SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Pietro Guaccini"/1) | (@(roleclean,performerclean) "Pietro Guaccini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1188 matches on Author, 26 matches on Event Comments, 18 matches on Performance Comments, 12 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cleonice

Dance: Director of the Dances Sg Pietro Sodi

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: New Grand EntertainmentThe Chinese Festival

Performance Comment: Parts-Mons Delaistre, Sg Baletti, Lauchery, Noverre Jun, Dennison, StLeger, Shawford, Mathews, Pochee, L'Clert, Harrison, Granier, Hust, Sarny, Walker, Mrs Vernon, Miss Noverre, Morris, Rooker, Sturt, Atkins, Ackman, Walker, Sga Pietro, Mrs Addison, Mrs Noverre, Robinson, Mrs Gibbons, Mlle Charon, Mlle Rousselet, Mrs Preston, Mlle Rouend, Mrs Philips, Mrs Lawson, Little Pietro, Master Simson, Master Pope, Master Blagden, Master Hust, Master Spilsbury, Miss Bride, Miss Popling, Miss Simson, Miss Heath, Scrase, Jefferson, Burton, Marr, Vaughan, Chamness, Bullbrick, Clough, Allen, Gray, Mrs Bradshaw, Mrs Hippisley, Mrs Mathews, Mrs Simson, Miss Mills.
Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

Performance Comment: ...The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro.
Cast
Role: called Actor: Signor Pietro.

Performances

Mainpiece Title: Ernelinda

Performance Comment: See17130226, but Vitiges-Pietro Guacini newly arriv'd from Italy.

Performances

Mainpiece Title: La Comedia In Comedia

Performance Comment: Lucinda-Angelica Saiz; Celindo-Gaetano Guadagni; Florilind-Filippo Laschi; Dorinna-Anna Laschi; Pandolfo-Pietro Pertici; Nobilia-Caterina Pertici; Marcion-Francesco Bianci; Vespino-Sga Giustina Amoretti [1748 Libretto].1748 Libretto].
Cast
Role: Pandolfo Actor: Pietro Pertici

Dance: GGrand Dance (compos'd by Poitier)-Mlle Poitier, Master Charles, Miss Jenny Poitier

Music: Rinaldo da Capua

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Chaplet

Performance Comment: As17511213, but Rural Dance-Harvey, Sga Pietro.
Cast
Role: Rural Dance Actor: Harvey, Sga Pietro.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Queen Mab

Performance Comment: Harlequin-Woodward; Other parts-Leviez, Blakes, Vaughan, Shuter, the Little Swiss, Miss Rayner, Master Reinhold, Mlle Mariet, Pietro.

Dance: II: The Matelot Basque, as17521005

Song: II: As17520916

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chinese Festival

Performance Comment: As17551112, but Parts-Mons _Delaistre; _StLeger; _Pochee; _Granier; _Walker; _Atkins; Sga _Pietro; Mrs _Addison; Mlle _Charon; Mlle _Rousselet; Mrs _Philips; Mrs _Lawson; _Scrase; _Jefferson; _Vaughan; _Burton; _Marr; _Chamness; _Bullbrick; _Clough; _Allen; _Gray; Mrs _Bradshaw; Mrs _Hippisley; Mrs _Mathews; Mrs _Simson; Miss _Mills, _Lewis. _StLeger; _Pochee; _Granier; _Walker; _Atkins; Sga _Pietro; Mrs _Addison; Mlle _Charon; Mlle _Rousselet; Mrs _Philips; Mrs _Lawson; _Scrase; _Jefferson; _Vaughan; _Burton; _Marr; _Chamness; _Bullbrick; _Clough; _Allen; _Gray; Mrs _Bradshaw; Mrs _Hippisley; Mrs _Mathews; Mrs _Simson; Miss _Mills, _Lewis.

Performances

Mainpiece Title: Arianna E Teseo

Performance Comment: Minos-Gaetano Quilici; Ariadne-Signora Colomba Mattei; Theseus-Filipo Elisi; Tauris-Pietro Sorbelloni; Laodice-Signora Angiola Calori; Alcestes-Signora Teresa Eberardi; Director-Giocchino Cocchi; New Musical Prologue before the Opera begins-Signora Mattei--1760 Libretto; Director of Dancers-Gherardi; Dancers-Gherardi, Mlle Asselin, Polly Capitani, Tariot (Larpent MS).
Cast
Role: Tauris Actor: Pietro Sorbelloni

Performances

Mainpiece Title: Il Filosofo Di Campagna

Performance Comment: Eugenia-Signora Angiola Calori; Rinaldo-Pietro Sorbellini; Nardo-Carlo Paganini; Lesbina-Signora Angiola Paganini; Capocchio-Christiano Tedeschini; Mezzi Caratteri Don Tritemio-Gaetano Quilici; Lena-Signora Teresa Eberardi (Libretto, 1761).
Cast
Role: Rinaldo Actor: Pietro Sorbellini

Dance: New Dances , as17601216-Gherardi, Mlle Asselin, Polly Capitani, Tariot

Performances

Mainpiece Title: Tito Manlio

Performance Comment: Tito-Quilici; Manlio-Filippo Elisi; Servilla-Sga Colomba Mattei; Sabina-Sga Angiola Calari; Lucio-Pietro Sorbelloni; Decio-Sga Teresa Eberardi Edition of 1761.
Cast
Role: Lucio Actor: Pietro Sorbelloni

Dance: New dances-Gerhardi (Ballet Master);Mlle Asselin, Giorgi Benety, Sga Anna Benety, Miss Capitani, Mr Tariot

Performances

Mainpiece Title: La Pescatrici

Performance Comment: Lindoro-Pietro Sarbelloni; Eurilda-Sga Angiola Caroli; Lesbina-Sga Angiola Paganini; Nerina-Sga Teresa Eberardi; Frissellino-Carlo Paganini; Burlatto-Gaetano Quilici; Mastricco-Cristiano Tedeschini; Dancers-Gerhardi, Mlle Asselin, Binetti, Sga BinettiEdition of 1761.
Cast
Role: Lindoro Actor: Pietro Sarbelloni

Performances

Mainpiece Title: Il Mercato Di Malmantile

Performance Comment: Conte della Rocca-Sga Rosa Curioni; Marchioness Giacinta-Sga Angiola Sartori; Lampridio-Carlo Paganini; Lena-Sga Angiola Paganini; Rubicone-Giambatista Zonca; Brigida-Sga Teresa Eberardi; Berto-Pietro Leonardi (Libretto of 1761).
Cast
Role: Berto Actor: Pietro Leonardi

Dance: Director of Dances-Gallini; Dancers-Gallini, Mlle Asselin, Binetti, Sga Binetti

Music: Domenico Fischetti

Performances

Mainpiece Title: Senocrita

Performance Comment: Senocrita-Regina Mingotti; Aristodemo-Antonio Mazzioti; Timotele-Giuseppe Giustinelle; Cleonice-Signora Angiola Sartori; Fenicia-Signora Madelena Tagnoni; Ippomedonte-Nicolo Peretti; Eurito-Signora Cecilia Baini; Director of Dances-Pietro Sodi.

Dance: I: As17640214; II: New Dance-Bernardi, Marcucci; II: Le Marriage du Village-Duberval, Miss Auretti

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Duke of Venice-Packer; Anthonio-Wroughton; Bassanio-Barrymore; Salanio-Whitfield; Salarino-Campbell; Gratiano-R. Palmer; Lorenzo-Dignum; Shylock-Kemble; Tubal-Maddocks; Launcelot-Suett; Gobbo-Hollingsworth; Leonardo-Cooke; Balthazar-Trueman; Pietro-Webb; Stephano-Evans; Portia-Mrs Siddons; Nerissa-Miss DeCamp; Jessica-Mrs Bland.
Cast
Role: Pietro Actor: Webb

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17961216, but Gobbo-_; Leonardo-_; Balthazar-_; Pietro-_; Stephano-_.
Cast
Role: Pietro Actor: Webb

Afterpiece Title: A Friend in Need

Song: In afterpiece: As17970210 In III: a new Duett (composed by Shaw) [In vows of everlasting truth (BUC 942)]-Dignum, Mrs Bland; In afterpiece: As17970210

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Diamond Cut Diamond; or, The Venetian Revels

Performance Comment: [Principal Characters-Incledon, Knight, Townsend, Powel, Simmons, Curties, Munden, Mrs Mountain, Mrs Clendining, Mrs Martyr; Partial cast adjusted from musical score (A. Bland & Weller [1797]); Martino-Incledon; Durazzo-Townsend; Doctor Vivaldo-Munden; Adriana-Mrs Mountain; Julia-Mrs Clendining; Rosa-Mrs Martyr; [Larpent MS 1172 lists the other parts: Claudio-; Uberto-; Lento-; Pietro-.
Cast
Role: Pietro Actor: .

Performances

Mainpiece Title: Ines De Castro

Performance Comment: [Principal Characters by Rovedino, Viganoni, Mme Banti. Cast from libretto (Da Ponte [1799]: Rodrigo-Rovedino; Don Pietro-Viganoni; Alfonso-Benelli; Fernando-DeGiovanni; Ines-Mme Banti; La Regina-Sga Pastorelli.
Cast
Role: Don Pietro Actor: Viganoni

Dance: As17990101

Performances

Mainpiece Title: Ines De Castro

Performance Comment: [Principal Characters by Viganoni, Rovedino, Benelli, Mme Banti. Cast from libretto (Da Ponte [1800]: Don Pietro-Viganoni; Rodrigo-Rovedino; Alfonso-Benelli; Fernando-DeGiovanni; Ines-Mme Banti; La Regina-Sga Pastorelli.
Cast
Role: Don Pietro Actor: Viganoni

Dance: As18000304

Event Comment: Evelyn, Diary: Came to my house some German strangers, & Signor Pietro Reggio a famous Musitian, who had ben long in Sweden in Queene Christina s Court: he sung admirably to a Guittar & has a perfect good tenor & base: & had set to Italian composure, many of Abraham Cowleys Pieces which shew'd extremely well

Performances

Mainpiece Title: Concert

Event Comment: Evelyn, Diary: I din'd at my Lord Falklands, Tressurer of the Navy, where after dinner we had rare Musique, there being amongst others Signor Pietro Reggio and Signor Jo. Battist bothe famous, the one for his Voice, & the other his playing on the Harpichord, few if any in Europe exceeding him

Performances

Mainpiece Title: Concert

Event Comment: Benefit Pietro Castrucci Romano

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Benefit Pietro. Boxes and Pit half a guinea. Gallery 2s. 6d. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

Related Works
Related Work: Cato Author(s): Pietro Metastasio