Event Comment: Benefit for ye Author put up by the Prince's Command but he did not come--ye Author [Aron Hill] dy'd on Wed last (Cross). Tickets to be had of Mr Miller over against Catherine St. in Strand. [For a short account of Hill, his death, his work, See Genest, IV, 295.] Payment this night to Norton #1 10s. for 2 chorus last night and 4 this. (Treasurer's Book). Receipts: #170 (Cross); charges, #63 (Treasurer's Book)

Event Comment: By Command of the Prince and Princess of Wales, Benefit for Mr Pritchard, Treasurer. Tickets at Stage Door. Rec'd cash #116 2s., plus #91 5s. from tickets. Total #207 17s. Paid window tax at Winsors 16s. 3d.; Paid 6 chorus #1 10s. (Treasurer's Book). Receipts: #210 (Cross); charges, #63 (Treasurer's Book)

Event Comment: Both pieces by Command of their Royal Highnesses the Prince and Princess of Wales

Event Comment: By Command of their Royal Highnesses the Prince & Pss of Wales (Cross). Receipts: #190 (Cross)

Event Comment: Both pieces by Command of The Prince of Wales. A new Scene was introduc'd of Beasts in Mr Rich's Entertainment as an Ostrich a Lyon, Dog, Monkey, 2 small Ostrichs & A Figure like Maddox upon ye Wire & writ up ye new Company of Comedians Hiss'd a good Deal (Cross). [See cg 2 Nov.] Receipts: #190 (Cross)

Event Comment: [Both pieces by command of the] Prince of Wales, &c. (Cross). Receipts: #200 (Cross)

Event Comment: Benefit for Several, Crudge (Housekeeper), Barnard, Driscoll, Prince, Trott. Tickets deliver'd by Hickey, Ross, Browne, the Widow Banks and others will be taken

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)

Event Comment: By Command of the Prince of Wales

Event Comment: This night a new Occasional Interlude call'd Hymen was introduc'd between the Acts; but not put in the Bills (Hopkins). [For cast, see 21 Jan.] An occasional Interlude on the Marriage of Princess Augusta to Prince of Brunswick call'd Hymen (Cross Diary). This night a new occasional Interlude called Hymen, but not in the bills. Hymen was written by Mr Allen (Hopkins Diary-MacMillan). [The Larpent MS 217 lists four characters and a Chorus: Hymen, Cupid, Venus, Mars, Chorus. The words of the Songs by Cupid, Hymen and Venus were published in the Public Advertiser, 23 Jan.] Receipts: #122 5s. (MacMillan)

Event Comment: By Command of their Majesties, both pieces. Present their Majesties, the Prince of Wales Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Gave Yeomen of the Guards #2 2s. Paid Miss Valois the balance of her salary last season #27 16s. 8d., and in full for this season to 24 Oct. 1766, #3 16s. 8d. (Account Book). Receipts: #241 3s

Event Comment: Doors to open at half past Four. Play to begin at half past Six. Send servants to hold places by Four o'clock. [Mrs Vincent's deficit of 1st instant received #20 3s. 6d.] Paid scavenger's rate for St Martin's due Lady Day #5 1s. Paid printer's bill #9 6s. (Treasurer's Book). Receipts: #262 7s. 6d. (Treasurer's Book). Went to Drury Lane, but could not get in. Stayed from half past 4, sometime at one Pit door, sometime at the other, till past 6, and got in at the right hand side just as the play began, and was dreadfully squeezed, but rewarded by seeing Garrick play Hamlet. The expression in his features, his eyes particularly, surpasses anything I ever saw. He is a little man, but handsome and full of that fire which marks the stronger, and of the softness natural to the tender passions. It is impossible to see his greatest excellencies from ye Gallery. Baddeley and Dodd are pretty well in Polonius and Ostrick. Mrs Baddeley and Yates do Ophelia and ye Grave Digger very well. Mrs Pritchard is great, as usual in ye Queen. Gravedigger's man-Castle. Horatio-$Mr Packer. Several parts of ye play, as it is in $Shakespeare, are omitted rather improperly...The Prince Brunswick, his wife and Louisa were present (Neville MS Diary)

Event Comment: Mainpiece: By Particular Desire. Afterpiece: With an Additional Scene painted by Cipriani, Representing the taking of the Bohemian Standard at the Battle of Cressyv. In memory of which, the Princes of Wales have ever since borne three Ostrich Feathers (the Bohemian Standard) as their crest, with the original motto Ich Dien. This scene is pleasingly executed and has a very good effect, and is the work of that celebrated artist Cipriani (Theatrical Review, II, p. 36). Paid Whitefield a Bill for making cloaths #30 8s. 7d. (Account Book). Receipts: #184 8s. (Account Book)

Event Comment: "DuBellamy, who played Douglas, and was to have assailed Falstaff, during the combat between Harry Percy and the Prince of Wales [in V.iv], went up to undress, having forgot that his part was not finished" (Morning Chronicle, 29 July)

Event Comment: 2nd piece [1st time; MF 2, by Prince Hoare]: The Music principally composed by Shield [and selected from Paisiello]. The Overture by W. Parke. Books of the Songs to be had at the Theatre. 3rd piece: Representation of the Indian Manner, &c., as 26 Oct. 1795. Account-Book, 22 Feb.: Paid Hoare in full for Lock & Key #210. Receipts: #197 10s. (195.6; 2.4)

Event Comment: Benefit for Portal, Gibson, Percey, George, Bowley, Stevenson, Hicks, J. Shade [box-keepers]. Receipts: #523 2s. (22.9; 23.15; 8.8; tickets: 457.7; odd money: 11.3) (charge: #211 16s. 11d.)

Event Comment: Benefit for Holman. Mainpiece: Acted but once [28 Mar. 1795] these 5 years. In IV a Grand Banquet. Morning Chronicle, 1 Apr.: Tickets to he had of Holman, No. 73, New-street, Hanover-square. Account-Book: Paid George? Papendick for [unspecified] Manuscript Plays of Kotzebue #200. Receipts: #350 2s. (257.6; 6.1; tickets: 86.15)

Event Comment: Benefit for C. Kemble. [Liston is identified in MS list, in hay playbills now at Harvard, of new performers for the 1799 season.] A Spurious Copy of Sighs having been advertized as performing at this Theatre, the Public is respectfully in formed that the True Copy is this day published by M. Stace, Princes-street, Leicester-square

Event Comment: Benefit for Wells. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by James Hook. Prologue-Epilogue by Edward Topham {Public Advertiser, 21 Apr.)]. Morning Herald, 25 Apr. 1786: This Day is published The Fool (1s.)-Receipts: #174 15s. 6d. (45/3/0; 20/14/6; 0/2/0; tickets: 108/16/0) (charge: #108 13s. 9d.)

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Event Comment: [By Edward Young.] Never Acted before. With new Habits