SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince Hoare"/1) | (@(roleclean,performerclean) "Prince Hoare")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 878 matches on Event Comments, 704 matches on Performance Comments, 508 matches on Performance Title, 418 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: My Grandmother

Related Works
Related Work: My Grandmother Author(s): Prince Hoare

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Lodoiska

Performance Comment: As18000101, but Gustavus-Chippendale; Kera Khan-Barrymore; Ithorak-Dignum; Camazin-Clarke; Princess Lodoiska-Mrs Crouch; The Horde-_Fisher.

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: The Follies of a Day

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Song: As18000516

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Dance: End II: New Divertisement Ballet-Sga Bossi DelCaro, Mme D'Egville, Gheri; a Pas Seul-Sga Bossi DelCaro; accompanied on the tamborine-Sga Bossi DelCaro; End: The Lucky Escape Principal Performers-St.Pierre, Grimaldi, Gheri, Miss B. Denis, Mrs Grimaldi, Miss E. Denis, Miss Lupini, Miss Cranfield, Mme D'Egville, Sga Bossi DelCaro, the whole Corps de Ballet

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: Of Age To morrow

Song: End IV: Crazy Jane-Mrs Bland

Ballet: End: The Scotch Ghost. As17991202

Performances

Mainpiece Title: Sighs Or The Daughter

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Tis All a Farce

Song: [not listed on playbill]in II: 'Twas in the solemn mid@night hour-Mrs Bland

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: My Grandmother

Related Works
Related Work: My Grandmother Author(s): Prince Hoare

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Obi

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Obi

Performances

Mainpiece Title: Obi

Afterpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: Obi

Performances

Mainpiece Title: Sighs

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: The Review

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Prince Actor: Kenniston
Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe, based on Le Rival Suppose, by Germain Francois Poulain de Saint-Foix. It was written in honor of the 21st birthday, 12 Aug., of the Prince of Wales. Prologue by George Colman, the elder (Colman, Prose, m, 248)]: The Overture by Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Oct. 1783: This Day is published The Birth Day (1s.)

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Birth Day or The Prince of Arragon

Performance Comment: Principal Characters by Palmer, Williamson, Wilson; Miss George, Mrs Bannister. [Cast from text (T. Cadell, 1783): Prince of Arragon-Palmer; Don Frederick-Williamson; Don Leopold-Wilson; Fiorina-Miss George; Seraphina-Mrs Bannister.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: : Prince of Arragon Actor: Palmer

Dance: Afterpiece to conclude with a Grand Chorus and Dance (performers not listed)

Song: As17830613

Performances

Mainpiece Title: The Captive Prince Or Love And Loyalty With The Comical Humours Of Falstaff And Antient Pistol

Performance Comment: Prince-Miss Charke; Gloriana-Mrs Smith; Periander-Bowman; Gonzales-Dukes; Philotas-Edwards; Anglaura-Mrs Godwin; Falstaff-Smith; Hostess Quickly-Godwin; Justice Shallow-Adams; Doll Tearsheet-Mrs Freeman; Antient Pistol-Mrs Charke.
Cast
Role: Prince Actor: Miss Charke

Afterpiece Title: Harlequin Sclavonian

Event Comment: The Duke's Company. If the run of The Wits occurred as it is outlined above, this would presumably be the first day of Hamlet. Pepys, Diary: To the Opera, and there saw Hamlet, Prince of Denmark, done with scenes very well, but above all, Betterton did the prince's part beyond imagination. Downes (p. 21): The Tragedy of Hamlet: Hamlet being Perform'd by Mr Betterton, Sir William (having seen Mr Taylor of the Black-Fryars Company Act it, who being Instructed by the Author Mr Shakespear) taught Mr Betterton in every Particle of it; which by his exact Performance of it, gain'd him Esteem and Reputation, Superlative to all other Plays...No succeeding Tragedy for several Years got more Reputation, or Money to the Company than this

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Event Comment: Mr Colman's Night for the Fairy Prince. Charges #84. Profit to Colman #125 15s. 6d. Paid Messrs Schneider & Otto (furriers) #7 3s.; Paid Dr Arne for composing additional Music for the Fairy Prince #1 11s. 6d. (Account Book). Receipts: #209 15s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Black Prince again: which is now mightily bettered by that long letter being printed, and so delivered to every body at their going in, and some short reference made to it in heart in the play, which do mighty well; but, when all is done, I think it is the worst play of my Lord Orrery's. But here, to my great satisfaction, I did see my Lord Hinchingbroke and his mistress, with her father and mother; and I am mightily pleased with the young lady, being handsome enough--and, indeed, to my great liking, as I would have her. I could not but look upon them all the play

Performances

Mainpiece Title: The Black Prince