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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince and Princess Landgrave of Hesse"/1) | (@(roleclean,performerclean) "Prince and Princess Landgrave of Hesse")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2930 results for: Keyword - Prince and Princess Landgrave of Hesse
We found 1194 matches on Event Comments, 773 matches on Performance Comments, 661 matches on Performance Title, 406 matches on Author, and 0 matches on Roles/Actors.

1576
06 November 1734 @ Haymarket Theatre

Event Comment: By Command of their Royal Highnesses the Princess Amelia and Princess Caroline. [King, Duke, and all the Princesses present.]

Performances

Mainpiece Title: Timon Le Misantrope

Afterpiece Title: Arlequin Hulla

Song:

Dance:

1577
02 May 1791 @ Covent Garden

Event Comment: Benefit for Quick. Mainpiece: Written by R. Cumberland, Esq. Afterpiece: Written by Colley Cibber, with capital Additions by Fielding, Dean Swift, G. A. Stevens, &c. &c. &c. Public Advertiser, 20 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #327 4s. (177.2.6; 9.11.6; tickets: 140.10.0)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford
Related Work: The Brothers Author(s): Richard Cumberland

Afterpiece Title: Alexander the Little; or, The Rival Queans

Performance Comment: Alexander-Quick; Clytus-Wilson; Cassander-Munden; Polyperchon-Bernard; Philip-Reeve; Meleager-Williamson; Hibernian Fortune Teller-Rock; Hephestion and Lysimachus (a la Pugilistique)-Cubitt, Marshall; Second to Lysimachus-Follett; Second to Hephestion-Milburne; The Princess Statira-Mrs Webb; Sysigambis (Mother to the Princess)-Mrs Pitt; Roxana-Mrs Martyr.
Cast
Role: Alexander Actor: Quick
Role: Cassander Actor: Munden
Role: Hephestion and Lysimachus Actor: Cubitt, Marshall
Role: The Princess Statira Actor: Mrs Webb

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

1578
17 November 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

1579
19 November 1660 @ Whitehall or St. James's

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

1580
06 July 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: Here comes Harris, and first told us how Betterton is come again upon the stage: whereupon my wife and company to the [Duke's] house to see Henry the Fifth.... Thence I to the playhouse, and saw a piece of the play, and glad to see Betterton

Performances

Mainpiece Title: Henry The Fifth

Performance Comment: Owen Tudor?-Betterton; Henry V-Harris?; Princess Katherine-Mrs Betterton?. See also 13 Aug. 1664.
Cast
Role: Princess Katherine Actor: Mrs Betterton?. See also 13 Aug. 1664.

1581
February 1688 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's date of acquistion of the separately-printed Prologue and Epilogue is 6 Feb. 1687@8 (see A. S. Borgman, The Life and Death of William Mountford [Cambridge, Mass., 1935], p. 26n). Very probably the play had its premiere early in February. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 256-58. A song, Lucinda close or veil those eyes, with music by J. B. Draghi, is in The Banquet of Musick, The Second Book, 1688. Charles Gildon, The Lives and Characters of the English Dramatick Poets (London, 1698 (?), p. 102: [It] did not succeed as the Author wish'd

Performances

Mainpiece Title: The Injured Lovers; Or, The Ambitious Father

Performance Comment: Edition of 1688. Prologue to the Injur'd Lovers-Mr Mountfort; King of Sicily-Williams; Rheusanes-Betterton; Ghinotto-Griffin; Dorenalus-Mountfort; Old Colonel-Sanford; Soldiers-Lee, Jevon, Underhill; Princess Oryala-Mrs Barry; Antelina-Mrs Bracegirdle; Epilogue-Mr Jevon.
Cast
Role: Princess Oryala Actor: Mrs Barry

1582
06 February 1697 @ Whitehall or St. James's

Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

1583
28 September 1703 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Sir Mannerly; Or, The Country Wit

Performance Comment: with the last new Epilogue concerning the Life and Morals of the Observator, which was -Mr Powell on the first day of the Injur'd Princess, or the false Wager; Also a Dialogue between Heraclitus Ridens and the Observator by way of Prologue-.
Cast
Role: which was Actor: Mr Powell on the first day of the Injur'd Princess, or the false Wager

1584
27 March 1706 @ Drury Lane Theatre

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performance Comment: Henry VIII-Estcourt; Princess Elizabeth-the Child [identified by Genest, II, 340, as Miss Younger]; a new Epilogue-the Child.
Cast
Role: Princess Elizabeth Actor: the Child

Song: Leveridge, Ramondon, Mrs Lindsey, the Boy

Dance: As17051227

1585
03 December 1711 @ Drury Lane Theatre

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performance Comment: Anna Bullen-Mrs Oldfield; Henry VIII-Powell; Wolsey-Cibber; Northumberland-Keene; Piercy-Wilks; Rochford-Mills; Lady Diana-Mrs Rogers; Lady Elizabeth-Mrs Porter; Princess Elizabeth-Miss Smith.
Cast
Role: Northumberland Actor: Keene
Role: Princess Elizabeth Actor: Miss Smith.

1586
19 February 1715 @ King's Theatre

Event Comment: By His Royal Highness's Command, and for the Entertainment of their Highnesses, the Princess Royal and the Princess Amelia

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

1587
28 March 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performance Comment: Harry the 8th-Evans; Wolsey-Cibber; Piercy-Wilks; Rochford-Mills; Anna Bullen-Mrs Oldfield; Lady Blunt-Mrs Porter; Princess Elizabeth-the Little Child.
Cast
Role: Princess Elizabeth Actor: the Little Child.

Afterpiece Title: The What D'ye Call It

1588
12 February 1719 @ King's Theatre

Event Comment: By Command. For the Entertainment of the Princesses. [The King, the Three Young Princesses, and a great Number of Nobility and Gentry also there.] Pit and Boxes 5s. Stage Boxes 7s. 6d. Gallery 2s

Performances

Mainpiece Title: Arlequin Esprit Follet

Performance Comment: A new Prologue between Harlequin and Colombine-.
Cast
Role: A new Prologue between Harlequin and Colombine Actor: .

Afterpiece Title: Le Divorce

Entertainment: Dancing and Tumbling-; particularly Dancing-Mr Glover being the first Time of his Performance in publick since his return from the Court of Paris; Salle, Mlle Salle

1589
05 March 1719 @ King's Theatre

Event Comment: For the Entertainment of The Princesses. [The Young Princesses present.

Performances

Mainpiece Title: Arlequin Laron, Grand Provost, Et Juge

Entertainment: Tumbling-; Leap over Man on large Coach Horse-; Italian Postures-

1590
24 March 1720 @ King's Theatre

Event Comment: For The Entertainment of their Royal Highnesses the Young Princesses. [The Princesses present.] For comment on the current theatrical scene, see The Letters of the Late Thomas Rundle, pp. 18-22

Performances

Mainpiece Title: Harlequin A Sham Astrologer, A Parrot, A Child, A Statue, And A Chimney Sweeper

Related Works
Related Work: The Children; or, Give Them Their Way Author(s): Prince Hoare

Dance: Danjeville

1591
26 May 1720 @ King's Theatre

Event Comment: Admission as 14 May. To be admitted on the Stage One Guinea. [The Princess of Wales and Princess Anne present.

Performances

Mainpiece Title: Numitor

1592
05 December 1723 @ Drury Lane Theatre

Event Comment: [By Aaron Hill.] On Shakespear's Foundation. With several Sets of Scenes entirely new and properWto the Play. [In an advance notice in Daily Journal, 6 Nov., the scenes are reported to be designed by Signior Angelo, an Italian.

Performances

Mainpiece Title: King Henry The Vth; Or, The Conquest Of France By The English

Performance Comment: Edition of 1723 lists: King Henry-Booth; Dauphin-Wilks; King of France-Thurmond; Princess Catherine-Mrs Oldfield; Harriet-Mrs Thurmond; Charlot-Mrs Campbell; Duke of Exeter-Mills; Duke of York-Cory; Lord Scroop-Williams; Duke of Bourbon-Bridgwater; Duke of Orleans-Watson; Earl of Cambridge-Mills Jr; Sir Thomas Grey-Oates; French Officer-Roberts; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: Princess Catherine Actor: Mrs Oldfield

1593
09 January 1725 @ Drury Lane Theatre

Performances

Mainpiece Title: Virtue Betray'd; Or, Anna Bullen

Performance Comment: Henry VIII-Booth; Wolsey-Cibber; Northumberland-Thurmond; Piercy-Wilks; Rochford-Will. Mills; Anna Bullen-Mrs Oldfield; Diana-Mrs Johnson; Elizabeth-Mrs Horton; Young Princess Elizabeth-Miss Robinson Jr.
Cast
Role: Northumberland Actor: Thurmond
Role: Young Princess Elizabeth Actor: Miss Robinson Jr.

1594
28 December 1725 @ King's Theatre

Event Comment: PPrince and Princess of Wales, Princesses Anne, Caroline and Amelia present

Performances

Mainpiece Title: Rodelinda

1595
24 April 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: Virtue Betray'd; Or, Anna Bullen

Performance Comment: Henry VIII-Booth; Piercy-Wilks; Wolsey-Cibber; Anna Bullen-Mrs Oldfield; Northumberland-Thurmond; Rochford-Wm. Mills; Lady Blunt-Mrs Horton; Lady Diana-Mrs Cibber; Princess Elizabeth-Miss Robinson Jr.
Cast
Role: Northumberland Actor: Thurmond
Role: Princess Elizabeth Actor: Miss Robinson Jr.

Afterpiece Title: The Stage Coach

Dance: TThe Fawns-; La Pieraite-Roger, Mrs Brett; Polonese-Young Rainton, Miss Robinson; Drunken Man-Harper

1596
07 November 1727 @ Drury Lane Theatre

Event Comment: By Their Majesties' Command. [The King, Queen, Princess Royal, and Princess Carolina present.] Written by Shakespear

Performances

Mainpiece Title: King Henry The Viiith

1597
22 November 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: Virtue Betray'd; Or, Anna Bullen

Performance Comment: King Henry-Booth; Anna Bullen-Mrs Oldfield; Wolsey-Cibber; Northumberland-Bridgwater; Piercy-Wilks; Rochford-Wm. Mills; Lady Elizabeth-Mrs Horton; Lady Diana-Mrs Cibber; Young Princess Elizabeth-Miss Robinson.
Cast
Role: Northumberland Actor: Bridgwater
Role: Young Princess Elizabeth Actor: Miss Robinson.

1598
27 January 1728 @ Drury Lane Theatre

Event Comment: TThe King, Queen, Princess Royal, and Princess Carolina present

Performances

Mainpiece Title: The Provok'd Husband

1599
17 February 1728 @ King's Theatre

Event Comment: [Music by Handel. Text by Haym.] The King, Queen, Princess Amelia, and Princess Carolina present

Performances

Mainpiece Title: Siroe

1600
22 February 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #163 14s. 6d. King, Queen, Princess Royal, and Princess Carolina present. Probable attendance: boxes, 228 paid and 28 orders; stage, 11 paid and 1 order; pit, 302 paid and 1 order; slips, 43 paid and 24 orders; first gallery, 443 paid; second gallery, 199 paid

Performances

Mainpiece Title: The Beggar's Opera