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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince of Conte"/1) | (@(roleclean,performerclean) "Prince of Conte")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2457 results for: Keyword - Prince of Conte
We found 880 matches on Event Comments, 736 matches on Performance Comments, 511 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

1826
26 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: The Pilgrim

Dance: Shaw, Mrs Booth, Thurmond, Topham, Mrs Tenoe, Miss Smith, Miss Lindar

1827
29 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. An ancient Story, written by Mr Phillip Massinger, and Acted but twice since the Reign of King Charles the First; now revis'd with Alterations. [The Prince present.

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Dance: Weaver, Shaw, Mrs Booth, Mrs Bicknell

1828
02 November 1719 @ Lincoln's Inn Fields

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: The Quaker's Wedding

Dance: As17191022

1829
20 November 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Chit Chat

Dance:

1830
21 December 1719 @ Lincoln's Inn Fields

Event Comment: For the Entertainment of Oakecharinga Tiggwamtubby Tocholoohy Ynca, Son to the Emperor of the Nawcheys; and Tuskeestannagee Whosly Powov Micco, Son to the King of the Istowlawleys, two American Princes, Lately arriv'd from the Continent lying on the Coast of the Mississippi River. Weekly Journal or Saturday's Post, 26 Dec.: The House was very full; there were present two American Princes...[who] seemed wonderfully delighted with the Performance and the fine Company

Performances

Mainpiece Title: The Taming Of The Shrew; Or, Sawney The Scot

Dance:

1831
05 January 1720 @ Lincoln's Inn Fields

Event Comment: For the Entertainment of the two American Princes, as 21 Dec. 1719

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: Hob

Afterpiece Title: The Cheats

1832
11 January 1720 @ Lincoln's Inn Fields

Event Comment: Mainpiece: [By Charles Molloy.] Never Acted before. Afterpiece: [By John Leigh.] A new Farce...being the Sequel to Country Wake. [The Prince present.

Performances

Mainpiece Title: The Half Pay Officers

Afterpiece Title: Hob's Wedding

Dance: Bashful Maid, Irish Trot-Mrs Fryer

1833
22 January 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Don John; Or, The Libertine Destroy'd

Dance: As17191007

1834
23 February 1720 @ Hickford's Room

Event Comment: Benefit William Douglass, commonly called the Black Prince. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Singing-Mrs Fletcher; Concerto-Matthew Dubourg; Solo-Kytch

1835
26 February 1720 @ Lincoln's Inn Fields

Event Comment: Receipts: money #47 18s.; tickets #15 15s. The Prince present

Performances

Mainpiece Title: The Jew Of Venice

Afterpiece Title: The Jealous Doctor; or, The Intriguing Dame

Song: As17200213

Dance: As17200224

1836
27 April 1720 @ King's Theatre

Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] By Command Pit and Boxes at half a guinea. Gallery 5s. At 6:30 p.m. When the Tickets are dispos'd of, No Persons will be admitted for Money. The Diary of Mary Countess Cowper, p. 154: At Night, Radamistus, a fine Opera of Handel's Making. The King there with his Ladies. The Prince in the Stage-box. Great Crowd. Mainwaring, Handel, pp. 98-99: If the persons who are now living, and who were present at that performance may be credited, the applause it received was almost as extravagant as his Agrippina had excited; the crowds and tumults of the house at Venice were hardly equal to those at London. In so splendid and fashionable an assembly of Ladies (to the excellence of their taste we must impute it) there was no shadow of form, or ceremony, scarce inoeed any appearance of order or regularity, politeness, or decency. Many, who had forc'd their way into the house with an impetuosity but ill-suited to their rank and sex, actually Fainted through the heat and closeness of it. Several Gentlemen were turned back, who had offered forty shillings for a seat in the gallery, after having despaired of getting any in the pit or boxes

Performances

Mainpiece Title: Radamistus

1837
11 May 1720 @ King's Theatre

Event Comment: Admission as 19 April. Original Weekly Journal, 14 May: His Majesty, the Prince and Princess, and a prodigious Number of the Nobility were at the Opera

Performances

Mainpiece Title: Radamistus

1838
31 May 1720 @ King's Theatre

Event Comment: Benefit Francisque. By Their Royal Highness's Command. The Diary of Mary Countess Cowper, p. 172: In the Afternoon the Prince and Princess went to the French Play. A most dismal Performance. No Wonder People are Slaves who can entertain themselves with such Stuff

Performances

Mainpiece Title: Les Deux Arlequins

Afterpiece Title: La Baron de la Crasse

Dance: Dangeville

Entertainment: Tumbling=-Francisque

1839
09 June 1720 @ King's Theatre

Event Comment: Benefit Roger, who acted the Part of Piero. By their Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Arlequin Docteur Chinois

Afterpiece Title: Letourdy

Afterpiece Title: The Reasonable Animals

Dance: As17200531

1840
29 August 1720 @ Richmond

Event Comment: At Mr Penkethman's Theatre, before their Royal Highnesses, the Prince and Princess

Performances

Mainpiece Title: Concert

Music: Singing the Famous-Signor Beneditte

1841
19 October 1720 @ Drury Lane Theatre

Event Comment: The Prince of Wales present

Performances

Mainpiece Title: Don John; Or, The Libertine Destroy'd

Music: With the Original Shepherd's Musick by the late Mr Henry Purcell-

Dance:

1842
02 November 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. Written by Shakespear. [The Prince and Princess present.

Performances

Mainpiece Title: Macbeth

1843
26 November 1720 @ King's Theatre

Event Comment: Admission as 19 Nov. Prince, Princess, and the young Princesses present

Performances

Mainpiece Title: Astartus

1844
12 January 1721 @ Lincoln's Inn Fields

Event Comment: Receipts: money #44 3s.; tickets #0 10s. The Prince present

Performances

Mainpiece Title: No Fools Like Wits

1845
07 March 1721 @ King's Theatre

Event Comment: Admission as 19 Nov. 1720. The King and Prince present

Performances

Mainpiece Title: Astartus

1846
15 March 1721 @ Hickford's Room

Event Comment: Benefit Mr Douglas, commonly call'd Prince. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: First Violin-Dubourg; Concert-Kytch; Solo-J. Festing

1847
27 April 1721 @ Drury Lane Theatre

Event Comment: Benefit Weaver. At the Desire of the Two Princes, Brothers to the King of Delago

Performances

Mainpiece Title: Love For Love

Dance:

1848
02 May 1721 @ Drury Lane Theatre

Event Comment: Benefit Thurmond, the Dancing-Master. At the Desire of the Two Princes, Brothers to the King of Delago in Africa

Performances

Mainpiece Title: The Spanish Fryar

Dance:

1849
03 May 1721 @ Lincoln's Inn Fields

Event Comment: Benefit Mottley. For the Entertainment of the Two Princes, Brothers to the King of Delago in Africa. Receipts: money #41 14s. 6s.; tickets #25 15s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Magician

1850
15 May 1721 @ Drury Lane Theatre

Event Comment: Benefit Boman. At the particular Desire of several Ladies of Quality. [The Prince expected.

Performances

Mainpiece Title: The Humorous Lieutenant

Dance: