SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince and Princesses of Wales"/1) | (@(roleclean,performerclean) "Prince and Princesses of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1203 matches on Event Comments, 786 matches on Performance Comments, 664 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Prince of Wales, Duke, and Princess Amelia present.] Daily Advertiser, 30 Jan.: The Opera oF Mithridates was so full on Tuesday Night, that there were above 440 Ladies and Gentlemen in the Pit and Boxes, besides the Subscribers. Above 50 People were oblig'd to go away for want of Room

Performances

Mainpiece Title: Mithridates

Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Devil to Pay; or, The Wives Metamorphos'd

Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: Ariadne

Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: Ariadne

Event Comment: (Prince of Wales present.)

Performances

Mainpiece Title: Ariadne [in Naxus]

Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: The Silent Woman

Performance Comment: Cast not known (London Daily Post and General Advertiser missing), but see17351120.

Afterpiece Title: The Devil to Pay

Event Comment: [Prince of Wales present.] As 12 Jan

Performances

Afterpiece Title: Harlequin Restor'd

Event Comment: Benefit for Mrs Clive (Cross). Music of Afterpiece by DeFesch. Tickets at her lodgings at the Wheatsheaf in Henrietta St., and at the Stage Door. Afterpiece: Never performed but twice. Part of Pit to be laid into the boxes. Receipts: #210 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The London Prentice

Performance Comment: Princess-Mrs Clive; Prentice-Beard; Emperor-Wilder; Humdrumeda-Miss Thomas; Vizir-Vernon.
Cast
Role: Princess Actor: Mrs Clive

Dance: T$Three Sabatinis As17550203

Event Comment: [Princesses Mary and Louisa present.]

Performances

Mainpiece Title: Le Festin De Pierre; Ou, L'atthee Foudroye; Or, Don John; Or, The Libertine Destroy'd

Performance Comment: Don John-Le Sage Sr; Don Phillip-Le Sage Jr; Don Alvarez-Dubuisson; Ghost of Don Pedro-Verneuill; Grand Prevost-Cochoy; Le Pelerin-De Lisle; Don John's Servant-Harlequin; Amarille-Mrs Cochoy; Shepherdess-Mrs Mimi; Bride and Bridegroom-Malter and Mrs Malter .

Afterpiece Title: Le Francois a Londres

Dance:

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Britannia; or, The Royal Lovers

Performance Comment: Prince Germanicus-Mrs Thurmond; Britannia-Mrs Roberts; Royal Attendants on Germanicus-W. Giffard, Rosco, Bardin, West, Moore, Presgrove; Royal Attendants on Britannia-Mrs Haughton, Miss Norman, Mrs M. Giffard, Mrs Wetherilt, Mrs Dove, Miss Tollet; Priests of Hymen-Lyon, Dove, Ayres, Wetherilt Sr, Monlass, Morris; Watermen-Bardin, Stoppelaer, Jenkins, Harbin, Rosco, Sandham, Delagarde, Dove; Grenadiers-Huddy, Excell, Moore, Wetherilt, Evans, West, Monlass, Morris; Serjeant-Hulett; Cupid-Miss Cole; Deities-Vallois, Delagarde, Sandham; Graces-Miss Wherrit, Miss Sandham, Mrs Vallois; First Swain-Thurmond; First Nymph-Mrs Bullock; Followers-Vallois, Delagarde, Sandham; Nymphs-Miss Wherrit, Miss Sandham, Mrs Vallois .

Entertainment: [Author unknown.] The House will be adorned with the Portraits of the Royal Family, and his Highness the Prince of Orange; and a new Ceiling-piece of Apollo and the Muses. The Cloaths, Scenes, Machines, and other Decorations entirely new. On which Account the Boxes and Balconies on the Stage will be 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performance Comment: ] The House will be adorned with the Portraits of the Royal Family, and his Highness the Prince of Orange; and a new Ceiling-piece of Apollo and the Muses. The Cloaths, Scenes, Machines, and other Decorations entirely new. On which Account the Boxes and Balconies on the Stage will be 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d .
Event Comment: Benefit the Author of the Farce, and Miss Burgess. Mainpiece: As originally written by Shakespear. Supervised, Read over, Revised, and Unalter'd. [For a puff (signed by W. Shakespear), see Daily Advertiser, 4 March.

Performances

Mainpiece Title: The Life And Death Of King John

Performance Comment: Prince Arthur-Miss Burgess; With a New Prologue- in the Characters of Shakespear's Ghost, the Squire, Mr Student, and Mr Bays; concluding with an Address to the Ladies- of the Shakespear's Club.

Afterpiece Title: The Rival Milliners

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Prince Volscius-Davies; Gentleman Usher-Weston; Tom Thimble-Quin; Thunder-Johnson; Smith-Lewis; Prettyman-Death; The Sun-Blakey; Amaryllis-Mrs Osborne; Chloris-Miss Platt; two Kings of Brentford-Hayes, Jackson; Parthenope, Moon-Mrs Daly; Bayes-Wilkinson (with a variety of imitations); Johnson-Kennedy; with an additional Reinforcement of Mr Bayes's new rais'd Troops-.
Cast
Role: Prince Volscius Actor: Davies

Afterpiece Title: The Mayor of Garratt

Dance: II: A Serious Dance-Miss Street (scholar to Ghendi); V: The Venetian Gardeners-Master Rogier, Miss Street

Event Comment: Prince of Orange expected this evening

Performances

Mainpiece Title: Ariadne [in Creta]

Performances

Mainpiece Title: The Follies Of A Day

Cast
Role: Ferdinand Actor: Johnstone

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Performances

Mainpiece Title: Oroonoko

Cast
Role: Blandford Actor: Chapman

Afterpiece Title: The Devil to Pay

Song: I: The Lady's Lamentation, as17370414

Dance: In II: Hornpipe-Ferguson; IV: The Prince of Wales' Saraband (composed by L'Abbe), concluding with a Minuet-Dupre, Miss Norman; V: Grecian Sailors-Glover

Performances

Mainpiece Title: False And True

Performance Comment: Count Benini-Munden; Marchesi Caliari-Murray; Count Florenzi-H. Johnston; Lealto-Fawcett; Nicolo-Hill; Tomaso-Davenport; Malevole-Davenport [sic]; O'Raffarty-Johnstone; (with a new Planxty [in character, which includes Mr O'Raffarty's Parentage, Family Friend, Cheap Dinner or Pot Luck, and Joys of a Sun Shiny Night)-Johnstone; Marchesa Veteria-Mrs Davenport; Lauretta-Miss Wheatley; Juliana-Miss Sims; Janetta-Mrs Atkins.

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Event Comment: The King's Company. This play appears on Herbert's List, following the entry for 26 Oct. 1661. (See William VanLennep, "Thomas Killigrew prepares his Plays for Production," J. Q. Adams Memorial Studies (Washington, D. C., 1948, p. 803.) Pepys, Diary: W. Pen and I to the Theatre, but it was so full that we could hardly get any room, so he went up to one of the boxes, and I into the 18d. places, and there saw Love at first sight, a play of Mr Killigrew's and the first time that it hath been acted since before the troubles, and great expectation there was, but I found the play to be a poor thing, and so I perceive every body else do. BM Add. Mss. 34217, fol. 31b, in Hotson Commonwealth and Restoration Stage, p. 246: @First then to speake of his Majestys Theatre@Where one would imagine Playes should be better@Love att the first sight did lead the dance@But att second sight it had the mischance@To be so dash'd out of Countenance as@It never after durst shew itts face@All though its bashfullnesse as tis thought@Be far from being the Authors ffault.

Performances

Mainpiece Title: The Princess; Or, Love At First Sight

Performance Comment: An edition in 1663 (in Killigrew's Comedies and Tragedies) lists no actors' names, no prologue, no epilogue.
Event Comment: The Duke's Company. L. C. 5@139, p. 125, lists it for 3 March, but as this date falls on Sunday, it is probably an error in dating. The play was licensed on 22 May 1667. Pepys, Diary: To the Duke's playhouse...and I in and find my wife and Mrs Hewer, and sat by them and saw The English Princesse, or Richard the Third; a most sad, melancholy play, and pretty good; but nothing eminent in it, as some tragedys are; only little Mis. Davis did dance a jig after the end of the play, and there telling the next day's play; so that it come in by force only to please the company to see her dance in boy's clothes; and, the truth is, there is no comparison between Nell's dancing the other day at the King's house in boy's clothes and this, this being infinitely beyond the other. Downes (p. 27): Wrote by Mr Carrol, was Excellently well Acted in every Part;...Gain'd them an Additional Estimation, and the Applause from the Town, as well as profit to the whole Company

Performances

Mainpiece Title: The English Princess; Or, The Death Of Richard The Third

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Event Comment: The King's Company. Pepys, Diary: [Mrs Pepys] and I to the King's playhouse, and there saw The Island Princesse, the first time I ever saw it; and it is a pretty good play, many good things being in it, and a good scene of a town on fire. We sat in an upper box, and the jade Nell come and sat in the next box; a bold merry slut, who lay laughing there upon people; and with a comrade of hers of the Duke's house, that come in to see the play

Performances

Mainpiece Title: The Island Princess

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Island Princesse, which I like mighty well, as an excellent play; and here we find Kinaston to be well enough to act again, which he do very well, after his beating by Sir Charles Sedley's appointment

Performances

Mainpiece Title: The Island Princess

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and saw The Generous Portugalls, a play that pleases me better and better every time we see it; and, I thank God! it did not trouble my eyes so much as I was afeard it would

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Event Comment: The Duke's Company. The date of the first performance is not known, but the Preface suggests that it was given first in the summer; the fact that part of the Duke's Company was at Oxford in July makes June a probable time. Preface: It had the misfortune to be brought into the world in a time, when the Dog-star was near his Reign, and my Judges sat in a hot Bath, rather than a Theatre, and were doubly persecuted by the heat of the weather, and the Impertinence of the Poet; and which was the worst mishap, when the most candid, as well as the most Illustrious Judges (I mean the Court) were absent. A song, Lo behold a sea of tears, with music by John Bannister, for this play, is Choice Ayres and Songs, The First Book, 1673

Performances

Mainpiece Title: Juliana; Or, The Princess Of Poland

Performance Comment: Edition of 1671: Cardinal-Harris; Ladislaus-Betterton; Demetrius-Young; Sharnofsky-Smith; Ossolinsky-Bamfield; Cassonofsky-Sandford; Colimsky-Norris; Landlord-Angel; Theodore-Metburn; Alexey-Crosby; Battista-Westwood; Juliana-Mrs Betterton; Paulina-Mrs Long; Joanna-Mrs Shadwel; The Prologue-; The Epilogue-Paulina, Landlord.
Cast
Role: Cassonofsky Actor: Sandford
Role: Landlord Actor: Angel
Role: The Epilogue Actor: Paulina, Landlord.

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Event Comment: The King's Company. There is no indication as to when the first performance occurred, but as the play was entered in the Term Catalogues, May 1682, its first appearance was probably not later than March 1682. A copy in the Library of Congress has a MS date of 7 July, probably a date of acquisition. A song The larks awake the drowsy morn, with music by Pack, is not in the printed play but is in A New Collection of Songs and Poems by D'Urfey, 1683

Performances

Mainpiece Title: The Injured Princess; Or, The Fatal Wager