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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Philip Frowde Esq "/1) | (@(roleclean,performerclean) "Philip Frowde Esq ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1677 results for: Keyword - Philip Frowde, Esq</i>-
We found 808 matches on Author, 490 matches on Performance Comments, 368 matches on Event Comments, 83 matches on Performance Title, and 0 matches on Roles/Actors.

26
23 February 1754 @ Covent Garden

Event Comment: A New Tragedy by Dr Philip? Francis, author of Eugenia, --went off very indifferently (Cross). [This tragedy is mercilessly attacked in The Tuner No 2 by Paul Hiffernan, who compares its phrasing in a dozen instances with similar, but more perfect phrasing in Shakespeare.

Performances

Mainpiece Title: Constantine

Related Works
Related Work: Constantine Author(s): Philip Francis

27
27 February 1758 @ Covent Garden

Event Comment: Receipts: #135 16s. Paid Col. Philip Honywood one night's rent of one share commencing this day 2 shillings (Account Book)

Performances

Mainpiece Title: The Prophetess

28
08 November 1783 @ Covent Garden

Event Comment: Mainpiece [1st time; tc 5]: Altered from [The Picture, by Philip] Massinger [by Henry Bate; incidental music by William Shield. Prologue by William Pearce (see text)]. With New Dresses, Scenery, &c. Afterpiece: Written by O'Keeffe. London Chronicle, 10 Nov., prints the words of the Chorus, and also of a song sung by Quick, Poor Hillario, once so jolly, and of one sung by Mrs Martyr, Would you view the loveliest rose. Receipts: #209 16s. (205/3; 4/13)

Performances

Mainpiece Title: The Magic Picture

Related Works
Related Work: The Picture Author(s): Philip Massinger

Afterpiece Title: The Poor Soldier

Song: In Act II of mainpiece a Grand Chorus [Crowned with conquest] by Bannister, Reinhold, Johnstone, Mattocks, Brett, Mahon, Doyle, Darley; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Kennedy. [For songs, see below.]

29
04 April 1733 @ Covent Garden

Performances

Mainpiece Title: The Fatal Secret

Performance Comment: Parts-Ryan, Quin, Walker, Milward, Chapman, Hall, Aston, Paget, Mrs Hallam, Mrs Kilby, Miss Binks; but edition of 1735 lists: Ferdinand-Ryan; +Cardinal of Arragon-Walker; +Young Duke of Malfy-Miss Binckes; +Antonio-Milward; +Delio-Hale; +Marquise of Pescara-Chapman; +Bosola-Quin; +Flavio-Paget; +Urbino-Aston; +Dutchess of Malfy-Mrs Hallam; +Cariola-Mrs Kilby. Prologue by Philip Frowde, Esq-; Epilogue for $the Dutchess-.
Cast
Role: Cariola Actor: Mrs Kilby. Prologue by Philip Frowde, Esq-
Role: Esq Actor:

30
02 May 1727 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Philip Of Macedon

Performance Comment: Principal Parts-Hulett, Walker, Ryan, Milward, Quin, Ogden, Mrs Younger, Mrs Berriman, but edition of 1727 lists: Perses-Walker; Philip-Hulett; Demetrius-Ryan; Antigonus-Milward; Lysimachus-Ogden; Onomastus-Horton; Didas-Quin; Herodorus-Lacy; Philocles-Berriman; Xychus-Morgan; Olympias-Mrs Younger; Isteria-Mrs Berriman; Prologue-Ryan; Epilogue-Mrs Younger.
Cast
Role: Philip Actor: Hulett

31
04 February 1668 @ Whitehall or St. James's

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Related Works
Related Work: Horace Author(s): Katherine Philips

32
15 February 1723 @ Drury Lane Theatre

Event Comment: [Written by Ambrose Philips.] Weekly Journal or Saturday's Post, 23 Feb.: If we consider the Performance of this Play, we shall find, that the Poet is not much beholding to the Actors; for, the two Women Parts excepted, the whole Play was but wretchedly perform'd

Performances

Mainpiece Title: Humphrey Duke Of Gloucester

Related Works
Related Work: Humphrey, Duke of Gloucester Author(s): Ambrose Philips

33
14 April 1724 @ Lincoln's Inn Fields

Event Comment: [By William Philips.] Receipts: #26 19s. 6d. Weekly Journal or Saturday's Post, 18 April: But how contemptible an Opinion must the next Generation have of this Age, if it should be known amongst them; that the first Night this Tragedy appear'd upon the Stage, it did not Bring half a House, because it happen'd to be upon a Masquerade Night

Performances

Mainpiece Title: Belisarius

Related Works
Related Work: Belisarius Author(s): William Philips

34
23 March 1736 @ Drury Lane Theatre

Event Comment: Benefit Cibber. At the Desire of several Ladies of Quality. Mainpiece: Taken from Racine by Mr Philips. [Tickets at Cibber's House in Great Queen Street.]

Performances

Mainpiece Title: The Distrest Mother

Related Works
Related Work: The Distrest Mother Author(s): Ambrose Philips

Afterpiece Title: The Lottery

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. III: Le Ballet d'Amour by Denoyer, Mlle Anne Roland, &c. IV: Rover by Essex, Mrs Walter, Miss Mann, &c. V: French Peasants by Poitier, Mlle Roland, &c

35
18 March 1780 @ Covent Garden

Event Comment: Benefit for Lewis. Morning Chronicle, 15 Mar.: Tickets to be had of Lewis at his house, Broad-Court. Mainpiece: Not acted these 20 years [not acted since 2 May 1758]. 2nd piece [1st time in London; INT I: ascribed to John Philip Kemble, 1st acted at York, 27 Mar. 1779]. Receipts: #230 5s. (192.9; tickets: 37.16) (charge: #105)

Performances

Mainpiece Title: The Double Gallant Or The Sick Lady Cured

Afterpiece Title: The School For Scandal Scandalizd

Related Works
Related Work: The School for Scandal Scandaliz'd Author(s): John Philip Kemble

Afterpiece Title: The Flitch of Bacon

36
22 November 1784 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; ENT 2]: Consisting of Dialogue, Music [chiefly by Henry Purcell and Thomas Linley Sen. (Boaden, Kemble, I, 225)], and Machinery. Altered from [David Garrick's alteration of] King Arthur, by Dryden. With great Variety of very capital Scenery, new Dresses, and Decorations. [The alteration was probably made by John Philip Kemble.] Receipts: #148 11s. (107/13/0; 39/17/6; 1/0/6)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Arthur and Emmeline

Related Works
Related Work: Arthur and Emmeline Author(s): John Philip Kemble

37
18 February 1786 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time in London; F 2, by John Philip Kemble, 1st acted at Manchester, 25 Mar. 1778, as The Female Officer. MS: Larpent 723; not published; synopsis of plot in Public Advertiser, 20 Feb. Prologue by James Cobb (European Magazine, Feb. 1786, p. 129)]. Receipts: #222 8s. 6d. (192/0/0; 29/6/0; 0/7/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Projects

Related Works
Related Work: The Projects Author(s): John Philip Kemble

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

38
28 November 1788 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; C 3, by John Philip Kemble, based on 'Tis Well It's No Worse, by Isaac Bickerstaffe]. Morning Chronicle, 13 Mar. 1789: This Day is published The Pannel (1s.). Receipts: #204 8s. (165.3.0; 38.1.6; 1.3.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Pannel

Related Works
Related Work: The Pannel Author(s): John Philip Kemble

39
07 February 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [altered by John Philip Kemble; see text (J. Christie, 1789)]. In Act II an Ovation, or Entry of Coriolanus into Rome. In Act V a Procession of Roman Matrons to the Volscian Camp. [These were included in all subsequent performances.] Afterpiece: Regattav, as 13 Sept. 1788. Receipts: #196 13s. 6d. (170.14.0; 24.11.6; 1.8.0)

Performances

Mainpiece Title: Coriolanus Or The Roman Matron

Related Works
Related Work: Coriolanus; or, The Roman Matron Author(s): John Philip Kemble

Afterpiece Title: The Waterman

40
01 May 1789 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Miss Farren, "but on account of the sudden indisposition of Miss Farren her part in the play was read by Mrs Ward, who gave it with great effect, and having studied Miss Farren's manner, was a very tolerable substitute" (Diary, 2 May).] Afterpiece [1st time; C 3, by John Philip Kemble]: Taken from [The Country Lasses; or] The Custom of the Manor [by Charles Johnson]. Diary, 6 May 1789: This Day is published The Farm House (1s.). And see 6 May. Receipts: #165 3s. (125.12.0; 34.18.6; 4.12.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: The Farm House

Related Works
Related Work: The Farm House Author(s): John Philip Kemble

41
22 December 1789 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; F 2 (?), by John Philip Kemble. Not in Larpent MS; not published]: Taken from Woman's Revenge [by Christopher Bullock]. Kemble Mem.: Trick upon Trick is taken from Bullock's Match in Newgate [i.e. the 2nd title of Woman's Revenge]...my handy-work. Receipts: #200 16s. (172.9.0; 27.11.6; 0.10.6; ticket not come in: 0.5.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Trick upon Trick

Related Works
Related Work: Trick Upon Trick Author(s): John Philip Kemble

Dance: As17891204

42
08 March 1790 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by John Philip Kemble]: Taken from [The Rover, by] Mrs Behn, with considerable Alterations. With new Dresses and Decorations. Receipts: #165 14s. 6d. (133.8.0; 31.14.0; 0.12.6)

Performances

Mainpiece Title: Love In Many Masks

Performance Comment: [Characters-Barrymore, R. Palmer, Wroughton, Kemble, Whitfield, Bannister Jun., Suett, Phillimore, Benson, Lyons, Webb, Maddocks, Alfred, Master Gregson, Master Grimaldi, Miss Gawdry, Fairbrother, Mrs Powell, Mrs Jordan, Mrs Kemble, Mrs Ward, Mrs Hedges, Mrs Heard, Miss Tidswell, Miss Barnes. Cast from text (T. and J. Egerton [1790]): Don Antonio-Barrymore; Don Pedro-R. Palmer; Belville-Wroughton; Willmore-Kemble; Frederick-Whitfield; Blunt-Bannister Jun.; Stephano-Suett; Sancho-Phillimore; Philippo-Benson; Sebastian-Lyons; Biskey-Webb; Officer-Maddocks; Soldier-Alfred; Antonio's Page-Master Gregson; Helena's Page-Master Grimaldi; Blunt's Boy-Miss Gawdry; Taylor-Fairbrother; Florinda-Mrs Powell; Helena-Mrs Jordan; Valeria-Mrs Kemble; Angelica-Mrs Ward; Moretta-Mrs Hedges; Callis-Mrs Heard [in text: Mrs Booth]; Lucetta-Miss Tidswell; Flower Girl-Miss Barnes.
Cast
Role: Philippo Actor: Benson
Related Works
Related Work: Love In Many Masks Author(s): John Philip Kemble

Afterpiece Title: The Deaf Lover

Dance: End: a new Comic Dance, The Elopement; or, Marriage-a-la-Mode-the young D'Egvilles, Miss Blanchet, Miss DeCamp

43
09 June 1794 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 3, by John Philip Kemble, adapted from LODOISKA; ou, Les Tartares, by Jean Elie Bedeno Deiaure]: The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by Storace. With entirely new Dresses, Scenes, Decorations and Machinery. [Scenery for Acts I and III was by Greenwood, for Act II by Malton, Lupino and Demaria; machinery was by Cabanel (see text).] Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Oct. 1794: This day is published LODOISKA (1s. 6d.). Powell, 7 June: Lodoiska rehearsed at 12 and at night (Bannister Jun., Hobler absent). 8 June: Lodoiska rehearsed at night at 6. 9 June: Lodoiska rehearsed at 12. Receipts: #318 1s. (213/11; 101/15; 2/15)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: LODOISKA

Related Works
Related Work: Lodoiska Author(s): John Philip Kemble

44
30 December 1794 @ Drury Lane Theatre

Event Comment: A new Edition of Measure for Measure [altered by John Philip Kemble] to be had in the Theatre. Powell: Miss Leak absent from this Evening's Performance, Ill. New Ballet rehearsed at 12. Receipts: #248 8s. 6d. (193.2.6; 53.18.0; 1.8.0)

Performances

Mainpiece Title: Measure For Measure

Related Works
Related Work: Measure for Measure Author(s): John Philip Kemble

Afterpiece Title: Lodoiska

Related Works
Related Work: Lodoiska Author(s): John Philip Kemble

45
21 October 1795 @ Drury Lane Theatre

Event Comment: Mainpiece [Altered by John Philip Kemble]: With new Scenes and Dresses. The Scenes painted by Marinari, and the Dresses design'd by Johnston and Miss Rein. [Kemble introduced a tableau of the conspirators being led to their execution, to the sound of tolling bells and muffled drums. This scene held the stage for many years.] Receipts: #269 16s. (208.18.6; 59.10.0; 1.7.6)

Performances

Mainpiece Title: Venice Preservd

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: The Prize

46
29 April 1737 @ Drury Lane Theatre

Event Comment: Benefit Philips, the Harlequin. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The Harlots Progress

Performance Comment: See17361012, but Kitty-Mrs Clive; Harlequin-Philips; Mordecai-Stoppelaer; Debauchee-Berry; Poudre-Este.
Cast
Role: Harlequin Actor: Philips

Dance: I: Peasant-Philips, Mrs Anderson; II: Turkish Dance-Muilment; III: Drunken Peasant-Phillips; IV: Black Joak-Philips, Miss Mann

Music: Comic Medley Overture-composed by Lampe

47
17 December 1736 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Daily Advertiser, 18 Dec.: Yesterday at about Six in the Morning died Mr John Mills, a celebrated Comedian, after an Illness of ten or twelve Days: The last Time of his appearing upon the Stage was on Saturday se'nnight last, in the Character of the sick King in the second Part of Henry IV

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Black Joak-Philips, Miss Mann; II: English Maggot-Villeneuve, Mrs Walter

48
08 February 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Colley Cibber, Esq; Poet Laureat. Afterpiece: Written by the Author of the Toy Shop

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Drunken Peasant-Philips; III: Muilment; V: Tambourine-Mlle Roland

49
26 April 1737 @ Drury Lane Theatre

Event Comment: Benefit the Daughter of the late Mr Mills. Mainpiece: Written by the late $J. Hughes, Esq.

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Virgin Unmaskd

Dance: EEnglish Maggot-Villeneuve, Mrs Walter; Drunken Peasant-Philips; Russian Sailor-Denoyer

50
28 January 1738 @ Drury Lane Theatre

Event Comment: By Desire. Mainpiece: Written by the late J. Hughes, Esq. London Evening Post, 28 Jan.: It's remarkable that the new Comedy call'd The Nest of Plays...and the new Farce call'd The Coffee House...and which are the two first that have been perform'd since the Act of Parliament took Place, obliging all Plays, Farces, &c. to be licens'd before play'd, were both damn'd by the Town

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Grand Volgi

Music: Select Pieces-

Dance: I: Flanderkins, as17380120 II: Drunken Peasant-Philips; III: Grand Polish Dance-Haughton, Mrs Walter, Liviez, Pelling, Vallois, Rector, Mrs Thompson, Mrs Pelling, Mrs Woodward, Miss Brett