Event Comment: Afterpiece [1st time; P 2 (?), author unknown]: An Alteration of Prometheus. The Overture and Music composed by Fisher. The Scenes painted by Dall and Richards. Books of the Songs, Masque, &c. to be had at the Theatre. Receipts: #208 3s. 6d. (205.14.6; 2.9.0)

Event Comment: By authority [of the Lord Chamberlain]. At the Desire of the most noble Order of Bucks. Benefit for West and Johnson. Tickets to be had of West at the Black Lion, Russel-street; of Johnson at the Golden-cross, Charing-cross. Tickets delivered by Comerford will be receiv'd. Doors to be opened at 5:00. To be begin exactly at 6:30. [Mrs West was from the China Hall, Rotherhithe. Author of Prologue unknown.

Event Comment: [Henderson's 1st recorded appearance as Falstaff was at Bath, 6 Mar. 1777. "In the frolicksome, gay, and humourous situations of Falstaff Henderson is superior to every man...His soliloquy in describing his ragamuffin regiment, and his enjoying the misuse of the king's press-money are so truly excellent that they are not inferior to any comic representation of the stage" (Davies, I, 252-53).] Afterpiece: Never performed here. The Musick composed by Dr Arnold

Event Comment: "DuBellamy, who played Douglas, and was to have assailed Falstaff, during the combat between Harry Percy and the Prince of Wales [in V.iv], went up to undress, having forgot that his part was not finished" (Morning Chronicle, 29 July)

Event Comment: [For Henderson as King Richard see hay, 7 Aug. 1777.] Afterpiece: The Music composed by Dibdin. With New Scenes and Dresses. Books of the Songs, &c. to be had at the Theatre. [The text erroneously assigns: Gillian-$Mrs Wrighten; Floretta-$Miss Walpole, but see Public Advertiser, 8 Oct., which in a review, gives the correct assignment; see also 6 Oct. 1778.] Receipts: #260 7s. (241.14; 17.17; 0.16)

Event Comment: Afterpiece: With Alterations and Additions, particularly two Grand New Scenes designed by DeLoutherbourg [see 2 Jan.]. Receipts: #163 13s. 6d. (122.15.0; 40.11.0; 0.7.6)

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for West. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of West, No. 4, Stanhope-street, Clare-market. [Authors of Prologue and Address unknown.

Event Comment: [This was the last performance ever held in this theatre. On 27 June the Morning Chronicle published the playbill for that same evening: Love in a Village and Comical Courtship, but on 29 June the same newspaper reported that on "Friday [26 June] (soon after the performances of the evening were finished at China Hall, Rotherhithe) the theatre was discovered to be on fire. The flames increased so rapidly that in a short time the whole building, with all the scenes, stage, cloaths, &c. were consumed...There is no doubt but the theatre was wilfully set on fire." During the course of the summer it was rebuilt, but "Yesterday morning the play-house at China-hall, Rotherhithe, was blown down by the violence of the wind. The said play-house was burnt down last summer, but it being insured was rebuilt by contract, and the tiling of it completely finished last week" (Gazetteer, 26 Nov. 1778). And see 30 July.

Event Comment: Mainpiece: Not acted these 4 years acted 6 Nov. 1775. Prologue by Nicholas Rowe. Afterpiece [ 1st time; f 2, by Frederick Pilon. Prologue by the author (Public Advertiser, 5 Nov.). In speaking a line in the Prologue that won applause Whitfield waved his hat so vehemently tha he "dislocated a Bone in his Arm. He went to the side of the stage, and one of the Scene-men taking him by the Wrist, and giving four or five pretty severe jerks, the Bone recovered its place" (ibid). In all subsequent performances the Prologue was spoken by Lee Lewes.]. Public Advertiser, 18 Nov. 1778: This Day at Noon is published The Invasion (1s.)

Event Comment: Public Advertiser, 22 Mar.: At the particular Desire of the Nobility and Gentry, the Subscribers to this Theatre, on account of the young Prince's Christening there will be no Opera to-morrow. This delay will prove very convenient for compleating the great Preparations which in every respect are necessary to present [the new] Opera [see 25 Mar.] in all the Magnificence it requires. [Prince Octavius, 8th son of George III, was christened on 23 Mar.