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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess Caroline of Brunswick"/1) | (@(roleclean,performerclean) "Princess Caroline of Brunswick")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1090 results for: Keyword - Princess Caroline of Brunswick
We found 789 matches on Event Comments, 160 matches on Performance Title, 156 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1
06 April 1795 @ Covent Garden

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

2
15 April 1664 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This play apparently was not printed. Pepys, Diary: and then with my wife by coach to the Duke's house, and there saw The German Princess acted, by the woman herself; but never was any thing so well done in earnest, worse performed in jest upon the stage; and indeed the whole play, abating the drollery of him that acts her husband, is very simple, unless here and there a witty sprinkle or two

Performances

Mainpiece Title: The German Princess

Performance Comment: Princess-Mary Carleton?.
Cast
Role: Princess Actor: Mary Carleton?.

3
27 February 1795 @ Covent Garden

Event Comment: Ode: In two Parts. Principal Instrumental Performers as 20 Feb., but omitted: Bridgtower, Archer, Mahon, Lavenu, Napier, Simpson. Mr Ashley is exceedingly concerned that he is under the necessity of informing the Public that the Anthem [The Anthem that will be performed at the Chapel Royal, St. James's, on the Nuptials oF his Royal Highness the Prince of Wales and the Princess Caroline of Brunswick, composed by Handel, to conclude with the Hallelujah Chorus from The Messiah (advance playbill of 25 Feb.)] advertised for this Evening is necessarihy postponed until the Royal Marriage shall have taken place

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

4
November 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the first production is not known, but A Comparison between the Two Stages (1702) (pp. 21-23) implies that this work preceded Rinaldo and Armida (performed at lif probably in November 1698). The Island Princess was not published until 1699 (the Masque being advertised in the Post Boy, 7-9 Feb. 1698@9, and the Opera in the Flying Post, 7-9 March 1698@9). A Comparison between the Two Stages (1702), pp. 21-22: Sullen: The old House have a Bawble offer'd 'em, made out of Fletcher's Island Princess, sometime after alter'd by Mr Tate, and now erected into an Opera by Motteux: The Actors labour at this like so many Galley Slaves at an Oar, they call in the Fiddle, the Voice, the Painter, and the Carpenter to help 'em; and what neither the Poet nor the Player cou'd do, the Mechanick must do for him:...but as I was saying-the Opera now possesses the Stage, and after a hard struggle, at length it prevail'd, and something more than Charges came in every Night: The Quality, who are always Lovers of good Musick, flock hither, and by almost a total revolt from the other House, give this new Life, and set it in some eminency above the New; this was a sad mortification to the old Stagers in Lincolns-Inn-fields. For a poem, The Confederates; or the first Happy Day of the Island Princess, see Poem on Affairs of State, 1703, II, 248-50

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

5
September 1680 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Princess Of Cleve

Performance Comment: Edition of 1689: The Prologue-; Prince of Cleve-Williams; Duke Nemours-Betterton; St. Andre-Lee; Vidam of Chartres-Gillo; Poltrot-Nokes; Princess of Cleve-Mrs Barry; Tournon-Mrs Lee [Elinor Leigh]; Marguerite-Lady Slingsby; Elianor-Mrs Betterton; The Epilogue-.
Cast
Role: Princess of Cleve Actor: Mrs Barry

6
05 August 1710 @ Greenwich

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: Taylor-Penkethman; Drunken Higler-Norris; Loom-Leigh; Armusia-Powell; Princess-Mrs Baker.
Cast
Role: Princess Actor: Mrs Baker.

Dance: Whimsical Dance between a Miller, his Wife, and a Town Miss-; Chest Dance, after the Italian Manner, between Scaramouch, Punchanello, Coachman, and Cookmaid-; French Peasant and his Wife-; Ladder Dance-a famous Master; Scaramouch-LeSac; Dance by a Flemming in Wooden Shoes-; Dance by a Switzer-; Night Scene of Scaramouch, Harlequin, Cooper, Wife, and others-

7
07 February 1699 @ Drury Lane Theatre

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and one in the Box att the Island Princess. 10s. See Hotson, Commonwealth and Restoration Stage, p. 377

Performances

Mainpiece Title: The Island Princess

8
29 April 1699 @ Drury Lane Theatre

Event Comment: Rich's Company. Post Boy, 27-29 April 1699: Her Royal Highness is this day pleased to see the Opera, call'd The Island Princess, Performed at the Theatre Royal by her own Command

Performances

Mainpiece Title: The Island Princess

9
12 March 1700 @ Drury Lane Theatre

Event Comment: Rich's Company. Lady Marow to Arthur Kay, 12 March 1699@1700: I have been at a play. The Island Princess which is mighty fine (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, 1896, p. 145)

Performances

Mainpiece Title: The Island Princess

10
13 February 1734 @ Drury Lane Theatre

Event Comment: Benefit Mrs Wilks. By Their Majesties' Command. Not Acted [there] these Twenty Years. [Their Majesties and the Princesses present.]

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Music: With the Original Musick

Dance: Le Badinage Champetre by Lally, Mrs Walter, &c

11
22 February 1734 @ Drury Lane Theatre

Event Comment: Egmont, Diary, II, 33: In the evening went to The Island Princess . . . where was shown [in the afterpiece] the tallest man of all that I have seen. He is seven feet ten inches and half in height, a German by birth

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Cupid and Psyche

12
12 May 1736 @ Covent Garden

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

13
29 October 1735 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa. Mainpiece: Written by the late Mr Congreve. [The Duke, Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Restor'd

Music: As17351018

Dance: II: A new Grand Serious Ballet by Denoyer and others. IV: By Mlle Roland. End Afterpiece: Le Chasseur Royal by Denoyer, Mlle Roland, &c

14
14 January 1736 @ Covent Garden

Event Comment: By Command of Her Royal Highness the Princess Caroline. Receipts: #120 4s. [Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Apollo and Daphne

15
29 January 1736 @ Covent Garden

Event Comment: By Command of Her Royal Highness the Princess Caroline. Receipts: #128 14s. [Princesses Caroline, Mary, Louisa, and the Duke present.]

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Royal Chace

16
09 January 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Duke, their Highnesses the Princess Amelia, the Princess Caroline, the Princess Louisa, and the Princess Maria. Mainpiece: Written by Mr Voltaire

Performances

Mainpiece Title: Zaire

Afterpiece Title: Harlequin Always Harlequin

Dance:

17
05 February 1729 @ Drury Lane Theatre

Event Comment: By His Majesty's Command. [The King, Queen, Prince, Princess Royal, Princess Amelia, and Princess Caroline present.

Performances

Mainpiece Title: King Henry The Ivth, Part Ii

Afterpiece Title: The What D'ye Call It

18
10 December 1730 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness. King, Queen, Prince of Wales, Princess Royal, Princess Emilia, and Princess Caroline present

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Afterpiece Title: Cephalus and Procris

19
06 November 1734 @ Haymarket Theatre

Event Comment: By Command of their Royal Highnesses the Princess Amelia and Princess Caroline. [King, Duke, and all the Princesses present.]

Performances

Mainpiece Title: Timon Le Misantrope

Afterpiece Title: Arlequin Hulla

Song:

Dance:

20
15 April 1729 @ Drury Lane Theatre

Event Comment: Benefit Cibber Jr and Mrs Cibber. At the particular Desire of several Persons of Quality. [Prince of Wales, Princess Amelia, and Princess Caroline present.

Performances

Mainpiece Title: The Provok'd Husband

Entertainment: To be express'd in the Great Bills

21
26 November 1730 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. [Prince of Wales, Princess Amelia, and Princess Caroline present.

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: Patie and Peggy

22
28 November 1730 @ King's Theatre

Event Comment: [T$Their Majesties, Princess Amelia, and Princess Caroline present.

Performances

Mainpiece Title: Ormisda

23
21 January 1731 @ Drury Lane Theatre

Event Comment: By Command of the Princess Amelia and the Princess Caroline

Performances

Mainpiece Title: The Lover

24
25 February 1731 @ Drury Lane Theatre

Event Comment: By Command of the Princess Royal and the Princess Caroline

Performances

Mainpiece Title: Eurydice

25
30 March 1731 @ Drury Lane Theatre

Event Comment: Benefit Roger, the Pierot, who composed the Entertainment. By Command of their Royal Highnesses, the Princess Royal and Princess Caroline. [Prince also present.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Cephalus and Procris