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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince and Princess"/1) | (@(roleclean,performerclean) "Prince and Princess")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2926 results for: Keyword - Prince and Princess
We found 1193 matches on Event Comments, 773 matches on Performance Comments, 661 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

1526
26 December 1732 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, and three eldest Princesses present.

Performances

Mainpiece Title: Alexander

Related Works
Related Work: Three Hours after Marriage Author(s): Alexander Pope
Related Work: The Count of Burgundy Author(s): Alexander PopeAugust Friedrich Ferdinand von Kotzebue
Related Work: Lupone; or, The Inquisitor Author(s): Alexander Gordon
Related Work: Telemachus Author(s): Alexander Scarlatti
Related Work: Sethona Author(s): Alexander Dow
Related Work: Zingis Author(s): Alexander Dow

1527
30 December 1732 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, Duke, and Princesses present.

Performances

Mainpiece Title: Alexander

Related Works
Related Work: Three Hours after Marriage Author(s): Alexander Pope
Related Work: The Count of Burgundy Author(s): Alexander PopeAugust Friedrich Ferdinand von Kotzebue
Related Work: Lupone; or, The Inquisitor Author(s): Alexander Gordon
Related Work: Telemachus Author(s): Alexander Scarlatti
Related Work: Sethona Author(s): Alexander Dow
Related Work: Zingis Author(s): Alexander Dow

1528
03 January 1733 @ Covent Garden

Event Comment: As 26 Dec. 1732. Receipts, #79 16s. 6d. [Prince and three eldest Princesses present.

Performances

Mainpiece Title: The Beggar's Opera

Dance: As17321228

1529
13 January 1733 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, and three eldest Princesses present.

Performances

Mainpiece Title: Ptolemy

1530
06 February 1733 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, and three eldest Princesses present.

Performances

Mainpiece Title: Orlando

1531
22 February 1733 @ Drury Lane Theatre

Event Comment: By Their Majesties' Command. Benefit the late Mr Wilks's Widow. Written by Beaumont and Fletcher. Part of the Seats on the Stage (for the better Accommodation of the Ladies) will be form'd into Side-Boxes. Part of the Pit (by Desire) will be rail'd in at the Price of the Boxes. [Their Majesties, Prince, and three eldest Princesses present. The Epilogue is in Weekly Miscellany, 10 March 1733.

Performances

Mainpiece Title: The Scornful Lady

Dance: Denoyer, Mrs Booth, Miss Robinson, Mrs Walter

1532
03 March 1733 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, and Three eldest Princesses present.] Daily Advertiser, 5 March: Signora Strada, on Account of whose Indisposition the Run of the new Opera of Orlando was interrupted, continues very ill

Performances

Mainpiece Title: Floridante

Performance Comment: Edition of 1733 does not list performers' names. See Deutsch, Handel, p. 307.

1533
17 March 1733 @ King's Theatre

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]

1534
27 March 1733 @ King's Theatre

Event Comment: DDaily Advertiser, 28 March: Their Majesties, together with his Royal Highness the Prince of Wales, and the Princesses were again...to see Deborah...at which was likewise present one of the most numerous Audiences of Nobility and Persons of Distinction that has been ever seen in any Theatre. Egmont, Diary, I, 345: It was very magnificent, near a hundred performers, among whom about twenty-five singers. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

1535
31 March 1733 @ King's Theatre

Event Comment: [K$King, Queen, Prince, three eldest Princesses present.

Performances

Mainpiece Title: Deborah

1536
24 April 1733 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, and three eldest Princesses present.

Performances

Mainpiece Title: Orlando

1537
29 May 1733 @ King's Theatre

Event Comment: [T$The King, Queen, Prince, and three eldest Princesses present.

Performances

Mainpiece Title: Griselda

1538
05 June 1733 @ King's Theatre

Event Comment: [T$The King, Queen, Prince, and three eldest Princesses present.

Performances

Mainpiece Title: Griselda

1539
10 November 1733 @ King's Theatre

Event Comment: Daily Advertiser, 12 Nov.: The Royal Family were at the Opera, his Highness the Prince of Orange was there likewise in a Box next to that of the Princess Royal

Performances

Mainpiece Title: Semiramis

1540
20 November 1733 @ King's Theatre

Event Comment: [Their Majesties, Prince, and three eldest Princesses present.]

Performances

Mainpiece Title: Otho

1541
04 December 1733 @ King's Theatre

Event Comment: A New Opera. [Text by Apostolo Zeno. Recitatives by Handel. Prince and three eldest Princesses present.]

Performances

Mainpiece Title: Caius Fabricius

1542
12 February 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince of Wales, and three eldest Princesses present. Egmont also present. For a satiric pamphlet on opera, see Harmony in an Uproar, dated 12 Feb.; much of it is reprinted in Deutsch, Handel, pp. 344-57.]

Performances

Mainpiece Title: Ariadne [in Creta]

1543
12 March 1734 @ King's Theatre

Event Comment: Their Majesties, three eldest Princesses, and Prince of Orange present

Performances

Mainpiece Title: Ariadne [in Creta]

1544
15 June 1734 @ Lincoln's Inn Fields

Event Comment: This will be the last Performance. [Their Majesties, Prince, Duke, and all the Princesses present.]

Performances

Mainpiece Title: Aeneas

1545
05 November 1734 @ King's Theatre

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

1546
10 December 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince, Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Otho

1547
01 February 1735 @ King's Theatre

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

1548
28 April 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Prince of Wales, the Duke, their Royal Highnesses the Princesses Amelia, Carolina, Maria and Louisa

Performances

Mainpiece Title: Harlequin Astrologer, Infant, Ch1mney-sweeper, Statue, Parrot, & Skeleton

Afterpiece Title: Harlequin Hulla

Music: Select Pieces. Solo on the German Flute by Burk Thumoth

Dance:

1549
15 September 1735 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Ben Johnson. By Her Majesty's Command. [The Queen, Prince of Wales, Duke, and Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Harlequin Grand Volgi: Being the Comic Interlude of Cephalus and Procris

Performance Comment: Gardeners-Pelling, Davenport; Gardeners' Wives-Mrs Davenport, Mrs Villeneuve; Noble Venetian-Este; Italian Bravo-Harper; Miller-Oates; Colombine-Miss Mann; Harlequin-Le Brun; Pierot-Davenport; Mandarin Gormogons-Thurmond, Villeneuve, Pelling, De la Magre; Chinese Guards-Wright, Taylor, Gray, Leigh. Concluding with Le Chasseur Royal by Denoyer, Mlle Roland, &c .
Cast
Role: Mandarin Gormogons Actor: Thurmond, Villeneuve, Pelling, De la Magre
Role: Chinese Guards Actor: Wright, Taylor, Gray, Leigh. Concluding with Le Chasseur Royal by Denoyer, Mlle Roland, &c

1550
08 January 1736 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness the Duke and their Highnesses the Princesses [who were present]. Prompter, 13 Jan.: the Rehearsal was perform'd by Command . . . Prince Prettyman's refusing to act. [See also a complaint in Grub St. Journal, 8 Jan., about Mlle Roland's immodest

Performances

Mainpiece Title: The Rehearsal

Dance: ]