SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince George"/1) | (@(roleclean,performerclean) "Prince George")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5659 matches on Author, 1421 matches on Event Comments, 1347 matches on Performance Comments, 682 matches on Performance Title, and 2 matches on Roles/Actors.
Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 5 years. [See 29 Dec. 1766.] Afterpiece: A Comedy of two acts taken from Vanbrugh's Relapse [by John Lee?]. Tickets by Mas. Harris will be taken. Charges #65 18s.; Profit to Mrs Lessingham #39 18s. 6d., plus #79 13s. from tickets (Box 166; Pit 131; Gallery 185) (Account Book). [The Gentleman who played King Henry was George Savile Carey (Hogan).] Receipts: #105 16s. 6d

Performances

Mainpiece Title: King Henry Iv Part Ii

Performance Comment: King Henry-A Gentleman, first appearance any stage; Prince of Wales (By Particular Desire)-Mrs Lessingham; Achbp York-Clarke; Prince John-Davis; Westmorland-Hull; Chief Justice-Younger; Shallow (that night only)-Woodward; Pistol-Hamilton; Poins-Wroughton; Bullcalf-Dunstall; Hostess-Mrs Pitt; Doll Tearsheet-Mrs Gardner; Falstaff-Shuter.
Cast
Role: Prince of Wales Actor: Mrs Lessingham
Role: Prince John Actor: Davis

Afterpiece Title: The Man of Quality

Music: End: A Concerto on the Double Mandoline, Royal Guitar-Sg Mussolini, after which he will accompany a young Gentlewoman in a song, being their first appearance in Public

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle

Performance Comment: Principal Characters by Pope, Incledon, Farren, Fawcett, Bowden, Macready, Miss Hopkins, Miss Wallis. Cast from text (T. N. Longman, 1795): Edward Prince of Wales-Pope; Sir Ralph Neville-Incledon; King Edward III-Farren; Leveret-Fawcett; Fitz@Alan-Bowden; Lord Edward Spyncer-Macready; Revel-Burton; Ferryman-Rees; Eustace-Linton; Lady Blanche-Miss Hopkins; Countess of Kent-Miss Wallis; Villagers-Mrs Clendining, Mrs Martyr.
Cast
Role: Edward Prince of Wales Actor: Pope

Afterpiece Title: Windsor Castle

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performance Comment: Almanzor and Almahide; or, The Conquest of Granada. The Second Part. Edition of 1672: Prologue to the First Part-Mrs Ellen Gwyn in a broad brim'd hat, and was belt; Mahomet Boabdelin-Kynaston; Prince Abdalla-Lydall; Abdelmelech-Mohun; Zulema-Harris; Abenamar-Cartwright; Selin-Wintershall; Ozmyn-Beeston; Hamet-Watson; Gomel-Powell; Almanzor-Hart; Ferdinand-Littlewood; Duke of Arcos-Bell; Almahide-Mrs Ellen Gwyn; Lyndaraxa-Mrs Marshall; Benzayda-Mrs Bowtell; Esperanza-Mrs Reeve; Halyma-Mrs Eastland; Isabella-Mrs James; Epilogue-Charles Hart?; Prologue to the Second Part of the Conquest of Granada-Michael Mohun?; Epilogue to the Second Part-.
Cast
Role: Prince Abdalla Actor: Lydall
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, 17-21 Feb. 1697@8, suggests that it was first given not later than January 1697@8. Downes, Roscius Anglicanus, p. 44: Heroick Love, Wrote by Mr George Greenvil, Superlatively Writ; a very good Tragedy, well Acted, and mightly pleas'd the Court and City. A Comparison Between the Two Stages (1702), p. 20: The Language is very correct: But with submission to him [Granville], his Fable is not well chosen; there's too little Business in't for so long a Representation: But if Mr G. had taken the Story at a greater length, and contriv'd the Incidents to surprize, he had made it an admirable Tragedy

Performances

Mainpiece Title: Heroick Love

Performance Comment: Edition of 1698: Prologue- by Henry StJohn Esq; Epilogue- By Bevill Higgons, Esq; Agamemnon-Betterton; Achilles-Verbruggen; Nestor-Bowman; Ulysses-Sandford; Patroclus-Scudemore; Chryses-Kynaston; Chalcas-Freeman; Talthybius-Baily; Chruseis-Mrs Barry; Briseis-Mrs Bracegirdle; Artemis-Mrs Prince.
Cast
Role: Artemis Actor: Mrs Prince.
Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, and Princess Augusta. Receipts: #158 15s. (Account Book); #170 (Rylands MS.)

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Perseus and Andromeda or The Cheats of Harlequin

Related Works
Related Work: Perseus and Andromeda Author(s): George Downing

Dance: Desnoyer, Signora Barberini

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, and the Lady Augusta. Written by Shakespear

Performances

Mainpiece Title: King Henry The Eighth

Dance: I: La Tambourine-Mlle Chateauneuf; II: Les Egyptiens-Fausan, Signora Fausan, Muilment; IV: Serious Ballet-Maltere, Mlle Maltere; V: Les Jardiniers Suedois-Fausan, Signora Fausan, Muilment, Mlle Chateauneuf

Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke Or The Conjurors Bastard With The Comical Humours Of Captain Tipple

Performance Comment: Conjuror's Bastard-Chapman; Duke Lavinio-Winstone; Mago-Cross; Prince Brunetto-Ware; Barberino-Bembridge; Alberto-Richards; Captain-Spackman; Clout-Gray; Flout-Clough; Isabella-Mrs Cross; Prudentia-Miss Ferguson; Flametta-Miss Dodson; 1st Widow-Mrs Taylor; 2d Widow-Mrs Powel; Miss Sol@Fa-Mrs Booth; Drunken Captain-Hippisley.
Cast
Role: Prince Brunetto Actor: Ware

Afterpiece Title: The Matrimonial Squabble or A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

Event Comment: By Command of their Highnesses Prince George, Prince Edward, and the Lady Augusta, By A Company of Dutch children, join'd with the English, German and Italians. A Pantomime Entertainment. Boxes and Pit 5s. Gallery 2s. 6 p.m. We hear the Company of Dutch/Children join'd with the English, Germans and Italians, will perform this day, tomorrow, Thursday and Friday next, and will exhibit something new every night, and some people of Quality have engag'd Boxes for each night.--Daily Advertiser

Performances

Mainpiece Title: Arlequino Triumphante

Event Comment: HHorace Walpole to Montagu, 3 Nov.: I shall be with you at the end of the week, but just now I am under the maidenhead-palpitation of an author; my Epilogue will, I believe, be spoke tomorrow night, and I flatter myself I shall have no faults to answer for but what are in it, for I have kept secret whose it is. It is now gone to be licensed, but as the Lord Chamberlain is mentioned, though rather to his honour it is possible it may be refused, as they are apt to think at the Office, that the Duke of Grafton can't be mentioned but in ridicule.--Horace Walpole's Correspondence with George Montagu, I, 48. Receipts: #119 1s

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Ryan; Bajazet-Quin; Moneses-Havard; Axalla-Gibson; Omar-Rosco; Prince of Tanais-Carr; Zama-Anderson; Dervise-Bridgwater; Stratocles-Ridout; Haly-Bencraft; Selima-Mrs Vincent; Arpasia-Mrs Pritchard; With the Usual Prologue-; and a New Epilogue on the suppression of the Rebellion-Mrs Pritchard in the Character of the Comic Muse; The Song To thee Oh Gentle Sleep originally designed for the play-Mrs Lampe.
Cast
Role: Prince of Tanais Actor: Carr

Afterpiece Title: The Mock Doctor

Event Comment: At Bridges, Cross, Burton and Vaughan's Great Theatrical Booth in the George Inn Yard, will be presented an Historical Drama never acted before call'd The Northern Heroes; or, The Bloody Contest between Charles XII, King of Sweden, and Peter the Great, Czar of Muscovy, with the Loves of Count Gillensternia, a Swedish General and the Fair Elimira, a Russian Princess, Containing the most remarkable Events of that Time; and concluding with the Memorable Battle of Pultowav, and Charles's Retreat into the Turkish Dominionv. Interspers'd with a Comic Interlude (never perform'd before) called The Volunteers; or, the Adventures of Roderick Random and his Friend Strap. Also the Comical Humours and Amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's Widow; the merry Pranks of her foolish son Janny, and several other diverting incidents. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'clock. [This notice repeated during "the short Time of the Fair." Notice repeated 24, 26, 27 Aug.

Performances

Mainpiece Title: The Northern Heros

Performance Comment: Charles XII-Usher; Prince of Wurtemburgh-Jackson; Gillensternia-Hazard; Count Piper-Thomson; Mazeppa-Reid; Czar-Burton; Dolgoruki-Paget; Menzikoif-Jones; Ivan-Shawford; Elimira-Mrs Cross.

Afterpiece Title: The Volunteers or The Adventures of Roderick Random and his Friend Strap

Related Works
Related Work: The Volunteers; or, Taylors to Arms! Author(s): George Downing

Dance: Mr Shawford, Mrs Shawford, Master Cross, Mrs Vaughan

Event Comment: Yesterday George Frederick Handel, Esq; was couch'd by William Bromfield, Esq; Surgeon to her Royal Highness the Princess of Wales, when it was thought there was all imaginable hopes of success by the Operation, which must give the greatest pleasure to all lovers of Music

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Sparks; Moneses-Ryan; Axalla-Giffard; Omar-Bransby; Prince of Tanais-Anderson; Dervise-Arthur; Heli-Usher; Bajazet-Barry; Stratocles-Ridout; Selima-Mrs Elmy; Arpasia-Mrs Cibber; The Usual Prologue-; With the Song, To Thee O Gentle Sleep-Lowe.
Cast
Role: Prince of Tanais Actor: Anderson

Afterpiece Title: The Fair

Event Comment: Mainpiece: Not acted these two years. [George II's death had closed the theatres on 4 Nov. the previous year.] Income from Boxes #14 15s. Paid Mr Powell for two years att[endin]g Office & pass [?] Ac[count]. #100. Advanced to Hull #20. Receipts: #64 16s. (Winston Theatrical Record)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Ross; Bajazet-Sparks; Moneses-Dyer; Omar-Gibson; Prince of Tanais-Anderson; Stratocles-Perry; Dervise-Storer; Hali-Davis; Zama-Redman; Axalla-Smith; Selima-Mrs Vincent; Arpasia-Mrs Hamilton; With the song To Thee O! Gentle Sleep-Mattocks; and the Usual Prologue-.
Cast
Role: Prince of Tanais Actor: Anderson

Afterpiece Title: The Fair

Event Comment: Benefit for Palmer. House charges #66 3s. 6d. [Profit to Palmer #74 18s. 6d.] Afterpiece: Not acted for 14 years. [See 11 Feb. 1748.] Last till after the holidays. Paid George Garrick on account #50 and French on account #20; Salary list #290 12s. 8d. (Treasurer's Book). Receipts: #141 2s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Holland; Richmond-Palmer; Buckingham-Bensley, 1st time; Duke of York-Miss Collett; Tressel-Cautherly, 1st time; King Henry-Havard; Prince Edward-Miss Rogers; Norfolk-Burton; Stanley-Bransby; Lord Mayor-Baddeley; Catesby-Packer; Ratcliffe-Strange; Lieut.-Moody; Duchess of York-Mrs Bennet; Lady Anne-Mrs Palmer; Queen-Mrs Pritchard.
Cast
Role: Prince Edward Actor: Miss Rogers

Afterpiece Title: Flora or Hob in the Well

Dance: End: The Vintage, as17661011

Event Comment: Afterpiece: A New Comedy in 2 Acts [by George Colman] never perform'd before. [Reviewed, not too favorably in Monitor No IV, (14 Nov. 1767).] Receipts: #192 7s. Account Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith; King Henry-Gibson; Catesby-Davis; Ratcliff-Bennet; Stanley-Gardner; Norfolk-Perry; Richmond-Clarke; Buckingham-Hull; Prince Edward-Miss Valois; Duke of York-Miss Besford; Tressel-Dyer; Lord Mayor-Wignel; Lieut-R. Smith; Lady Anne-Mrs Lessingham, 1st time; Duchess of York-Mrs Vincent; Queen-Mrs Ward.
Cast
Role: Prince Edward Actor: Miss Valois

Afterpiece Title: The Oxonian in Town

Dance: End: A New Comic Dance, as17671021

Event Comment: 3rd piece: Ballet Tragi-Comique, composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino

Performances

Mainpiece Title: The Son in law

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Performance Comment: Creon (in the Character of Punch)-Wewitzer; Prince de la Cour (as a Running Footman)-Byrn; Furies (in the Character of Chimney Sweepers)-Rossi, Nicolini, &c.; Captain of the Guard-Master Edwin; Jason (in the Character of Pierrot)-Delpini; Creusa (en dishabille Francoise)-Miss Byrn; Nurse-Mr Painter; Children-Miss Painter, Master Clarke; Medea (in the Character of Mother Shipton)-Mme Dagueville .
Cast
Role: Prince de la Cour Actor: Byrn
Event Comment: Benefit for Bannister. [Address by George Colman, ynger (European Magazine, Sept. 1791, p. 227).] Oracle, 19 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. Receipts: #236 (Gazetteer, 5 Sept.)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Henry-Bensley; Prince of Wales-Miss DeCamp; Duke of York-Miss Standen; King Richard-Bannister Jun. (1st appearance in that character, and for that night only); Richmond-Palmer; Buckingham-Williamson; Norfolk-Usher; Ratcliffe-Evatt; Catesby-Davies; Tressel-Bland; Oxford-Farley; Lieutenant-Cubitt; Stanley-Aickin; Blunt-Lyons; Tyrrel-Rock; Lord Mayor-Chapman; Forest-Ledger; Queen-Mrs Whitfield; Lady Anne-Mrs Kemble; Dutchess of York-Mrs Powell.
Cast
Role: Prince of Wales Actor: Miss DeCamp

Afterpiece Title: The Mayor of Garratt

Song: End: The Wolf-Bannister

Entertainment: Monologue. Before: Occasional Address-Palmer

Event Comment: 2nd piece [1st time; MD 3, by James Boaden; some of the songs written by George Colman, ynger]: With new Musick, Scenes, Dresses, and Decorations. The new Musick by Dr Arnold. With an appropriate Overture, accompanied by two Pedal Harps and the Union Pipes, by Weippert, C. Jones, and Murphy. The Scenery by Marinari. The Dresses and Decorations designed by A. Johnston, and executed by him and Mrs Egan. Books of the Songs to be had at the Theatre. "Any exertion of impartial criticism to check the prevalent taste for the marvellous and the horrific which so wantonly conjures up the spirit (it was once thought had been for ever laid) of gross superstition and Gothic barbarism must, we fear, prove at present unavailing" (Times, 23 July). Morning Chronicle, 30 July 1798: This Day is published Cambro-Britons (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Cambro Britons

Performance Comment: Characters by Barrymore, Munden, R. Palmer, Suett, Johnstone, Johnston, Davies, C. Kemble, Trueman, Palmer Jun., Caulfield, Davenport, Wathen, Abbot, Waldron Jun., Lyons, Miss DeCamp, Mrs Gibbs, Mrs Bland. Cast from text (G. G. and J. Robinson, 1798): Llewellyn-Barrymore; Shenkin-Munden; Cadwall-R. Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-Johnston; King Edward-Davies; Prince David-C. Kemble; Dynevor-Trueman; Meredith-Palmer Jr; Mortimer-Caulfield; Hereford-Davenport; Door@Keeper-Wathen; Edwin-Abbot; Soldier-Waldron Jr; Latimer-Lyons; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorusses of Bards and Peasants-D'Arcy, Linton, Brown, Aylmer, Little, Walker, Willoughby, Dibble, Kenrick, Caulfield Jun., Ms Edward, Ms Menage, Ms Butler, Ms Benson, Ms Hale, Ms Gawdry, Ms Masters, Ms Norton, Ms Leserve.
Cast
Role: Prince David Actor: C. Kemble
Event Comment: Mainpiece: Not acted these 2 years. [Afterpiece: Prologue by George Colman elder.] Receipts: #327 8s. (244.10.6; 81.2.0; 1.15.6)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Miller; Dutchess of Yord-Miss Tidswell.

Afterpiece Title: Bon Ton

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Biggs; Dutchess of York-Miss Tidswell.

Afterpiece Title: The Embarkation

Event Comment: By Command of His Royal Highness. [The Prince present.

Performances

Mainpiece Title: The Busy Body

Performance Comment: See17311207, but Sir George-Wilks (Burney).
Cast
Role: Sir George Actor: Wilks

Afterpiece Title: The Devil to Pay

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales. Mainpiece: Written by the late Mrs Centlivre

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Cibber; Sir George-Mills; Sir Francis-Griffin; Miranda-Mrs Clive; Sir Jealous-Turbutt; Charles-Wright; Whisper-Macklin; Isabinda-Mrs Mills; Patch-Mrs Pritchard; Scentwell-Mrs Bennet.
Cast
Role: Sir George Actor: Mills

Afterpiece Title: The Harlots Progress or The Ridotto Al Fresco

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Mainpiece: Not Acted these Twenty Years. Written by the late J. Addison, Esq

Performances

Mainpiece Title: The Drummer Or The Haunted House

Performance Comment: Tinsel-Cibber; Sir George-Mills; Fantome-Wright; Lady Trueman-Mrs Butler; Vellum-Johnson; Abigail-Mrs Roberts; Gardener-Griffin; Butler-Macklin; Coachman-Winstone.
Cast
Role: Sir George Actor: Mills

Afterpiece Title: Harlequin Grand Volgi

Event Comment: By Command of Their Royal Highness the Prince and Princess of Wales

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Chapman, the first time of his appearance on that stage; Sir George-Mills; Sir Francis-Griffin; Miranda-Mrs Clive; Sir Jealous-Shepard; Charles-Wright; Whisper-Yates; Isabinda-Mrs Mills; Patch-Mrs Pritchard; Scentwell-Mrs Bennet.
Cast
Role: Sir George Actor: Mills

Afterpiece Title: Colombine Courtezan

Dance: II: La Provencale-Mlle Chateauneuf; IV: Tambourine-Mlle Chateauneuf

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. [Macready was from the Smock Alley Theatre, Dublin. In mainpiece the playbill assigns Miss Ogle to Mrs T. Kennedy, but on the Kemble playbill her name is deleted, and a MS annotation substitutes Mrs Lewis's.] "The dress worn by Lewis, with small buttons innumerable, that gave it the air of a Hussar's jacket lengthened, was lately a coat won by the Prince of Wales" (Morning Chronicle, 20 Sept.). Receipts: #242 5s. 6d. (239.19.6; 2.6.0)

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood (1st time)-Farren; Saville-Aickin; Flutter-Macready (1st appearance on this stage); Villers-Hull; Courtall-Davies; French Valet-Wewitzer; Porter-Fearon; Hardy-Quick; Mrs Racket-Mrs Mattocks; Lady Touchwood (1st time)-Mrs Wells; Miss Ogle-Mrs Lewis; Kitty Willis-Miss Stuart; Letitia Hardy-Mrs Pope.
Cast
Role: Sir George Touchwood Actor: Farren

Afterpiece Title: Love in a Camp or Patrick in Prussia

Event Comment: By Permission of the Lord Chamberlain, and also under the Patronage of their Royal Highnesses the Prince of Wales, the Duke of York, and the Duke of Clarence. Benefit for Lee Lewes. The Doors to be opened at 5:15. To begin at 6:15. Tickets and Places for the Boxes to be had of Lee Lewes, at Mr Brough's, No. 18, Portland-street, Soho. Afterpiece [1st time; F 2, by James Fennell. Larpent MS 924; not published. Synopsis of plot in Morning Post, 8 Mar.]

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lee Lewes; Sir Francis Gripe-Wewitzer; Sir Jealous Traffic-Frost; Whisper-Gull; Charles-Everard; Sir George Airy-Fennell; Patch-Mrs Lee Lewes; Isabinda-Mrs Day; Miranda-Miss Atherton (1st appearance on any stage).
Cast
Role: Sir George Airy Actor: Fennell

Afterpiece Title: The Advertisement or A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes