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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Philip Massinger"/1) | (@(roleclean,performerclean) "Philip Massinger")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1373 results for: Keyword - Philip Massinger
We found 808 matches on Author, 458 matches on Performance Comments, 87 matches on Event Comments, 78 matches on Performance Title, and 0 matches on Roles/Actors.

351
26 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Related Works
Related Work: A New Way to Pay Old Debts Author(s): Philip Massinger

Afterpiece Title: Whos the Dupe

Dance: As17840320athi

352
27 May 1784 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Related Works
Related Work: A New Way to Pay Old Debts Author(s): Philip Massinger

Afterpiece Title: The Flitch of Bacon

Dance: As17840525

353
02 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Related Works
Related Work: A New Way to Pay Old Debts Author(s): Philip Massinger

Afterpiece Title: Harlequin Junior

Dance: As17841002

354
29 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of Honour

Related Works
Related Work: The Maid of Honour Author(s): John Philip Kemble

Afterpiece Title: Bon Ton

355
10 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of Honour

Related Works
Related Work: The Maid of Honour Author(s): John Philip Kemble

Afterpiece Title: Liberty Hall

356
17 May 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Related Works
Related Work: A New Way to Pay Old Debts Author(s): Philip Massinger

Afterpiece Title: The Caldron

Dance: End of Act III of mainpiece the Minuet de la Cour and Gavot by Master Butler and a Young Lady [unidentified] (both Scholars to Miller); End of mainpiece a Double Hornpipe by Master Butler and the same Young Lady

357
18 May 1785 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Related Works
Related Work: A New Way to Pay Old Debts Author(s): Philip Massinger

Afterpiece Title: The Deserter

Dance: End of Act I of mainpiece the Minuet de la Cour by Harris and Miss Besford; After Mrs Kennedy's song The Wapping Landlady; or, Jack in Distress by Blurton

Song: End of Act II of mainpiece Alas! Poor Sue, as17850418; End of mainpiece a favourite song by Mrs Kennedy

358
05 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Related Works
Related Work: A New Way to Pay Old Debts Author(s): Philip Massinger

Afterpiece Title: Arthur and Emmeline

Related Works
Related Work: Arthur and Emmeline Author(s): John Philip Kemble

Dance: End of Act II of mainpiece a new Scotch Dance, The Lucky Return, by Williamson, Mrs Sutton, Miss J. Stageldoir, and others

359
13 January 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Related Works
Related Work: A New Way to Pay Old Debts Author(s): Philip Massinger

Afterpiece Title: The First Floor

Dance: End III: a new Dance, La Soiree Provencalle-the two young D'Egvilles, Miss DeCamp

360
14 December 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Related Works
Related Work: A New Way to Pay Old Debts Author(s): Philip Massinger

Afterpiece Title: Comus

Dance: End III: The Capricious Lovers, as17870920

361
25 March 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Related Works
Related Work: A New Way to Pay Old Debts Author(s): Philip Massinger

Afterpiece Title: Harlequin Junior

362
12 June 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Related Works
Related Work: A New Way to Pay Old Debts Author(s): Philip Massinger

Afterpiece Title: The Waterman

Dance: As17880607

363
16 January 1727 @ Lincoln's Inn Fields

Event Comment: [By Philip Frowde.] All the Characters new Dress'd. Receipts: #148 3s. Probable attendance: boxes, 198 paid and 17 orders; balcony, 1 paid; pit, 283 paid and 3 orders; first gallery, 409 paid and 1 orders; slips, 64 paid; second gallery, 82 paid

Performances

Mainpiece Title: The Fall Of Saguntum

Related Works
Related Work: The Fall of Saguntum Author(s): Philip Frowde

364
23 February 1754 @ Covent Garden

Event Comment: A New Tragedy by Dr Philip? Francis, author of Eugenia, --went off very indifferently (Cross). [This tragedy is mercilessly attacked in The Tuner No 2 by Paul Hiffernan, who compares its phrasing in a dozen instances with similar, but more perfect phrasing in Shakespeare.

Performances

Mainpiece Title: Constantine

Related Works
Related Work: Constantine Author(s): Philip Francis

365
02 May 1727 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Philip Of Macedon

Performance Comment: Principal Parts-Hulett, Walker, Ryan, Milward, Quin, Ogden, Mrs Younger, Mrs Berriman, but edition of 1727 lists: Perses-Walker; Philip-Hulett; Demetrius-Ryan; Antigonus-Milward; Lysimachus-Ogden; Onomastus-Horton; Didas-Quin; Herodorus-Lacy; Philocles-Berriman; Xychus-Morgan; Olympias-Mrs Younger; Isteria-Mrs Berriman; Prologue-Ryan; Epilogue-Mrs Younger.
Cast
Role: Philip Actor: Hulett

366
04 February 1668 @ Whitehall or St. James's

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Related Works
Related Work: Horace Author(s): Katherine Philips

367
15 February 1723 @ Drury Lane Theatre

Event Comment: [Written by Ambrose Philips.] Weekly Journal or Saturday's Post, 23 Feb.: If we consider the Performance of this Play, we shall find, that the Poet is not much beholding to the Actors; for, the two Women Parts excepted, the whole Play was but wretchedly perform'd

Performances

Mainpiece Title: Humphrey Duke Of Gloucester

Related Works
Related Work: Humphrey, Duke of Gloucester Author(s): Ambrose Philips

368
14 April 1724 @ Lincoln's Inn Fields

Event Comment: [By William Philips.] Receipts: #26 19s. 6d. Weekly Journal or Saturday's Post, 18 April: But how contemptible an Opinion must the next Generation have of this Age, if it should be known amongst them; that the first Night this Tragedy appear'd upon the Stage, it did not Bring half a House, because it happen'd to be upon a Masquerade Night

Performances

Mainpiece Title: Belisarius

Related Works
Related Work: Belisarius Author(s): William Philips

369
23 March 1736 @ Drury Lane Theatre

Event Comment: Benefit Cibber. At the Desire of several Ladies of Quality. Mainpiece: Taken from Racine by Mr Philips. [Tickets at Cibber's House in Great Queen Street.]

Performances

Mainpiece Title: The Distrest Mother

Related Works
Related Work: The Distrest Mother Author(s): Ambrose Philips

Afterpiece Title: The Lottery

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. III: Le Ballet d'Amour by Denoyer, Mlle Anne Roland, &c. IV: Rover by Essex, Mrs Walter, Miss Mann, &c. V: French Peasants by Poitier, Mlle Roland, &c

370
18 March 1780 @ Covent Garden

Event Comment: Benefit for Lewis. Morning Chronicle, 15 Mar.: Tickets to be had of Lewis at his house, Broad-Court. Mainpiece: Not acted these 20 years [not acted since 2 May 1758]. 2nd piece [1st time in London; INT I: ascribed to John Philip Kemble, 1st acted at York, 27 Mar. 1779]. Receipts: #230 5s. (192.9; tickets: 37.16) (charge: #105)

Performances

Mainpiece Title: The Double Gallant Or The Sick Lady Cured

Afterpiece Title: The School For Scandal Scandalizd

Related Works
Related Work: The School for Scandal Scandaliz'd Author(s): John Philip Kemble

Afterpiece Title: The Flitch of Bacon

371
22 November 1784 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; ENT 2]: Consisting of Dialogue, Music [chiefly by Henry Purcell and Thomas Linley Sen. (Boaden, Kemble, I, 225)], and Machinery. Altered from [David Garrick's alteration of] King Arthur, by Dryden. With great Variety of very capital Scenery, new Dresses, and Decorations. [The alteration was probably made by John Philip Kemble.] Receipts: #148 11s. (107/13/0; 39/17/6; 1/0/6)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Arthur and Emmeline

Related Works
Related Work: Arthur and Emmeline Author(s): John Philip Kemble

372
18 February 1786 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time in London; F 2, by John Philip Kemble, 1st acted at Manchester, 25 Mar. 1778, as The Female Officer. MS: Larpent 723; not published; synopsis of plot in Public Advertiser, 20 Feb. Prologue by James Cobb (European Magazine, Feb. 1786, p. 129)]. Receipts: #222 8s. 6d. (192/0/0; 29/6/0; 0/7/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Projects

Related Works
Related Work: The Projects Author(s): John Philip Kemble

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

373
28 November 1788 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; C 3, by John Philip Kemble, based on 'Tis Well It's No Worse, by Isaac Bickerstaffe]. Morning Chronicle, 13 Mar. 1789: This Day is published The Pannel (1s.). Receipts: #204 8s. (165.3.0; 38.1.6; 1.3.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Pannel

Related Works
Related Work: The Pannel Author(s): John Philip Kemble

374
07 February 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [altered by John Philip Kemble; see text (J. Christie, 1789)]. In Act II an Ovation, or Entry of Coriolanus into Rome. In Act V a Procession of Roman Matrons to the Volscian Camp. [These were included in all subsequent performances.] Afterpiece: Regattav, as 13 Sept. 1788. Receipts: #196 13s. 6d. (170.14.0; 24.11.6; 1.8.0)

Performances

Mainpiece Title: Coriolanus Or The Roman Matron

Related Works
Related Work: Coriolanus; or, The Roman Matron Author(s): John Philip Kemble

Afterpiece Title: The Waterman

375
01 May 1789 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Miss Farren, "but on account of the sudden indisposition of Miss Farren her part in the play was read by Mrs Ward, who gave it with great effect, and having studied Miss Farren's manner, was a very tolerable substitute" (Diary, 2 May).] Afterpiece [1st time; C 3, by John Philip Kemble]: Taken from [The Country Lasses; or] The Custom of the Manor [by Charles Johnson]. Diary, 6 May 1789: This Day is published The Farm House (1s.). And see 6 May. Receipts: #165 3s. (125.12.0; 34.18.6; 4.12.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: The Farm House

Related Works
Related Work: The Farm House Author(s): John Philip Kemble