SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince Eugene of Savoy"/1) | (@(roleclean,performerclean) "Prince Eugene of Savoy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 877 matches on Event Comments, 741 matches on Performance Comments, 509 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud; Or, The Prince Of Persia

Related Works
Related Work: Mahmoud; or, The Prince of Persia Author(s): Prince Hoare

Afterpiece Title: All the World's a Stage

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Prince Actor: Kenniston
Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe, based on Le Rival Suppose, by Germain Francois Poulain de Saint-Foix. It was written in honor of the 21st birthday, 12 Aug., of the Prince of Wales. Prologue by George Colman, the elder (Colman, Prose, m, 248)]: The Overture by Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Oct. 1783: This Day is published The Birth Day (1s.)

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Birth Day; or, The Prince of Arragon

Performance Comment: Principal Characters by Palmer, Williamson, Wilson; Miss George, Mrs Bannister. [Cast from text (T. Cadell, 1783): Prince of Arragon-Palmer; Don Frederick-Williamson; Don Leopold-Wilson; Fiorina-Miss George; Seraphina-Mrs Bannister.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: : Prince of Arragon Actor: Palmer

Dance: Afterpiece to conclude with a Grand Chorus and Dance (performers not listed)

Song: As17830613

Event Comment: For the Entertainment of His Highness Prince Eugene of Savoy, His Highness having promis'd his Presence there. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Benefit for Kelly. Afterpiece [1st time, MF 2, by Prince Hoare]: The Music chiefly composed by Storace; the Rest selected from Pleyel, Harington, Giordani, Gluck, &c. [text adds Gretry]. Account-Book, 16 Dec. 1790: Paid P. Hoare for the Copyright of No Song No Supper #63. Gazetteer, 2 Apr.: Tickets to be had of Kelly, No. 27, James-street, Covent-garden. Receipts: #273 5s. (125.19; 38.18, 2.2; tickets: 106.6) (charge: #109 19s. 4d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Dance: III: Hornpipe-Bourk

Event Comment: Benefit for Mrs Crouch. Afterpiece [1st time; CO 2, by Prince Hoare, based on La Grotta di Trofonio, by Giovanni Battista Casti. Not in Larpent MS; not published]; Written by the Author of No Song No Supper. The Music composed principally by Storace [partly adapted from Salieri, composer of Casti's opera; one song each by Anna Storace, Thomas Attwood, Giovanni Paisiello, Richard Suett]. Oracle, 28 Apr.: Tickets to be had of Mrs Crouch, No. 26, Bridges-street. Receipts: #280 2s. (100.12.0; 33.13.6; 4.13.6; tickets: 141.3.0) (charge: #119 9s. 8d.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare
Event Comment: Afterpiece: Written by the Author of No Song No Supper [Prince Hoare]; performed but once [on 3 May 1791]. The Music composed principally by Storace. Receipts: #464 15s. (377.4; 85.15; 1.16)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare
Event Comment: Afterpiece: Written by the Author of No Song No Supper [Prince Hoare]; the Music composed principally by Storace. Receipts: #145 14s. 6d. (94.1.6; 49.17.0; 1.16.0)

Performances

Mainpiece Title: At King's Love Makes A Man

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare
Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: MY GRANDMOTHER

Related Works
Related Work: My Grandmother Author(s): Prince Hoare
Event Comment: 2nd piece [1st time; MF 2, by Prince Hoare]: The Music principally composed by Shield [and selected from Paisiello]. The Overture by W. Parke. Books of the Songs to be had at the Theatre. 3rd piece: Representation of the Indian Manner, &c., as 26 Oct. 1795. Account-Book, 22 Feb.: Paid Hoare in full for Lock & Key #210. Receipts: #197 10s. (195.6; 2.4)

Performances

Mainpiece Title: The Days Of Yore

Afterpiece Title: Lock and Key

Related Works
Related Work: Lock and Key Author(s): Prince Hoare

Afterpiece Title: The Shipwreck

Dance: As17951031

Event Comment: Afterpiece [1st time; CO 2, by Prince Hoare, based partly on Le Comte D'Albert et sa Suite, by Michael Jean Sedaine. Larpent MS 1153; not published; synopsis of plot in Monthly Visitor, Feb. 1797, p. 164]: The Musick partly new and partly selected [by Michael Kelly; overture by Stanislas Champein (BUC 567)]. Books of the Songs to be had in the Theatre. Receipts: #321 14s. (184.18.6; 134.14.6; 2.1.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: A Friend in Need

Related Works
Related Work: A Friend in Need Author(s): Prince Hoare

Song: Afterpiece: Chorus-Welsh, Maddocks, Gregson, Wentworth, Atkins, Meyers, Annereau, Bardoleau, Walker, Willoughby, Ms Butler, Ms Roffey, Ms Granger, Ms Jackson, Ms Maddocks, Ms Menage, Ms Wentworth, Ms Benson

Event Comment: Mainpiece [1st time; CO 3, by Prince Hoare. Larpent MS 1159; not published; synopsis of plot in Universal Magazine, May 1797, p. 364]: Overture and rest of Music composed and selected by Shield. Harp by Weippert. The new Scenery by Richards. Books of the Songs to be had in the Theatre. Receipts: #172 10s. 6d. (169.6.6; 3.4.0)

Performances

Mainpiece Title: Italian Villagers

Related Works
Related Work: Italian Villagers Author(s): Prince Hoare

Afterpiece Title: The Farm House

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: Afterpiece [1st time; MD 2, by Prince Hoare, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres]: The Musick entirely new by Dussek [and Kelly]. With new Scenery [by Marinari (Monthly Mirror, Nov. 1798, p. 309)], Dresses, and Decorations. Books of the Songs to be had at the Theatre. Morning Chronicle, 7 May 1799: On May 9 will be published The Captive of Spilburg (1s. 6d.). Receipts: #209 6s. 6d. (108.10.6; 99.19.6; 0.16.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: The Captive of Spilburg Author(s): Prince Hoare

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

Event Comment: 2nd piece [1st time; C 5, by Prince Hoare, adapted from Armuth und Edelsinn, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor (see text). Epilogue by the author (London Chronicle, 21 Aug. 1799)]. Morning Chronicle, 14 Aug. 1799: This Day is published Sighs (2s.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Sighs; or, The Daughter

Related Works
Related Work: Sighs; or, The Daughter Author(s): Prince Hoare

Afterpiece Title: The Purse

Song: not listed in playbill; see17990824: In II 2nd piece: 'Twas in the solemn mid@night hour-Mrs Bland

Event Comment: An accurate Edition of the [mainpiece] to be had in the Theatre. "The Prince, we observed, wore the regimentals of an English officer, and the star of a knight of the Bath or Garter. We know not well how this can be thought the costume of either Messina or Arragon" (Monthly Mirror, Oct. 1799, p. 237). Receipts: #252 16s. (151.11; 100.11; 0.14)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Song: In II: Masquerade-;, and Stevens' Glee, Sigh no more Ladies-Dignum, Danby, Evans, Danby Jun., Miss Wentworth, Miss Menage

Event Comment: Benefit for Bannister Jun. 2nd piece [1st time; MF 2, by Prince Hoare, Larpent MS 1289; not published; synopsis of plot in Morning Herald, 29 Apr, Author of Prologue unknown]: The new Musick composed by Kelly. Morning Chronicle, 16 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #360 8s. 6d. (272.17.6; 80.9.6; 7.1.6; tickets: none listed) (charge: #213 3s. 7d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Children; or, Give Them their Way

Related Works
Related Work: The Children; or, Give Them Their Way Author(s): Prince Hoare

Afterpiece Title: Sylvester Daggerwood

Event Comment: Mainpiece [1st time; C 5, by Prince Hoare. Prologue by Richard Cumberland; Epilogue by John Taylor (see text)]. Receipts: #220 16s. 6d. (163.9.0; 56.6.6; 1.1.0)

Performances

Mainpiece Title: Indiscretion

Related Works
Related Work: Indiscretion Author(s): Prince Hoare

Afterpiece Title: The Liar

Song: [not listed on playbill.]In: I rise with the morn-Mrs Jordan; IV: a Glee-Dignum, Trueman, Danby (Dramatic Censor, II, 169, 171)

Performances

Mainpiece Title: The Captive Prince; Or, Love And Loyalty; With The Comical Humours Of Falstaff And Antient Pistol

Performance Comment: Prince-Miss Charke; Gloriana-Mrs Smith; Periander-Bowman; Gonzales-Dukes; Philotas-Edwards; Anglaura-Mrs Godwin; Falstaff-Smith; Hostess Quickly-Godwin; Justice Shallow-Adams; Doll Tearsheet-Mrs Freeman; Antient Pistol-Mrs Charke.
Cast
Role: Prince Actor: Miss Charke

Afterpiece Title: Harlequin Sclavonian

Event Comment: The Duke's Company. If the run of The Wits occurred as it is outlined above, this would presumably be the first day of Hamlet. Pepys, Diary: To the Opera, and there saw Hamlet, Prince of Denmark, done with scenes very well, but above all, Betterton did the prince's part beyond imagination. Downes (p. 21): The Tragedy of Hamlet: Hamlet being Perform'd by Mr Betterton, Sir William (having seen Mr Taylor of the Black-Fryars Company Act it, who being Instructed by the Author Mr Shakespear) taught Mr Betterton in every Particle of it; which by his exact Performance of it, gain'd him Esteem and Reputation, Superlative to all other Plays...No succeeding Tragedy for several Years got more Reputation, or Money to the Company than this

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: Mr Colman's Night for the Fairy Prince. Charges #84. Profit to Colman #125 15s. 6d. Paid Messrs Schneider & Otto (furriers) #7 3s.; Paid Dr Arne for composing additional Music for the Fairy Prince #1 11s. 6d. (Account Book). Receipts: #209 15s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Black Prince again: which is now mightily bettered by that long letter being printed, and so delivered to every body at their going in, and some short reference made to it in heart in the play, which do mighty well; but, when all is done, I think it is the worst play of my Lord Orrery's. But here, to my great satisfaction, I did see my Lord Hinchingbroke and his mistress, with her father and mother; and I am mightily pleased with the young lady, being handsome enough--and, indeed, to my great liking, as I would have her. I could not but look upon them all the play

Performances

Mainpiece Title: The Black Prince

Event Comment: The King's Company. Pepys, Diary: All alone to the King's house, and there sat in an upper box, to hide myself, and saw The Black Prince, a very good play; but only the fancy, most of it, the same as in the rest of my Lord Orrery's plays; but the dance very stately; but it was pretty to see how coming after dinner and with no company with me to talk to, and at a play that I had seen, and went to now not for curiosity but only idleness, I did fall asleep the former part of the play, but afterward did mind it and like it very well

Performances

Mainpiece Title: The Black Prince

Event Comment: Benefit Mrs Prince. By reason of the Entertainment, the Play will be shortened. Boxes 6s., pit 4s., gallery 2s. 6d. [Genest, II, 293, lists this for 7 June.

Performances

Mainpiece Title: The Fair Penitent

Song: Four new songs, the Nightingale Song-Francisca Margarita del'Epine, with music composed by Jacomo Greber

Dance: As17030601 Also Mezzetin a Clown and two Chair/men-; Blouzabella-Prince, Mrs Elford