royal Chace

85
22 October 1751 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted in 5 years. [See 11 Dec. 1744. For further comment on Dexter, see Genest, IV, p. 341.] One Mr Dexter did Oroonoko , a Gent of Ireland--who never appear'd upon a Stage before--he had ye Greatest applause ever heard & indeed deservedly a Sweet Voice, great feeling--his name was not in ye Bills--only by a Gent (Cross). We hear that a Comedy call'd Eastward Hoe; or, The Prentices, written by Ben Johnson, Chapman, and Marston, is now reviving at the Theatre Royal in Drury Lane, and will be acted the 29th. [A four page double column account of the text of Oroonoko appeared in the Gentleman's Magazine, 1752, pp. 163-67.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Anatomist

86
16 May 1760 @ Drury Lane Theatre

Event Comment: Benefit for Foly (Box lobby doorkeekper) and Veal (First Gallery doorkeeper). British Chronicle, 16 May: Yesterday Foulkes, a Beadle of Vere St Clare Market fell from the upper gallery of Drury Lane play house into the pit & expired immediately. The seat on which he fell was broke in half. British Chronicle, 16 May: It is said Mrs Pritchard is appointed Dresser to her intended Majesty for the Royal Wedding

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Afterpiece Title: The Miller of Mansfield

Dance: HHornpipe-a sailor on board the Royal Sovereign

87
24 February 1764 @ Drury Lane Theatre

Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

88
14 December 1767 @ Covent Garden

Event Comment: Never Perform'd. Founded on Beaumont and Fletcher. Music by Thomas Linley. A Comic Opera the Music entirely new. [By Thomas Hull altered from The Royal Merchant; or the Beggar's Bush (Biographia Dramatica). See 19 Dec. 1767 for further note on Music.] Paid Mr Horne for 4 Tambourines #1 10s. (Account Book). Went into the Pit to see the opera founded on Beaumont and Fletcher, performed for the first time....The music may be good, but the piece is trifling and childish, barren of incident and character except that of Clause played by Bensley and the frightened peasant. The performers are in the Flemish dresses of the times, and do the piece much justice. At the beginning of the 2nd act some fellows in the 2s. Gallery began a disturbance, but were turn'd out and carried before Sir John Fielding, where they confessed that they were hired to disturb this performance by a publican, but refused to say whom....Stood in the well (Neville MS Diary). Receipts: #225 1s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Dance: I: A New Comic Dance, as17671021; II: A Grand Ballet The Garland-Fishar, Mrs Bulkley. [See17651003.

89
17 December 1767 @ Covent Garden

Event Comment: Paid Hull the balance of his night of The Royal Merchant the 16th Inst....#38 14s. Paid also the Extra Charge and allowed again for the same night...#3 10s. (Account Book). [Hull seems to have protested the charge of candles, drum & chorus in addition to the high house charge of #84, and seems to have succeeded.] Receipts: #141 13s. 6d. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Apprentice

Dance: II: The Dutch Milkmaid, as17671114; End of Opera: A New Comic Dance, as17671024

90
17 February 1781 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by John Delap, based on the Suppliants, by Aeschylus, and the Haraclidae, by Euripides. Prologue by Hester Lynch Thrale (Thraliana, I, 484-85). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 57)]: With New Dresses and Decorations. Public Advertiser, 1 Mar. 1781: This Day is published The Royal Suppliants (1s. 6d.). Receipts: #181 10s. 6d. (158.0.0; 22.2.0; 1.8.6)

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: The Deuce is in Him

91
23 August 1798 @ Haymarket Theatre

Event Comment: Benefit for Mrs Bland. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. Times, 18 Aug.: Tickets to be had of Mrs Bland, No. 25, King-street, Covent-garden

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Shipwreck

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

92
29 April 1800 @ Covent Garden

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-H. Johnston; Lord Randolph-Betterton; Glenalvon-Raymond (By Permission of the Proprietors of the Theatre Royal, Drury-Lane); Officer-Thompson; Old Norval-Murray; Anna-Miss Mills; Lady Randolph-Mrs St.Ledger (Their 1st appearance in those characters).

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performance Comment: S. Carey=, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance). 1st appearance).

93
13 March 1734 @ King's Theatre

Event Comment: A Serenata. Being an Essay of several different Sorts of Harmony.[Music by Handel. Done into English by George Oldmixon.] Daily Advertiser, 14 March: Last Night Mr Handell's new Serenata, in Honour of the Princess Royal's Nuptials with the Prince of Orange, was perform'd before their Majesties, the Prince of Wales, the Princess Royal, the Prince of Orange, and all the Royal Family, and was received with the greatest Applause; the Piece containing the most exquisite Harmony ever furnish'd from the Stage, and the Disposition of the Performers being contriv'd in a very grand and magnificent Manner. [The marriage of the Prince of Orange and Royal Princess occurred on Thursday, 14 March.]

Performances

Mainpiece Title: Parnasso In Festa; Or, Apollo And The Muses Celebrating The Nuptials Of Thetis And Peleus

94
11 December 1728 @ Drury Lane Theatre

Event Comment: By His Majesty's Command. The King, Queen, Prince, Princess Royal, Princess Amelia, and Princess Carolina present. Universal Spectator, 14 Dec.: On Wednesday in the Afternoon there was a Riot at Drury-Lane Playhouse. The Mob hearing that their Majesties and the rest of the Royal Family were to be at the Play in the Evening, several disorderly People forced into the House pretending to keep Places, broke and did a good deal of Damage before they could be dislodg'd

Performances

Mainpiece Title: King Henry The Viiith

Afterpiece Title: Harlequin Doctor Faustus

95
16 January 1729 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness. [The Prince, Princess Royal, Princess Amelia, and Princess Carolina present.

Performances

Mainpiece Title: The Distrest Mother

96
10 December 1730 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness. King, Queen, Prince of Wales, Princess Royal, Princess Emilia, and Princess Caroline present

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Afterpiece Title: Cephalus and Procris

97
06 August 1729 @ Richmond

Event Comment: DDaily Journal, 8 Aug.: On Wednesday last in the Evening her Majesty, the Prince of Wales, his Royal Highness the Duke, the Princess Royal, and the Princesses Amelia and Carolina, were entertained in the Gardens at Richmond by the Comedians of the Theatre Royal in Lincoln's-Inn-Fields

Performances

Mainpiece Title: Unknown

98
19 February 1715 @ King's Theatre

Event Comment: By His Royal Highness's Command, and for the Entertainment of their Highnesses, the Princess Royal and the Princess Amelia

Performances

Mainpiece Title: Rinaldo

99
11 November 1729 @ Lincoln's Inn Fields

Event Comment: By Command of His Royal Highness. Receipts: #116 16s. [Prince, Princess Royal, and Princess Carolina present.

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: Flora

Afterpiece Title: Harlequin a Sorcerer

100
07 January 1731 @ Drury Lane Theatre

Event Comment: By Command of the Princess Royal. [Prince of Wales and Princess Royal present.

Performances

Mainpiece Title: Venice Preserv'd