Event Comment: Benefit for Hull and Miss Miller. Afterpiece: A Farce in 2 Acts Never perform'd before

Event Comment: Paid Tabor and Pipe 2 Nights #1 1s. (Account Book). [A fixed charge on nights when The Oxonian was played during rest of season. Also a customary charge for that play was 5s. for the Organ.] Receipts: #237 13s. 6d. (Account Book)

Event Comment: Benefit for Younger. Tickets deliver'd by Bryan and Branson will be taken. Tickets sold at doors will not be admitted. Charges #65 15s. Balance to Younger #58 10s. plus income from tickets. Younger 70 129 159 #52 15s. Bryan 4 49 61 #14 9s. Branson 26 102 134 #35 4s.@Total ticket value #102 8s. (Account Book).@ Rec'd #20 a year improv'd rent of the houses in Bow St. and part of the effects of the late John Rich...#250. Receipts: #124 5s. (Account Book)

Event Comment: Benefit for Mrs Hartle, Mas. Blurton, Walters, Symonds, Francis, and Furkins. Tickets deliver'd by Flight, Longley, Singleton, Shuter, Norbury, Roberts, Frensdorff, Miller, Stevenson, Reed, Robson, and Walker, will be taken. On Monday next (the thirteenth Night) the last New Comedy She Stoops to Conquor...with Harlequin Sorcerer. [No charges. House took half-value of tickets, plus ready-money receipts of #19 2s. 6d. (Account Book).] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle .. .. .. .. ..@Mas. Blurton 5 11 36 #6 10s. #3 5s.@Walters 5 78 92 #22 3s. #11 1s. 6d.@Symonds 9 68 51 #17 11s. #8 15s. 6d.@Francis 3 33 38 #9 10s. #4 15s.@Furkins 18 45 30 #14 5s. #7 2s. 6d.@Flight .. 41 65 #12 13s. #6 6s. 6d.@Longley 9 156 57 #31 7s. #15 13s. 6d.@Singleton .. 6 14 #2 6s. #1 3s.@Shuter .. 55 16 #9 17s. #4 18s. 6d.@Norbury 10 12 19 #26 4s. #3 2s.@Roberts 6 134 48 #26 8s. #13 4s.@Frensdorf 3 44 19 #9 5s. #4 12s. 6d.@Miller 7 87 84 #18 14s. #9 7s.@Stephenson 12 74 71 #21 4s. #10 12s.@Mrs Read 5 16 37 #7 7s. #3 13s. 6d.@Robson 3 88 35 #17 9s. #8 14s. 6d.@Walker .. 34 61 #11 4s. #5 12s.@Total 95 882 773 #243 17s. #121 18s. 6d.

Event Comment: The Entertainment of The Harlequin Dr Faustus, will be laid aside after tomorrow, on account of the preparation for the New Entertainment. Paid Mrs Day (habit maker) #2 12s. 6d., and Rowson for swords &c. #2 7s. 6d. Receipts: #184 14s. (Account Book)

Event Comment: Afterpiece [1st time; P 3 (and see 18 Jan.), by Charles Dibdin, with one scene by Hannah Cowley. Synopsis of action in Public Advertiser, 5 Jan.]: A Speaking Pantomime, in 3 parts. With new overture, airs, duets, chorus, &c. With new Dresses, Scenes [by Richards, Carver, Garvey and Hodgins (Public Advertiser, 2 Jan.)], Machinery and Decorations. The Music entirely new, composed by Dibdin. Nothing under Full Price will be taken. Public Advertiser, 4 Jan. 1779: This Afternoon at Four will be published the Songs in The Touchstone (6d.)

Event Comment: [Miss Cleland, who was from the Edinburgh theatre, is identified in Lysons, Collectanea. Cleland was a stage name; her real name was Buttery.] Afterpiece [1st time; P 2, by James Messink]: To conclude with an exact Representation of the Procession at an Eastern Marriage [based on sketches made in India by Tilly Kettle, the portrait painter (Theatre Notebook, VIII, 6)]. The Scenery by Richards, Carver, Hodgins, Cipriani, Catton and others. The Music composed by [Michael] Arne. The Pantomime by Messink. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. Public Advertiser, 12 Jan. 1782: The Openings between every Scene and all internal parts of the Theatre are now so crouded by people absolutely necessary in one character or another that were they not judiciously arranged and marshalled, they would stand in each other's way, and create inextricable confusion. All that appears before an Audience as moving with the ease, regularity and promptitude of clock-work is the result of much Contrivance and many exertions of bodily Labour. Ibid, 16 Feb. 1782: This Day is published The Choice of Harlequin (1s.). Receipts: #270 19s. (265/15; 5/4)