Event Comment: bTo finish with: Medee et Jason. As 26 June. Only one act of the said Opera can be performed between the two Grand Ballets, owing to their being very long. By Particular desire of several of the Nobility; being positively the last Time of performing this Season [see 30 June]

Event Comment: 1st piece [1st time; PREL I, by George Colman elder; also ascribed to George Keate. Larpent MS 565; not published]: In Three Scenes of Dialogue. 2nd piece: The Music compiled by Dr Pepusch. 3rd piece [1st time; B. BALL I (see king's, 29 Mar.)]: Ballet Tragi-Comique by Signior Novestris [i.e. George Colman, the elder]. The Music by Signior Gluck. With New Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino. Morning Chronicle, 9 Aug.: Bannister with great good sense played chastely, and suffered the burlesque to arise out of his serious performance of Polly, not attempting to render the character ridiculous by making it more outre than it was rendered by his voice and figure

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Lefevre. [Author ofPrologue unknown.] Afterpiece: Never performed here [acted 5 Apr. 1734]. Doors to be opened at 5:15. To begin at 6:15. Tickets and places to be had of Mrs Lefevre, No. 25, Frith Street, Soho, and of Rice at the Theatre. Tickets delivered by Holland will be taken

Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Event Comment: Mainpiece: Not acted these 5 years [not acted since 26 Dec. 1776. Mrs Robinson, who was from the Portsmouth theatre, is identified by MS annotation on Kemble playbill]. Afterpiece [1st time; CO 2, by Frances Brooke, based on Les Moissonneurs, by Charles Simon Favart]: The new Music and overture composed, and the Selected Airs compiled [from Paxton and Sacchini], by Shield. Books of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid Shield for composing Rosina #100. Receipts: #158 18s. 6d. (154/5/6; 4/13/0)

Event Comment: 3rd piece: Ballet Tragi-Comique, composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino

Event Comment: Afterpiece: To conclude with an Exact Representation of the Procession at an Eastern Marriage. The Scenery by Richards, Carver, Hodgins, Cipriani, Catton, and others. The Music composed by [Michael] Arne. Paid Properties 19th Inst. 10s. 10d. Receipts: #261 9s. 6d. (260/4/6; r/5/0)

Event Comment: [Afterpiece: for parts and a brief synopsis, see DL, 26 Dec. 1796.] Paid Renters' [interest; paid daily] #15; Properties #1 0s. 10d. Receipts: #209 19s. 6d. (162/9/0; 47/2/0; 0/8/6)

Event Comment: Mainpiece: Not acted these 2 years. [Prologue by Nicholas Rowe.] Afterpiece [1st time; co 2, by John O'Keeffe, altered from his The Shamrock (see CG, 7 Apr. 1783); published (1st authorized) as noted above]: The selected Music by the Author of the Piece. The Overture, new Airs and Accompaniments by Shield. With New Dresses, Scenery, &c. The Words of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid O'Keeffe for Copyright, &c. of The Poor Soldier #315. Receipts: #218 14s. (215/7; 3/7)

Event Comment: By Command of Their Majesties. [Kemble's 1st appearance as King John was at the Smock Alley Theatre, Dublin, 18 Apr. 1782; Mrs Siddons's 1st appearance as Constance was at Bath on, by coincidence, the same day.] Receipts: #300 9s. (289/8/0; 10/3/6; 0/5/0; tickets not come in: 0/12/6)

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harricks and Williams. Mainpiece: The Characters to be dressed in the Habits of the Times. [Author and speaker of Address not known.] Tickets delivered for The Wonder will be taken. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had and Places taken of Rice, at the Theatre

Event Comment: "[Henderson] is the soul, the animating particle of the person he represents--and never takes punctuation for passion" (Public Advertiser, 12 Oct.)

Event Comment: [Holman is identified on playbill of 5 Nov. Address by John Barwis (European Magazine, Oct. 1784, p. 336, which also lists name of speaker).] Mainpiece: With new Dresses, Scenery and Decorations. In Act I a Masquerade Scene. [This notice is included in all subsequent playbills.] "This easy and natural performance of Holman . . . will prove a fatal blow to the cause of the Attitudinarians and Face-makers; to those who think dramatic excellence consists in . . . finding out meanings that were never meant ... in stretching out their fingers like monkies dying in convulsions ... in uttering their words like minute-guns at royal funerals" (Public Advertiser, 1 Nov.). "Why does Romeo wear black in the last Act? Is it on account of his banishment? He has not heard of Juliet's death" (Gazetteer, 28 Oct.)