Event Comment: Benefit for Palmer. Miss Ross years later married M LeTexier (Hopkins MS Notes; MacMillan)

Event Comment: Benefit for Watson, Roberts, Kaygill and Palmer

Event Comment: Benefit for Watson, Roberts, Wilson and Palmer. Tickets delivered by Humphreys will be taken. Receipts: #267 13s. Charges: #84. Profits to beneficiaries: #183 13s. (Treasurer's Book)

Event Comment: By Permission. Benefit for Palmer

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; C 5, by Richard Cumberland. Text 1st published in his Posthumous Dramatic Works, Vol. II (G. and W. Nicol, 1813); it assigns no parts, but adds George Ivey and David Duncan, acted by Caulfield and Packer. Genest erroneously assigns Sir Adam to Wewitzer and Beau Tiffany to R. Palmer. Prologue and Epilogue by the author (True Briton, 9 May). Songs by Michael Kelly, in Act I harmonized by Sir William Parsons.] True Briton, 25 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #581 15s. (294.18.6; 72.7.0; 3.17.6; tickets: 210.12.0) (charge: #213 6s. 8d.)

Event Comment: Benefit for Bannister Jun. Public Advertiser, 22 July: Tickets to be had of Bannister Jun., No. 29, Bow Street, Covent Garden. 1st piece: In 3 acts, altered from Shakespeare [by Frederick Pilon. Prologue by the alterer (European Magazine, Aug. 1785, p. 150)]. 2nd piece: Acted but once [on 27 Aug. 1783]; with Alterations

Event Comment: Benefit for Bannister Jun. 2nd piece [1st time; MF 2, by Prince Hoare, Larpent MS 1289; not published; synopsis of plot in Morning Herald, 29 Apr, Author of Prologue unknown]: The new Musick composed by Kelly. Morning Chronicle, 16 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #360 8s. 6d. (272.17.6; 80.9.6; 7.1.6; tickets: none listed) (charge: #213 3s. 7d.)

Event Comment: Benefit for Bannister Jun. [Author of Prologue to 1st piece unknown. 2nd piece: By permission of G. Colman, Esq. [owner of the copyright]. 3rd piece [1st time; F 2 (?)]: Altered from Woman's a Riddle [by Christopher Bullock; alterer unknown. Not in Larpent MS; not published]. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #286 11s. (145.16; 14.5; 1.12; tickets: 124.18) (charge: #106 1s. 5d.)

Event Comment: 1st piece [1st time; PREL I, by George Colman, the elder]. "The ground-work was the apologies received from the great actors, who all preferred their suburban shades to the temperature of the Haymarket...The prompter enters to apologize to the audience and return the money, but his plea is rendered nugatory by certain oratorical and mimetic personages stationed in the pit and boxes, who not at first being recognized by the house as professional people, a great confusion was produced. When Mrs Webb arose to address the audience, the joke became apparent, and a prodigious interest was excited' (Boaden, Siddons, 1,208). [In 2nd piece the playbill lists Baddeley, but "Previous to the beginning of the Play, Palmer came forward...and acquainted [the audience] that Baddeley then lay speechless [as the result of a stroke], and Hitchcock, the prompter, would, with their permission, read Baddeley's Part" (London Chronicle, 31 May). The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Public Advertiser, 6 July 1780: This Day is published The Manager in Distress (1s.)

Event Comment: Afterpiece [1st time; F 2, ascribed variously to John O'Keeffe and to James Foord; adapted from La Gageure Imprevue, by Michel Jean Sedaine. Text prints a Prologue "Supposed to be written by G. Colman, Esq., and intended to be spoken by Bannister Jun.," but "it arrived, by accident, too late at the theatre to be studied and recited" (London Chronicle, 25 Aug.)]. "A new afterpiece was...attempted to be represented, [but] it was not heard out" (Public Advertiser, 19 Aug.). Public Advertiser, 8 Oct. 1788: This Day is published A Key to the Lock (1s.)

Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin, 1792]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Musick composed principally by Storace, with a few Pieces selected from [Una Cosa Rara, by] Martini [i.e. Martin y Soler], Salieri, and Paisiello. "The Siege of Belgrade is a very pleasing vehicle for the music, which in a modern opera is all that is expected from the poet" (Universal Magazine, Jan. 1791, p. 66). "The battle between Palmer and Kelly ought to be shortened. It is almost as ludicrous as that between Don Whiskerandos and Beefeater, in Mr Puff's Tragedy [in The Critic]" (Gazetteer, 4 Jan. 1791). Account-Book, 24 May 1791: Paid Cobb for Copyright of Siege of Belgrade of #210. Receipts: #267 9s. 6d. (242.0.0; 23.9.6; 2.0.0)

Event Comment: Afterpiece [1st time; MD 3, by John Philip Kemble, adapted from LODOISKA; ou, Les Tartares, by Jean Elie Bedeno Deiaure]: The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by Storace. With entirely new Dresses, Scenes, Decorations and Machinery. [Scenery for Acts I and III was by Greenwood, for Act II by Malton, Lupino and Demaria; machinery was by Cabanel (see text).] Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Oct. 1794: This day is published LODOISKA (1s. 6d.). Powell, 7 June: Lodoiska rehearsed at 12 and at night (Bannister Jun., Hobler absent). 8 June: Lodoiska rehearsed at night at 6. 9 June: Lodoiska rehearsed at 12. Receipts: #318 1s. (213/11; 101/15; 2/15)

Event Comment: Benefit for Bannister Jun. In consequence of Edwin's Indisposition, Bannister Jun. is obliged to undertake the character of Mrs Cole. Morning Chronicle, 19 July: Tickets to be had of Bannister Jun., No. 29, Bow-street, Covent Garden. 1st piece [1st time; F I, author unknown, altered from The Walking Statue; or, The Devil in the Wine Cellar, by Aaron Hill. MS: Larpent 741; not published].3rd piece: Not acted these 7 years [acted 8 Sept. 1780]

Event Comment: Benefit for Bannister Jun. Mainpiece: By Permission of George Colman Jun., Esq. [Prologue by George Colman Jun. (Kemble Mem.), printed in Henry Angelo,@Reminiscences, 1828, I, 331-32.] Morning Herald, 29 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #538 18s. 6d. (251.19.6; 32.18.0; 3.0.0; tickets: 251.1.0) (charge: #163 9s. 2d.)

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MD 2, by Samuel Birch]: The Musick by Attwood. Books of the Songs to be had in the Theatre. 2nd piece [1st time; INT 1, by George Colman, ynger. This was the 1st scene from Colman's New Hay at the Old Market, slightly revised; in subsequent seasons it was acted under the title of Sylvester Daggerwood]: By Permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: With a Sea Fight. [The playbill assigns Sneer to Palmer, but "The Public are most respectfully informed that Palmer being too ill to perform this Evening, the character of Sneer will be attempted by Benson, who humbly hopes for their usual indulgence" (printed slip attached to Kemble playbill).] Oracle, 4 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford Square. Receipts: #613 12s. (332.0.6; 45.19.6; 4.3.0; tickets: 231.9.0) (charge: #221 19s.)

Event Comment: Benefit for Bannister Jun. 1st piece: Never Acted Here. 2nd piece: Written by G. Colman Esq., with Alterations [from his Occasional Prelude]. 3rd piece: Not acted these 10 years [not acted since 17 May 1763]. Receipts: #207 18s. 6d. (89.5.0; 29.19.0; 1.13.6; tickets: 87.1.0) (charge: #106 13s. 8d.)

Event Comment: Benefit for Baddeley. 3rd piece [1st time; F 2 (?), author unknown. Public Advertiser, 16 Apr. has synopsis of plot; assigns Toby Todman-Jun.; and lists, unassigned: Mr Stockfield, Sir William Matchem, Mr Harland, Lucetta. Not in Larpent MS; not published. This piece has reference to a prize-fight, on which thousands of pounds were said to have been wagered, which took place at Odiham, Hants, on 9 Jan.]. Public Advertiser, 25 Mar.: Tickets to be had of $Baddeley">R. Palmer; Billy Dibley-$Bannister Jun.; and lists, unassigned: Mr Stockfield, Sir William Matchem, Mr Harland, Lucetta. Not in Larpent MS; not published. This piece has reference to a prize-fight, on which thousands of pounds were said to have been wagered, which took place at Odiham, Hants, on 9 Jan.]. Public Advertiser, 25 Mar.: Tickets to be had of $Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #323 11s. [107.6.0; 10.2.6; 0.13.6; tickets: 205.9.0) (charge: #109 4s. 2ds.)

Event Comment: Benefit for Palmer. Mr Palmer most respectfully informs the Publick, the Lord Chamberlain having given Permission, Mr Colman having liberally granted the use of the Theatre, and his Brethren kindly consented to perform, that [there] will be presented...[as above. This benefit had originally been arranged for 20 Sept., but because of the death of the Duke of Cumberland, the theatre on that night was dark.] Tickets to be had of Palmer, No. 3, London Road, St. George's Fields; and of Rice, at the Theatre, where Places for the Boxes may be taken

Event Comment: Benefit for Waldron. Public Advertiser, 9 May: Tickets to be had of Waldron, No. 19, Martlet-court, Bow-street, Covent Garden. Mainpiece [1st time in London; C 5, by Francis Godolphin Waldron, 1st acted at Richmond, Aug. 1782, as The Belle's Stratagem; or, The Female Fortune-Hunters, and again at the HAY in 1794 as Heigho for a Husband! Prologue by the author (MacMillan, Larpent Catalogue, 100). Author of Epilogue unknown. MS: Larpent 599; not published]. Afterpiece: Not acted these 8 years. The Indisposition which prevented King from performing last Friday continuing, Palmer has very kindly undertaken and studied the Character King intended to have appeared in this Evening. Receipts: #126 15s. 6d. (34/5/0; 21/18/6; 2/15/0; tickets: 67/17/0) (charge: #106 9s. 8d.)

Event Comment: Benefit for Palmer. Public Advertiser, 26 Aug.: Tickets to be had of Palmer, No. 39, Goodge-street, Rathbone-place. Afterpiece: 1st time at that theatre. With a Sea Fight

Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Event Comment: Mainpiece [1st time in London; T 3, by William Hayley, 1st acted at Chichester, late in May 1784. Text in his Plays . . . for a Private Theatre (T. Cadell, 1784). Prologue by George Colman, the elder (European Magazine, Aug. 1784, p. 165). Contrary to the usual custom on the 1st night of a new play, the parts on this occasion are assigned]. "Palmer had done with Lord Russel as he did with many other characters, that is, totally neglected to study the words of the part . . . Whenever he felt himself at a loss he dexterously introduced some passages from The Earl of Essex, which he contrived to fit into the cues received by Lord Russel." His brother, R. Palmer, who told this anecdote to Boaden, said that the audience suspected nothing amiss (Boaden, Kemble, I, 193)