SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Phillips"/1) | (@(roleclean,performerclean) "Phillips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1204 matches on Roles/Actors, 342 matches on Performance Comments, 121 matches on Event Comments, 120 matches on Performance Title, and 80 matches on Author.

Performances

Afterpiece Title: The Englishman in Paris

Performances

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: First Love

Afterpiece Title: My Grandmother

Dance: End: As17950601 but New Reel-Mrs _Fialon

Event Comment: Benefit for Stoppelaer and Phillips. Charges #76 15s. 9d. [made up from half-house and wardrobe charge #33 2s. 9d. plus half-value of tickets #43 13s. House also received half the ready receipts, #41 14s. 9d. By paying over the other half of the ready money receipts, Stoppelaer still owed #35 1s., which was cover'd by the income from his tickets, #87 6s. (Box 98; Pit 278; Gallery 211). Phillips bore no expense and his tickets were gratis. He rec'd #16 12s. from them (Box 61; Pit 9).] Receipts: #83 9s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Dr Faustus

Dance: II: The Drunken Peasant(Peasant)-Phillips,(who has not appeared on that stage these 20 years; Clown) Banks. [See17650429.

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: The men's roles-young Gentlemenfor their Diversion. [A notice for 16 Aug. states that Chamont was played by Phillips, an Oxford student.]A notice for 16 Aug. states that Chamont was played by Phillips, an Oxford student.]

Song:

Dance: To be expressed in the Great Bills

Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Performances

Mainpiece Title: Psyche Debauched

Event Comment: Intelligence Domestick and Foreign, 21-25 June 1695: One Phillips, a Dancer in the Playhouse, is Committed to Newgate for being one of those concerned in the Robbery of the Theatre in Dorset-Garden, and a great many of their Habits are recovered again, but plundered of their Silver and Gold Lace, Fringes, &c. [See also Wilson, Theatre Notes from the Newdigate Newsletters, p. 82.

Performances

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: Hametalhaz-the young gentleman who played Chamont on 7 July (Phillips); who speaks a new Epilogue-the young gentleman.

Song:

Dance:

Event Comment: [According to the Poetical Courant, 6 April, a private performance of Caius Marius by several Gentlemen for their Diversion" had been acted by this date. A Prologue by Mrs Phillips is printed in that issue of the Poetical Courant.

Performances

Mainpiece Title: The Wonders In The Sun

Event Comment: [By Ambrose Phillips.] At the Desire of several Ladies of Quality. William Egerton: And in the Spring came on Mr Phillips's Tragedy, The Distrest Mother. Mrs Rogers, an Actress, who in her Turn, had made a considerable Figure on the Stage, was designed the Part of (Andromache, Hector's Widow, &. i.e.) the Distrest Mother. But the Author, as well as his Friends, were soon convinced that Mrs Oldfield was infinitely the more accomplished Person for so Capital a Part. Upon its being given to Her, Mrs Rogers raised a Posse of Profligates, fond of Tumult and Riot, who made such a Commotion in the House, that the Court hearing of it send four of the Royal Messengers, and a strong Guard, to suppress all Disorders. This being effected, the Play was brought upon the Stage and crowned with deserved Success (Egerton, pp. 31-32)

Performances

Mainpiece Title: The Distrest Mother

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Song: Ray

Dance: Thurmond Jr, Topham, Miss Smith

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Dance: Weaver, Shaw, Mrs Booth, Mrs Bicknell

Performances

Mainpiece Title: The Bondman

Afterpiece Title: Harlequin Turn'd Judge

Dance: Weaver, Shaw, Thurmond Jr, Mrs Bicknell, Mrs Younger, Mrs Tenoe; Tollet's Ground-Mrs Bicknell, Mrs Younger

Event Comment: [By William Phillips.] Never Acted before. The Characters all new Dress'd. Receipts: #57 10s. 6d

Performances

Mainpiece Title: Hibernia Freed

Event Comment: [By Ambrose Phillips.] Never Acted before. With new Habits. [See also Weekly Journal or Saturday's Post, 24 Feb., and Freeholder's Journal, 21 Feb.

Performances

Mainpiece Title: The Briton

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips
Event Comment: As 11 Jan. Benefit Cap. Phillips. Receipts: money #37 15s. 6d.; tickets #63

Performances

Mainpiece Title: Every Man In His Humour