Event Comment: Benefit for Fawcett and Butler. Receipts: #266 16s. 6d. (30/7/0; 11/6/6; 0/3/6; tickets: 224/19/6) (charge: #110 18s. 7d.)

Event Comment: Benefit for Wright and Butler. Morning Chronicle, 17 Apr.: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Afterpiece: With Alterations and Additions. Not acted these 4 years. To conclude with a Grand Sea-Fightv, Dance, etc. [These were included in both subsequent performances.] The Scenery designed by DeLoutherbourg, and executed under his direction. Receipts: #276 14s. 6d. (52.9.0; 12.5.6; 0.4.0; tickets: 211.16.0) (charge: #74 14s.)

Event Comment: Benefit for Fawcett and Butler. Morning Herald, 27 Apr.: Tickets to be had of Fawcett, Craven-buildings, Drury-lane; of Butler, next door to the stage-door, Little Russel-street, Covent-garden. Receipts: #281 16s. 6d. (43/0/0; 8/1/6; 0/8/0; tickets: 230/7/0) (charge: #109 2s. 6d.)

Event Comment: Benefit for Wright and Butler, carpenter. Tickets sold at the Doors will not be admitted. Receipts: #226 3s. (29.16.0; 12.15.6; 0.5.6; tickets: 183.6.0) (charge: none listed)

Event Comment: Benefit for Fawcett and Butler. Tickets delivered for False Delicacy will be taken. Tickets sold at the Doors will not be admitted. Afterpiece: Not acted these 2 years. Receipts: #239 3s. 6d. (21/13/0; 15/0/0; 0/11/6; tickets: 201/19/0) (charge: #108 5s. 2d.)

Event Comment: Prelude [1st time;PREL I, probably by Richard Cumberland. Larpent MS 472; not published]. Mainpiece [1st time; M 3, by Richard Cumberland, based on Calypso and Telemachus, by John Hughes]: The Overture and all the Music entirely new, and composed by Butler. With new Scenery painted by Richards and Carver, and new Dresses. Books of the Masque to be had at the Theatre. Public Advertiser, 27 Mar. 1779: This Day is published Calypso (1s. 6d.)

Event Comment: Rec'd stopages #13 10s.; Paid salary list #565 1s.; Ph. Butler's gratuity 10s. 6d.; J. French on Acct #5 5s.; Mr Baddeley's Law Bill #4 7s. 3d. (Treasurer's Book). [Butler's gratuity occurs weekly from now to end of season. It amounted to #13 11s. 6d. for the season. Butler was a sceneman or carpenter. No further itemization in this matter will be noted.] Receipts: #109 12s. 6d. (Treasurer's Book)

Event Comment: Benefit Mrs Butler. [Tickets at Mrs Elizabeth Butler's Leicester Fields. See Daily Advertiser, 18 April for verses spoken by Mrs Butler on this night.

Event Comment: Benefit Butler. At the particular Desire of several Persons of Quality and Distinction. 7 P.M. N.B. The Reason of the Play being deferred from Tuesday the 20th of August . . . was on Account of the Absence of one of the principal Performers; so that Mr Butler humbly hopes his Friends will excuse it, and honour him with their Company; and to prevent any Disorder, Guards will attend at the Doors, every thing being to be perform'd in the same exact Manner as at the Theatres Royal

Event Comment: Benefit Mrs Butler. Tickets at Mrs Butler's House in Leicester Fields

Event Comment: Benefit Mrs Butler. Tickets at Mrs Butler's House in Leicester Fields

Event Comment: Benefit Mrs Butler. Boxes as 17 March. Tickets at Mrs Butler's House in Leicester Fields

Event Comment: By Command of his Royal Highness the Duke. Benefit Mrs Butler. [Tickets at Mrs Butler's House in King Street.

Event Comment: The United Company. The date of the first performance is not known, but it very probably occurred not later than May 1691, as the play was advertised in the London Gazette, 4-8 June 1691. For discussions of it, see E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44-45, and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter III. Downes, Roscius Anglicanus, p. 42: King Arthur an Opera, wrote by Mr Dryden: it was Excellently Adorn'd with Scenes and Machines: The Musical Part set by Famous Mr Henry Purcel; and Dances made by Mr Jo. Priest: The Play and Musick pleas'd the Court and City, and being well perform'd, twas very Gainful to the Company. Roger North: I remember in Purcell's excellent opera of King Arthur, when Mrs Butler, in the person of Cupid, was to call up Genius, she had the liberty to turne her face to the scean, and ner back to the theater. She was in no concerne for her face, but sang a recitativo of calling towards the place where Genius was to rise, and performed it admirably, even beyond any thing I ever heard upon the English stage....And I could ascribe it to nothing so much as the liberty she had of concealing her face, which she could not endure should be so contorted as is necessary to sound well, before her gallants, or at least her envious sex. There was so much of admirable musick in that opera, that it's no wonder it's lost; for the English have no care of what's good, and therefore deserve it not (Roger North on Music, ed. John Wilson [London, 1959], p. 217-18)

Event Comment: Benefit Mrs Butler and Young Sandham. At the particular Desire of several Ladies of Quality

Event Comment: Benefit Mrs Butler

Event Comment: Benefit Thurmond and Mrs Butler

Event Comment: Benefit Mrs Butler. [Some uncertainty exists as to whether this performance was given, for Rich's Register does not list it; it is , however, recorded in BM Egerton 2320 .

Event Comment: Written by Mr Congreve. Tickets delivered out for the 14th will be taken. Benefit Mrs Butler