Event Comment: A Serious Opera; the Music by Sacchini. [This was Sga Lorenzini's 1st appearance in England.] Public Advertiser, 25 Dec.: The spirit of Vestris seems to diffuse itself throughout the whole Body of Dancers at this Theatre; even the Figurants acquit themselves in a manner that deserves the encouragement of the Public

Event Comment: It not being customary to perform on the Day following Christmas Day, there will be no Opera till Saturday

Event Comment: [On this night Sg and Sga Zuchelli, Henry and Sga Crespi also danced in 3 ballets at king's. A probable explanation is that the play at dl began three-quarters of an hour earlier than did the opera.] Receipts: #103 4s. (69.16; 31.18; 1.10)

Event Comment: Mainpiece [1st time; T 5, by Frances Brooke, based on the anonymous libretto of Sarti's opera Mitridate a Sinope. Prologue by the Rev. William? Collier (see text). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 54)]: With New Scenes, Dresses, &c. Public Advertiser, 8 Feb. 1781: This Day at Noon will be published The Siege of Sinope. (1s. 6d.). Receipts:#231 5s. (228.10; 2.15)

Event Comment: Benefit for Mrs Webb. Tickets delivered for a Comic Opera will be admitted. Receipts: #154 12s. 6d. (94.7.6; tickets: 60.5.0) (charge: #105)

Event Comment: By Command of Their Majesties. [Opera in place of La Fraschetana, announced in Public Advertiser, 28 May.

Event Comment: bTo finish with: Medee et Jason. As 26 June. Only one act of the said Opera can be performed between the two Grand Ballets, owing to their being very long. By Particular desire of several of the Nobility; being positively the last Time of performing this Season [see 30 June]

Event Comment: Benefit for Wilson. Second Course [1st time; M. INT I, by James Cobb. Larpent MS 567; not published]: With Songs and a New Overture. Entrement [1st time: INT I, by Charles Stuart. Larpent MS 566; not published]. Desert: Never acted here; by Permission of Harris [proprietor of cg. The playbill assigns Princess Huncamunca to Mrs Kennedy, but "Huncamunca was very well performed by a Lady who resembled Mrs Kennedy in her voice" (Public Advertiser, 23 Aug.; and see 24 Aug.)]

Event Comment: The last Night of this Season. [On this night Bannister was also acting at dl; on his arrival at the hay he made the following apology, "The instant the opera was finished at Drury Lane I hastened with all possible expedition to execute my duty." But the performance of the 3rd piece was so long delayed that the final curtain did not fall until 12 o'clock (Morning Herald, 17 Sept.).

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Event Comment: Prudom and Sga Allegranti continuing very much indisposed, and Pacchicrotti positively refusing to perform without a First Woman, the Public are respectfully informed that there can be no Opera this Evening

Event Comment: For the better convenience of the company, during the Performance the Pit will be open as usual, and the passage through the Boxes into the Galleries will be open. As soon as the Performance is over, the Supper Rooms will be opened, and, during the time of Supper, the Pit will be covered and the Galleries shut up. The Decorations are entirely new planned, and executed by Novosielski. The whole under the Direction of Crawford. Tickets 2 guineas each. The Doors to be opened at 9:00. The Performance to begin at 10:00. [Le Picq was from the Opera, Naples.]

Event Comment: Benefit for Wild. Morning Herald, 20 Apr.: Tickets to be had of Wild, No. 145, Drury-Lane. 2nd piece: With Alterations. 3rd piece: Written by Gay, Author of The Beggar's Opera. [Prologue by the author.] Receipts: #275 3s. 6d. (174/15/6; tickets: 100/8/0) (charge: #105)

Event Comment: By Desire of His Royal Highness the Prince of Wales. Benefit for Gardel. Tickets, half a guinea each, to be had of Gardel, No. 26, Margaret-street, Cavendish-square. 1st ballet: With entirely new Music, and a new Overture by Carter (Morning Herald, 25 May)

Event Comment: Mainpiece [1st time; CO 3, by Frederick Pilon; probably a rewriting of an opera with the same title, 1st acted at Crow Street Theatre, Dublin, 20 May 1771, at which time Pilon was acting in Dublin]: With new Dresses, and entirely new Music and an Overture by Carter. [In mainpiece the playbill lists Dodd, but "Suett, who undertook at a few minutes' notice the part assigned to Dodd, went through the reading as though he had studied the character" (Morning Herald, 21 May).] [On this night, Whitsun Eve, the theatre was customarily closed.] Receipts: #152 4s. 6d. (134/15/0; 17/6/0; 0/3/6)

Event Comment: Benefit for Sga Sestini. Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish-square. Opera: Reduced to 2 acts

Event Comment: Benefit for Le Picq. [Opera in place of La Contadina in Corte, announced in Morning Herald, 4 June.] Tickets to be had of Le Picq, No. 40, Great Marlborough-street

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe, altered from his The Banditti (see 28 Nov. 1781). Text in his Dramatic Works, Vol. 1 (T. Woodfall, 1798)]: With new Scenes [by Carver (O'Keeffe, u, 38)], Dresses, and a new Overture. The Selected Airs by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, and Carolan, the Irish Bard. The Overture and New Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre. [This was Sga Sestini's 1st appearance on the English-speaking stage. For several preceding seasons she had been a member of the Italian opera company performing at the King's.] "Sestini . . . was handsome, sprightly, and a good actress, if great exuberance of gesticulation, activity of motion, and affected Italian smorfie could make her one; but her voice was gritty and sharp (something like singing through a comb), and she was nothing of a singer, except for lively comic airs. Yet she was . . . long a favourite with the mass of the public, though not with the connoisseurs" (Mount-Edgcumbe, p. 33). Account-Book, 30 June 1783: Paid O'Keeffe in full for The Castle of Andalusia #368 18s. 6d. Receipts: #166 2s. 6d. (165/9/0; 0/13/6)

Event Comment: [In mainpiece the playbill retains Sga Sestini, but "Previous to the Opera, Mattocks apologized for the sudden illness of Sestini; Mrs Martyr would, on a Notice of two Hours, attempt to read the Part" (.Public Advertiser, 9 Nov.). On 9 Nov. Sga Sestini gave birth to a son Qbid., 11 Nov.).] Receipts: #185 18s. 6d. (184/15/6; 1/3/0)

Event Comment: A new Comic Opera [1st time; COM 2, by Carlo Francesco Badini]. The Music entirely new, composed by Anfossi

Event Comment: A Serious Opera in 2 acts [1st time; by Benedetto Pasqualigo]: The Music entirely new by Bertoni

Event Comment: A Serious Opera in 3 acts, acted but once last Season [on 25 May 1782]; the music by Bertoni