SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Peter Garrick"/1) | (@(roleclean,performerclean) "Peter Garrick")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3094 matches on Author, 1100 matches on Performance Comments, 690 matches on Event Comments, 21 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 3, by George Colman elder, based on Le Barbier de Seville; ou, La Precaution Inutile, by Pierre Augustin Caron de Beaumarchais; music by Samuel Arnold and, by attribution, Pierre Alexandre Monsigny. Prologue by the author (Collection...of English Prologues and Epilogues, II, 209). Epilogue by David Garrick (Garrick's Poetical Works, II, 340). Larpent MS 436; not published; synopsis of plot in London Magazine, Sept. 1777, pp. 467-69]: With New Dresses and Scenes

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

Event Comment: Benefit for the Author [see 2 Dec.]. [A letter from Fosbrook, the box-book keeper, to Garrick gives the number of spectators in the house on this night (Garrick, Private Correspondence, II, 323), as follows: Boxes Pit 1st Gall. 2ed Gall.@1st Account 234 310 330 210@2nd Account 80 30 160 80@Total: 1,434.] Receipts: #166 14s. 6d. (140.8.0; 25.18.6; 0.8.0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fathers

Afterpiece Title: The Camp

Event Comment: RosiNA [announced on playbill of 2 Oct.] is obliged to be deferred on account of Mrs Martyr's Indisposition. "There are many of Mr Garrick's most favourite characters which [Henderson] appears in with great credit to himself, and applause from the audience; that in which he has been thought to approach the nearest to his predecessor is Hamlet; and, if we oppose the declamatory skill of Henderson-a quality indispensably necessary to the performance of this most difficult character-to the pathos and phrenzy (whether it be assumed or real madness in Hamlet is not here the question) of Garrick; I think it must be allowed that however short of him he may fall in some particulars, in the one I have mentioned, at least, he exceeds him" Qonson, The sad shepherd, ed. Waldron, p. 174). Receipts: #199 4s. 6d. (197/19/0; 1/5/6)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): David Garrick

Afterpiece Title: The Padlock

Performances

Mainpiece Title: King Richard Iii

Performance Comment: The Part of King Richard-a Gentleman (who never appear'd on any Stage) [Garrick]; King Henry-Giffard; Richmond-Marshall; Prince Edward-Miss Hippisley; Duke of York-Miss Naylor; Buckingham-Peterson; Norfolk-Blakes; Stanley-Paget; Oxford-Vaughan; Tressel-W. Giffard; Catesby-Marr; Ratcliff-Crofts; Blount-Naylor; Tyrrel-Pattenden; Lord Mayor-Dunstall; Queen-Mrs Steel; Duchess of York-Mrs Yates; Lady Anne-Mrs Giffard.
Cast
Role: Buckingham Actor: Peterson

Afterpiece Title: The Virgin Unmasked

Dance: Froment, Mlle Duval, two Masters and Miss Granier

Performances

Mainpiece Title: The Orphan

Performance Comment: Chamont-the Gentleman who performed King Richard (Garrick); Castalio-W. Giffard; Polydore-Giffard; Acasto-Paget; Chaplain-Vaughan; Ernesto-Julian; Serina-Miss Hippisley; Florella-Mrs Yates; Monimia-Mrs Giffard.

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: Pamela

Performance Comment: first edition lists: Belvile-Giffard; Jack Smatter-Gentleman who acted King Richard [Garrick]; Williams-W. Giffard; Longman-Paget; Colebrand-Balkes; Arnold-Dunstall; Andrews-Peterson; Lady Davers-Mrs Bambridge; Mrs Jervis-Mrs Yates; Mrs Jewkes-Yates; Robin-Crofts; Harry-Julian; Isaac-Vaughan; Benjamin-Clough; Arthur-Naylor; Jane-Miss Hippisley; Cicely-Miss Medina; Hannah-Mrs Dunstall; Rachel-Mrs Vallois; Annice-Mrs Bishop; Pamela-Mrs Giffard; Epilogue-Mrs Giffard.
Cast
Role: Andrews Actor: Peterson
Event Comment: Benefit Widow Harper. See Daily Advertiser, 30 April: The case of the Widow of the late John Harper, Comedian: Mr Harper, having been seiz'd about four years since with a Paralitic Disorder, which not only rendered him incapable of acting, but depriv'd him of the use of his limbs, and in some degree affected his senses so as to make him an object of great compassion; during which long and dreadful Indisposition of near four years all possible means were tried (tho' in vain) to recover him, which impair'd and hurt his Circumstances, so greatly, as not to permit him to leave a sufficent Support for his widow, who is in years and unprovided for. Mr Harper dying in January last, according to a custom in the theatre his widow is entitled to a Benefit, and the Comedy of The Miser is to be acted to-morrow night for her Benefit, at Drury Lane; but as she is incapable of making a proper interest for it, without applying to the Compassion and Generosity of the Publick, she hopes to be excused in giving them the Trouble of this her case. Tickets deliver'd out by Roger will be taken.See Garrick's Additional Benefit for her on 11 May.] Receipts: #50

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and Miller of Mansfield

Song: I: The Noontide Air-Beard; V: Ellen@a@Roon (by Particular Desire)-Mrs Clive

Dance: II: Running Footman's Dance, as17420428 IV: a Dutch Dance-Phillips

Event Comment: With a Prologue on Shakespeare and his writings spoken by Garrick, and An Epilogue on Shakespeare's Women Characters spoken by Mrs Woffington-for the benefit of the author of the Prologue and Epilogue

Performances

Mainpiece Title: The Merchant Of Venice

Song: As17430120

Dance: As17430120

Event Comment: Benefit Pierson, Treasurer. Garrick refused to act. So he got Bridges from Dublin to play for him. (Winston MS. from Dyer MS.). Tickets and places to be had at Pierson's House, the Green Door, the Upper End of Great Queen St., Lincoln's Inn Fields, and of Hobson at the Stage Door

Performances

Mainpiece Title: The Country Wife

Related Works
Related Work: The Country Girl Author(s): David Garrick

Afterpiece Title: The Dragon of Wantley

Song: II: Stella and Flavia-Beard; IV: (By Particular Desire) Bumper Squire Jones-Beard

Music: IV: a Concerto-Piantanida

Dance: III: A Comic Dance-Boromeo, Mlle Bonneval

Event Comment: Benefit Raftor, Mrs Clive's brother (Winston MS.). Bayes attempted by Mrs Clive, instigated to it by Cibber (as an) act of envy to Garrick, but he missed his aim, for she did it most wretchedly. It was believed she would not have gone through the part. A great house. If she had succeeded she meant to repeat it for her own Benefit. (Winston MS. from Dyer MS.) Mrs Clive did Bayes at the Desire of Several Ladies of Quality. Three rows of the Pit rail'd into the Boxes, where servants may keep places as well as on the stage. To prevent Mistakes in places already taken, it is desir'd that those Gentleman and Ladies, in whose names they are set down, would please to send for Tickets to Hobson at the stage door

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: A Peep Behind the Curtain; or, The New Rehearsal Author(s): David Garrick

Song: I: Beard; III: Lowe; IV: Miss Edwards

Dance: II: Serious Dance, as17430504; V: Tyrolean Dance, as17421129

Event Comment: Notices of performances on this date had appeared since 8 Sept., as at common prices and written by the late Sir Richard Steele, yet under the unsettled circumstances Fleetwood may not have assembled the players necessary for the production. Macklin, Garrick, Mills, Pritchard, Havard, Berry, Leigh, Blakes, Woodburn, Mrs Clive, Mrs Pritchard, and Mrs Mills had withdrawn and were attempting to form a company for acting at the New Haymarket. See Drury Lane Management in the Introduction

Performances

Mainpiece Title: The Conscious Lovers

Event Comment: During this month was publish'd The Dramatic Congress, a short state of the stage under present management, by W. R. Chetwynd. The older actors and dramatists sit in Elysium and discuss the fate of the theatre under Fleetwood and Rich. Much on cartels and the decay of the stage, and the chicanery indulged in to starve the Macklin-Garrick revolters. Probably about this time was also publish'd Tyranny Triumphant...Or Historical and critical remarks on the famous Cartel lately agreed on by the masters of the two theatres, by Patrick Fitz-Crambo. Discusses the rumor that Rich shut up Lincoln's Inn Fields for six months and for #600 gave the key to the Manager of Drury Lane, leaving the actors to starve, and the town to be satisfied with whatever nonsense Drury Lane chose to put on

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The School Boy

Event Comment: On Tuesday next will be presented The Relapse, or Virtue in Danger, the part of Lord Foppington to be perform'd by Mrs. Cibber. [This day appeared in the papers an account of the salaries of present-day actors compared with those in the time of Wilkes and Betterton, suggesting great overpayment of Garrick, Macklin, &c. This, according to Mrs Clive (Case, p. 8) was a false account.

Performances

Mainpiece Title: The Mourning Bride

Song: II: Song-Sullivan

Dance: III: Dance, as17431013; V: a New Dance-Muilment, Desse, Liviez, Mrs Walter

Event Comment: Sir, As there have been many reports to my prejudice, I desire you will publish the true and only Reason why I have not yet appear'd upon the stage this winter. Many of the Persons concerned in the late struggle with the Manager, might have been left destitute had I deserted them, therefore I thought it incumbent on me to endeavor at this reconciliation with my own, upon reasonable terms; this I have accomplish'd, and hope I am excusable for not playing 'til it is determin'd. Tho I am sensible my affairs are too inconsiderable to be laid before the Publick, yet as I am their servants, and have been so much favour'd with their Indulgence, I thought it my Duty to convince 'em that it is neither Obstinacy, or Exorbitancy, but a quite different motive, that detains me so long from doing my utmost to contribtte to their Entertainment. I am, Sir your Humble Servant, D. Garrick.--London Daily Post and General Advertiser

Performances

Event Comment: Tomorrow Morning will be publish'd A Full Answer to a False and scandalous Libel, entitled the Case of Charles Macklin, Comedian. In which will be inserted several original letters relating to that Dispute, by David Garrick

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Dance: III: Italian Masquerade, as17431126

Event Comment: The farce never acted before [by James Ralph]. Two acts taken from The Spanish Curate, by Beaumont and Fletcher. Macklin's Reply to Garrick's Answer published

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lawyer's Feast

Song: II: Song-Morland (his 1st appearance)

Dance: V: Italian Masquerade, as17431126

Event Comment: The New Tragedy entitled Love's the Cause and Cure of Grief intended to have been acted this night is deferr'd till Monday Next. Daily Advertiser: The Fable of the Iron and the Earthen Pot. To Mr Macklin. Vers'd thou art in every Wile Thy conduct who can Reconcile? Who'll think thee knowing in Intrigue With Garrick e'er to join in League? Was not the Maxim to thee known That Leaguers. 'Twixt Equals suit alone? We grant thee Merit; yet how far Does Sol outshine the brightest Star? Thy strength hads't thou by duly weigh'd No Feuds had then to ills betray'd. Still if thou well or ill deserve Pity, methinks, to let thee starve Pity that thou shoulds't find too late Sage Aesop's Earthen Pot thy fate

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lawyer's Feast

Song: II: Song-Morland

Dance: V: New Dance, as17431123

Event Comment: WWilliam Hint in a Letter (Daily Gazetteer, 31 Oct.): Mr Sheridan? was cast most improperly, into the part of Horatio; which naturally call'd for Mr Delane? in that house....but why was Mr Garrick? left out of the play. Would he not have look'd, spoke and acted Lothario?

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Amorous Goddess

Event Comment: WWilliam Hint in letter (Daily Gazetteer, 31 Oct.): Here again we find Mr Delane ill cast for the sake of casting Mr Sheridan?; Still worse, Need I say how much better this play would have been acted had Mr Delane? play'd Pierre, and Mr Garrick? Jaffier

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: The Amorous Goddess

Event Comment: TThe Rehearsal, desir'd for this day is oblig'd to be deferr'd till Saturday, on account of the hurt Mr Garrick receiv'd upon the stage on Tuesday last

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Rosamond

Dance: III: Shepherd's Dance-Muilment

Event Comment: MMr Garrick lies very ill of a Fever at his Lodgings in Covent Garden.--Daily Advertiser

Performances

Event Comment: Benefit Turbutt and Neale. Mainpiece: By Particular Desire of several Persons of Quality. Afterpiece: not acted these 5 years. [See 29 March 1742.] Tickets and places to be had at the Swan in Smithfield; and of Hobson at the stage door. The severe Indisposition of Mr Garrick continuing, we hope our friends will accept of his part being perform'd to the Best Advantage the shortness of time will permit, which we imagine will be more agreable than changing the play

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Tragedy of Tragedies; or, Tom Thumb the Great

Song: I: Nanny O-Lowe; III: Gentle Shepherd-Mrs Arne; IV: Early Horn-Lowe

Dance: II: Sga Bettini; V: Muilment

Event Comment: Benefit Bridges, Blakes and Cross, prompter. Afterpiece: By Desire. Mr Garrick's Indisposition continuing, we have, at the particular desire of several ladies, chang'd our play. Tickets deliver'd out for the Stratagem will be taken. [On this Day appeared the Daily Advertiser a full column presentment by the Court of Westminster to the Justices of the Peace against unlicensed players]: This court being inform'd that common Players of Interludes have for several years...assembled...in Mayfair to erect Booths and exhibit Drolls and Shews...whereby numbers of His Majesty's subjects have been encouraged to assemble and commit riots and other Misdemeanours in Breach of His Majesty's Peace, and to the disturbance of the Neighborhood, and that some of the players are and now contracting for ground in order to erect Sheds, Booths and other places...for shewing and acting plays...&c, &c, &c...for the more effectual suppressing of the evils aforesaid, it is hereby recommended unto his Majesty's Justices of the Peace to meet together at such time as they shall appoint in order to proceed according to the law against all such offenders as shall be brought before them by the peace officers, who are required to be aiding the Justice of the Peace. [The gist of the Presentment lies in the statement]: that they [the Justices] shall apprehend all and every other person and Persons who in any other place or places within the said City and Liberty shall act or represent for gain, any Tragedy, Comedy, Opera, Play, Interlude, Farce, or any other Entertainment for the stage

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Tragedy of Tragedies

Dance: I: Sga Bettini; III: Muilment

Song: II: Lowe; V: Nanny O (By Desire)-Lowe

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Virgin Unmask'd

Performance Comment: As17450401 but Epilogue by Garrick-_; Only Lucy-Miss Hippisley; Coupee-Woodward listed.

Dance: II: Comic Dance-Cooke, Sga Campioni; IV: La Gondalier-Cooke; V: Minuet-LaLauze, Sga Campioni; followed by a Ball Dance call'd the Louvre, concluding with a Minuet-a Boy (scholar to LaLauze), Sga Campioni

Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Anatomist