Event Comment: A Tragedy for Warm Weather. Written after the manner of the Worst, as well as the Best of the English Poets, containing amongst a Variety of Particulars, curious, entertaining, and pathetic, the Rebellion of the Journeymen Taylors on the Score of Wages, etc. Neville MS Diary: Half past Six went to ye Haymarket Theatre but could not get into ye Pit or first Gallery, so stood on ye last row of the shilling Gallery, tho' I could see little, to see how ye Taylors, a new tragedy for warm weather, would go off, being the first night of its performance. 3rd Act hiss'd-ye Gods in ye shilling Gallery called for ye Builder's Prologue-hissed off ye part of ye Old Maid twice and Davies who came to make an excuse. The Gentlemen, many of whom were there, cried No Prologue" but to no purpose. At last Foote said if he knew their demands he would be ready to comply with them. The noise ceasing, after some time he was told the Builder's Prologue was desired. He said he had done all in his power to get the performers, having seen them. After some time he came and informed them he had got the performers together, and if the House would be pleased to accept of ye Prologue in our dresses as we are you shall have it." This was followed by great clapping which shows the Genius of our English mobility ever generous after victory. Left ye House after ye Farce began. [Flints were journeymen tailors who refused to comply with the masters' terms and the regulations of the magistrate, in contradistinction to those who submitted and were in derision stiled Dungs. The term dates from 1764-OED. An extract from the Occasional Prologue (the Builder's Prologue) in prose on the opening of the Theatre Royal in the Haymarket, by Foote published in the London Magazine July 1767, p. 351. Foote, Scaffold, and Prompter are the three participants. Foote tells Scaffold he will be paid by the audience. Scaffold notes that the audience must in that case be pleased at all times. Foote promises no long processions [will] crowd my narrow scenes." He assumes that any of the reforms he plans will but echo the public voice. The Prompter then calls the actors on.

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Event Comment: The Corpse of His Royal Highness the Duke of York arrived at Greenwich, and was buried the next day

Event Comment: Benefit for Mr Sarjant and Son (book and box-keeper). Tickets deliver'd for the 16th will be taken. Charges #81 15s. 6d. Deficit to Sarjant #57 4s. covered by #167 2s. from tickets (Box 450; Pit 272; Gallery 138) (Account Book). Rec'd the 1!2 value of tickets for 28th inst. from Doe, Reed, Robson, Rose, Pilfold, Roberts, Dixon, and Wooley (Account Book). Receipts: #57 4s. (Account Book)

Event Comment: MMr Aickin hissed for being imperfect.--This night was introduced at the end of the Pantomime a Grand Masquerade in imitation of that given by the King of Denmark at the Opera House, and lighted up after the same manner--Every performer belonging to the House was on, even Mr Garrick and his brother.--The dresses were very elegant, and the whole very striking,--and gave pleasure to the Audience (Hopkins Diary). [The masquerade remained a part of Queen Mab and was also attached to Fortunatus. It evoked the following verse in Lloyd's Evening Post, Nov. 21-23]: One night last week a merry blade,@Who'd seen the Royal Masquerade,@And paid ten guineas for admission,@Began to damn the imposition;@His friend reply'd, "You may complain,@For I last Night at Drury Lane,@Saw full as much for eighteen pence,@As you got at such vast expence."-- G.S. C y

Event Comment: Benefit for Mahon. Tickets deliver'd for Lionel and Clarissa, an Opera and Master Harris will be taken. Charges: 1!2 House charge plus 1!2 Receipts: #62 18s. 3d. Deficit to Mahon #1 6s. 9d. covered by #37 15s. from tickets (Box 77; Pit 66; Gallery 86). Mas. Harris Disposed of #40 19s. worth of tickets (Box 97; Pit 68; Gallery 65) from which he receiv'd 1!2 value. Receipts: #61 11s. 6d. (Account Book)

Event Comment: Mainpiece: An English Opera [from Rolt's The Royal Shepherd]. Never perform'd there. The Music selected from the best composers, and adapted by Tenducci. Books of Opera to be had at theatre. [Argument from Edition of 1769: Among the most celebrated actions ascribed to Alexander the Great, may be well ranked that of delivering the Kingdom of Sidon from the tyrant Strato; and instead of taking the dominion himself, restoring the crown to the next lawful heir, who, ignorant of his pretensions to it, lived as a shepherd in the country near Sidon, of which a more particular account may be found in Quintus Curtius, Book IV, Chap. 10. The superstructure of the fable raised on this historical foundation, will be seen in the course of the drama." The Plot sketched out in a review in the Freeholder's Magazine, Dec.] Receipts: #137 14s

Event Comment: By Command of their Majesties. Tickets to be had and Places for the Boxes to be taken of Mr Johnston at the Stage Door of the Theatre, at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. The doors to be opened at 5 o'clock. To begin at Half past six. [Stanley and Smith carried their Royal Prerogative over to Drury Lane this season.

Event Comment: At the Theatre Royal in the Haymarket. Places to be taken of Mr Jewell at the Theatre. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No Admittance behind the Scenes. No Money to be returned after the Curtain is drawn up. The Doors to be open at Six. To begin precisely at Seven. Vivant Rex et Regina. The Servants to keep Places are desired to be at the House by Five. [Repeated.

Event Comment: This day Publish'd Price 6d. Three Old Women Weatherwise: an Interlude, as performed with great applause at the Theatre Royal in Drury Lane. Printed for S. Bladon

Event Comment: By Authority. Benefit Miss Rose (near six Years old), who for her surprising capacity and Theatrical Abilities is most deservedly celebrated. Tickets for 18 March will be taken. To begin at 7 p.m. N.B. No person on any pretence whatever to be admitted behind the Scenes unless those few possess'd of tickets for that purpose. Those Ladies and Gentlemen who chuse entire Boxes are most humbly requested to secure them immediately

Event Comment: Paid one year's Assurance on #3000 in the Royal Exchange Assurance Office to 15 Dec. 1772...#6; Paid Morris (herald painter) #19 16s. 6d.; Paid Walker for Partizans &c. #9 6s. 6d.; Paid Snivley & Davis (worsted lace men) #4 4s. 6d. (Account Book). [The Heraldry and Partizans &c. probably for the Institution of the Garter.] Receipts: #147 1s. (Account Book)

Event Comment: Tomorrow being the birthday of her Royal Highness the Princess Dowager of Wales is the reason of performing this day

Event Comment: Afterpiece: By Particular Desire. Latter end of next month the Theatre Royal, Haymarket, which has been much enlarg'd and Beautified will open with Subs[cription] Jubilee Masque (Winston MS 10). Paid Mr Hopkins, Prompter's Bill, #23 16s.; Mr Calthorpe's 1st payment #157 10s.; Printer's bill #9 6s. (Treasurer's Book). Receipts: #237 (Treasurer's Book)

Event Comment: By the unfortunate death of her Royal Highness the Princess Dowager of Wales a temporary stop was put to theatrical entertainments to this day. Opera will be performed at this theatre three times or at least twice every week till Passion Week. Such of the Nobility and Gentry, subscribers to the Opera who do not care to keep their Boxes on the Thursday, and have the extra weekly performance reckoned into their Subscription nights are desired to send word

Event Comment: Mainpiece: By Desire. Paid one year's Assurance on #5000 in the Royal Exchange Assurance Office to 31 March 1773, #12 10s. (Account Book). Receipts: #116 5s. (Account Book)

Event Comment: G[arrick] This Night was advertis'd for Mr Barry's Benefit but he being ill his Benefit was deferr'd (Hopkins Diary). Garrick is removed from Southampton St. to Adelphi Terrace (Winston MS 10). This day is publish'd Theatrical Biography; or, Memoirs of the principal performers of the three Theatres Royal. Drury Lane: Garrick, Barry, Reddish, Aickin, King, Moody, Dodd, Love, Vernon, Parsons, Baddeley, Mrs Barry, Mrs Abington, Miss Younger, Miss Hayward, Mrs Baddeley, Miss Pope, Mrs Egerton, Mrs W. Barry and Mrs Jefferson. Covent Garden: Ross, Smith, Savigny, Woodward, Yates, Shuter, Bensley, Dyer, Mattocks, Clark, Mrs Yates, Mrs Mattocks, Miss Macklin, Mrs Bulkley, Mrs Green, and Mrs Thompson. Haymarket: Foote, Weston, Aikin, Didier, Davies, Mrs Gardner, Mrs Jewell, and Mrs Didier. Together with critical and impartial remarks on their respective professional merits. Printed for S. Bladon. Receipts: #265 18s. (Treasurer's Book)

Event Comment: By Permission. Positively the last Night of Performing this Season. Benefit for Dancer, Mrs Fearon, and VanRymsdyck. Tickets delivered by Lloyd and Vowell will be taken

Event Comment: Afterpiece: With the Stockwell Scenes, for the LAST TIME this season. [But see Stockwell Scenes attached to Royal Chace 30 Nov. ff.] Paid half year's water rent, #2. (Account Book).Receipts: #163 18s

Event Comment: Both pieces By Command of their Majesties. Present their Majesties. Gave Yeomen of Guard #2 2s. Paid one year's Assurance on #3000 in Royal Exchange to 15 Dec. 1773, #6. Paid Raban & Kime (coal merchants) #91 10s. Paid Dr Arne for the Music for Elfrida #90 (Account Book). Receipts: #233 11s

Event Comment: Oratorio composed by Handel. Tickets to be had and places for the Boxes to be taken of Mr Johnston at the Stage Door of the Theatre, at Half a Guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. The Doors to be opened at Five o'Clock. To Begin at Half past Six. N.B. Those ladies who had Side Boxes last year, are humbly requested if they intend to continue them the ensuing season, to give immediate notice to Mr Johnston to have them secured. [The Westminster Magazine (March) commented: "One of those whims by which the public are continually influenced, has made it the ton to resort to this theatre to hear and see Miss Linley, the syren of Bath. This young lady who is greatly indebted to nature for the eclat with which she is followed, and not a little to the fortuitous concurrence of remarkable incidents in her life has drawn crowded houses incessantly; and this success has been insured by the constant attendance of his Majesty and the Royal family at this theatre."