SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ponte Rialto at Venice"/1) | (@(roleclean,performerclean) "Ponte Rialto at Venice")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 969 matches on Performance Title, 98 matches on Event Comments, 58 matches on Author, 39 matches on Performance Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: As17831205

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Junior

Dance: End of Act III, as17830918; End of Act IV, as17831204

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Junior

Dance: As17840122

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Rosin a

Dance: End of Act III of mainpiece, as17830917; End of Act IV The Rival Symphs, as17831119, but Mrs Goodwin [i.e. formerly Miss Byrn]

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Junior

Dance: End of Act III of mainpiece, as17840320End of Act IV, as17840311athi

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Comus

Dance: End of Act III of mainpiece Dance by Byrne and Mrs Goodwin; End of Act IV Dance by Harris and Miss Besford

Song: In afterpiece Sweet Echo, as17840323but accompanied by Foster

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End of Act III of mainpiece, as17841022; End of Act IV, as17841008

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End of Act in of mainpiece, as17840922; End of Act IV, as17840917

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End of Act III of mainpiece Leap Year, as17851010; End of Act IV The Piping Pedlar, as17851112

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love in a Camp

Dance: End of Act III of mainpiece Leap Year [performers not listed, but see17851010]; End of Act IV The Piping Pedlar, as17851112

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Catherine and Petruchio

Dance: End of Act III of mainpiece The Lucky Return, as17860105; End of Act IV Minuet de la Cour, as17860116

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: All the World's a Stage

Dance: End of Act III of mainpiece The Lucky Return, as17860105, but Mills in place of Williamson; End of Act IV Minuet de la Cour, as17860116

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Daphne and Amintor

Dance: End of Act III of mainpiece The Lucky Return, as17860420; End of Act IV, as17860116; In afterpiece, as17860424

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Daphne and Amintor

Dance: As17860429 throughout

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End III: The Piping Pedlar, as17861002

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End IV: The Drunken Sailor Reclaim'd, as17861212

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End IV: The Irish Lilt-Mr and Mrs Ratchford

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: A Mogul Tale

Dance: End III: Love for Love, as17870625 End IV: Dance-Giorgi's Scholars

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Hurly-Burly

Dance: End III: New Dance, as17871026; End IV: The Capricious Lovers, as17870920; In afterpiece: Dancing, as17871123

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Minor

Dance: End III: As17870920; End IV:a Scotch Dance, The Lucky Return-Mills, the Miss Stageldoirs

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End IV: As17871129

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Minor

Dance: As17880105

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End IV: a New Divertisement-Byrne, Mrs Goodwin